Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rare song’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naghma”(1953) was produced and directed by Nakshab for Filmco, Bombay. The movie had Nadira, Ashok Kumar, Om Prakash, Roopmaala, Murad, Ziraab, Qamar, Lotan etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 46
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I take it as a privilege to present the 100th song of a low profile music director who was very active during 1937-1948 though his musical career in films extended till 1965. I have described him as a low profile music director because he and his music has rarely been discussed in articles and books pertaining to Hindi film music. Even Dr Ashok Da Ranade, in his book ‘Hindi Film Song – Music Beyond Boundary’ has not found it necessary to discuss the technicalities of his musical scores who was music director for 58 films aggregating over 600 songs. The music director under discussion is Gyan Dutt.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 44
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The moment the film PEHLI NAZAR (1945) is mentioned, the first name associated with the movie that comes to my mind is Mukesh. His song “dil jaltaa hai to jalne de” quickly acquired an iconic status. The song has some interesting anecdotes too which have been discussed elsewhere in the Blog. The other details of the film such as Mazhar Arts banner, theme of Muslim social background, the director, the cast, lyricist and the music director come to my mind later.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 43
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NURSE (1943), also known as CHHOTI MAA, was produced under the banner of Ranjit Movietone and it was directed by Chaturbhuj Doshi. The star cast included Khursheed, Arun Ahuja, Prabha, Anil Kumar, Indira, Sheikh etc. From the title of the film, I thought that it was a heroine oriented film. But after reading the synopsis of the film given by Shri Arunkumar Deshmukh as comments in one of the songs of the film, it was clear that it was more of a family drama than the story on the life of a nurse. Let me recapitulate a gist of the story given by him in the Blog:
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Question-Answer (Sawaal-Jawaab) songs and its variant, teasing (Ched-Chaad) songs have a special place in Hindi films. These songs are generally duets of male and female voices and are my favourites in the genre of light songs. These songs are sometimes also composed in qawaali style. One can enjoy these songs doubly when the video clips of such songs are available and directors like Guru Dutt, Vijay Anand etc were involved in the picturisation of these songs.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

We in this blog has an anniversary page when anniversaries of HFM related personalities are mentioned. We often discuss songs related to personalities whose anniversaries fall on a particular day.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Lata Mangeshkar who first sang in a Marathi film ‘Gajabhau’ (1944), is still continuing to sing for Hindi films albeit very sparingly. As per http://www.myswar.com, she sang a solo song for the film ‘Dunno No Y2 Life is a Moment’ (2015). That gives her playback career a span of over 7 decades – a world record, I guess, in playback singing for films. In fact, she sang for 46 films between 2000-2015. I thought why not do a similar exercise for Talat Mehmood.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE SECRETARY (1938) was produced under the banner of Ranjit Movietone and it was directed by Chaturbhuj Doshi. The star cast included Madhuri, Trilok Kapoor, Charlie, Kalyani, Begg, Wahidan Bai, Rajkumari etc. The film was based on a story written by Gunvantrai Acharya, one of the most prolific novelists in Gujarati language. By the way, I observe that Gunvantrai Acharya wrote story and screen play for films directed by Chaturbhuj Doshi for Ranjit Movietone like Gorakh Aaya (1938), Musaafir (1940) and Sasural (1941). Both came to Ranjit Movietone after their stints with journalism in Gujarati newspapers. Incidentally, all the three films and the film under discussion had Gyan Dutt as the music director.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, May 8th 2016 is being celebrated as Mothers’ Day in many countries including India. Whether it is Mothers’ Day or any other day, whenever I remember my mother, I always recall the famous dialogue ‘mere paas maa hai’ written by Salim-Javed and delivered on the screen by Shashi Kapoor in the film ‘Deewar’ (1975). These four simple words say a lot about the importance of the mother. I used to wonder what gave Salim-Javed the idea to create this famous dialogue. I checked their profiles and came to know that both of them had lost their mothers in their respective childhoods. My own take is that somewhere in their sub-conscious minds, they missed their mothers and that was how this dialogue came about. In any case, this dialogue fitted well in the film. Shashi Kapoor had his mother as the only possession which he valued above materialistic possesions.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

NADI KINAARE (1939) was produced under the banner of Ranjit Movietone and it was directed by Manibhai Vyas. The star cast included M Kumar, Sitara Devi, Sunita Devi, Charlie, Ghory, Indubala, Bhagwandas, Ram Marathe etc. According to an article in ‘Filmindia’ – December 1939 issue, the film was inspired from 3 Hollywood films – ‘King and The Chorus Girl’ (1937), ‘Bluebeard’s Eight Wife’ (1938) and ‘The Rage of Paris’ (1938). All these three films belong of the genre of romantic comedy.
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