Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Yearwise breakup of songs’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Pyaar Kiya Jaa”(1966) was directed by Sridhar for Chitralaya. The movie had Kishore Kumar, Shashi Kapoor, Kalpana Mohan, Rajashree.T(south->Introducing), Mehmood, Mumtaz, Om Prakash, Shivraj, Chaman Puri, V.D.Puranik, Veena Kumari, N.S,Bedi, Shyamlal etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Toofaan Aur Diya”(1956) was directed by Prabhat Kumar for Rajkamal Kala Mandir. The movie had Satish Vyas, Nanda, Rajendra Kumar, K. Date, Ulhas, Vatsala, Ishwarlal, Shanta Kumari etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

People who have been watching Hindi movies for long know that these movies were not just about hero meeting heroine and singing songs addressed to each other. The movie used to have other characters as well, who would either be in support of the lead pair or against them.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 11000th song post in the blog.

As I am musing to start this write up, the two special things that come to mind are auspiciousness and unity.

Samajhne waale samajh gaye hain
Naa samjhe. . .
🙂 🙂

But it is not so that only these two thoughts are flowing in the mind.  Another thought that enters the mind is flee, escape, take flight etc. etc.  Haan, wo bhi hota hai.

I hope you are still with me. 🙂 🙂

Yes, you are right.  I am trying to start the writing of the post for the very very special occasion of today.  We have touched the next Massive milestone after THE MASSIVE milestone that we hit in July of 2014.  It has taken us eight months and eleven days to reach here.  . . . .Ooooops, I said it, when I was not even intending to say it.  But then the calendar is a calendar and if it has taken eight months and ELEVEN days to reach here, then that is what it is – it HAS taken ELEVEN days + eight months to get to today’s milestone.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 7 # Mukesh – 1
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‘Mutthhi Bhar Chaawal-1975’ was directed by Surendra Shailaj for Satyam Shivam Sundaram Movies and was a ‘social film’. As per the information available on some of the websites this film was produced by Rakesh Chandra. The star cast of this movie includes Mallika Sarabhai, Rakesh Pande, Jayashree T, Gajanan Jagirdar, Purnima, Chandrashekhar, Lily Chakravarti, Satyen Kappu, Bramhachari, Neelu Phule, Shefali, Mirza Musharraf, Anoop Kumar, Usha, Mohammad Ali, Master Rajesh, Vivek, Jagdish Raj, Ram Bhai (debutant) and others.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Oomar Qaid” (1961) was produced by Super pictures and directed by Aspi Irani. This movie had Sheikh Mukhtar, Sudhir, Nazima, Helen, Mukri, Hiralal, Sulochana, Mohan Choti, Jeevankala etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Teen Batti Chaar Raasta”(1953) was produced and directed by V Shantaram for Rajkamal Kala Mandir, Bombay. The movie had Sandhya, Karan Dewan, Nirupa Roy, Dewan Sharar, Shashikala, Parshuram, Smriti Biswas, Keshavrao Date, Sheila Ramani, Nimbalkar, Meenakshi, Baran, Meera Devi, Vikas, Shakuntala, Mohan, Sofie, Leela, Surendra Bahadur, Shankar Dasgupta, Gajendra, Prabhat Kumar, R V Ishwar, Amritlal etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Raaj Darbaar”(1955) was directed by Balwant Bhatt for Deepak Pictures . The movie had Nirupa Roy, Ranjan, Ishwahr Lal, Ranjeet Kumari, B M Vyas, Nagpal, Keshari, Shyam Sundar, Master Baccha, Azeem, Asha Mathur, Heena, Neera end in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Toofaan Aur Diya”(1956) was produced by V Shantaram and directed by Prabhat Kumar for Rajkamal Kala Mandir, Bombay. The movie had Satish Vyas, Nanda, Rajendra Kumar, Vatsala, Shanta Kumari, Krishna Kumar, R V Ishwar, K Date, Ulhas etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Meena Kumari’s life was other people’s destination. For own self, it was a road leading nowhere….no point of arrival.

These words of Meena Kumari, ​ quoted in the book ‘Meena Kumari the Poet – A Life Beyond Cinema’ (2014),  sum up her short life, so well.

Today is the 43rd death anniversary of Mahajabeen Bano, better known as Meena Kumari (August 1, 1932 – March 31, 1972).  Although she had done roles in diverse genres, she was known as the ‘tragedy queen’ of Hindi films. Her personal life was no less a tragedy than the roles she had played in most of her films.  It is said that as a new born child, she was abadoned and put in an orphanage, albiet for few hours, as her parent could not afford to take care of her due to their poor financial condition. A change of mind of her parents brought her back to their residence. But the very thought of she being an ‘unwanted’ child must have lingered in Meena Kumari’s mind later on.  Most of her childhood was  spent in the film studios as she became the earning member of the family by working in the films as child actor.  Her youth was spent in depicting onscreen, the sufferings, sorrows and tragedies that are associated with most womenfolk in India.  After the marriage, her husband saw in her more an actress for his films than a wife.  With this background, one does not need a psychologist to analyse as to why she excelled in her tragic roles. One of her tragedy roles that most often lingers in my mind is  that of Chhoti Bahu in ‘Sahib Bibi Aur Ghulam’ (1962) which, in a way, was a reminiscence of her own life.
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