Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1950s (1951 to 1960)’ Category


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6388 Post No. : 19814

Hullo Atuldom

Back after a year of inactivity. My last post was on 27th December 2025. Since then the calendar has changed and we are into 2026- a New Year. Even if the gap has been of only a few days, it feels like I have been away forever- feels like an Year of Inactivity. 🙂

“Inspector” (1956) was a film that had 9 songs with the song ‘dil chhed koi aisa naghma’ having two versions – in Hemant Kumar’s & Lata Mangeshkar’s voices. The following songs of the film are present on the blog:-
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6388 Post No. : 19811

Naa to kaarwaan ki talaash hai,
naa to hamsafar ki talaash hai

Clickbait?

Not really.

The above qawwali couplet from Barsaat ki Raat (1960) is quite viral these days. This post is however on the genius music director who composed the well-known qawwali.

Roshan Lal.

I have provided the qawwali link above, so that readers can enrich their knowledge regarding the origins and making of the popular number. There are many comments by knowledge readers in the article which give a lot of information.

And, as is my habit, here is a digression.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6387 Post No. : 19809

#The Decade of Fifties – 1951 – 1960 #
————————————————————————

This song is from a 1956 movie ‘Aastik’. I had listened to this song in the past and then forgot about it. Recently I came across an audio link of this song mentioning it as from the movie ‘Shyaam Ki Jogan’. It is then that when I looked for other links of this song. That is when I realised that this song is from the movie ‘Aastik-1956’ and not from the other movie.

This movie ‘Aastik-1956’ was directed by S.P. Kalla for ‘Rani Productions, Bombay’. It was produced by Gordhan Das Kakkad and it was passed by Censor Board on 15.05.1956. The cast of this movie has Shahu Modak, Paro, Meenakshi, B.M. Vyas, Nagpal, Anand Joshi, Praveen Pal, Lotan, Ramesh, Micky, Dinanath, M.S. Phatak, Nazi, Shanti, Mithaailal, Master Dabboo, Master Babu and others.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6386 Post No. : 19804

Today’s song is from a Muslim Social film Paak Daman-1957.

1957 – what a year it was ! The best year in the Golden Era! The best year in the 50s! The best year for melody and music! Such wonderful films came this year!!! The lineup of 1957 films looks like the selection of the creamy layer in everlasting music – ‘Mother India’, ‘Pyasa’, ‘Tumsa Nahin Dekha’, ‘Bhabhi’, ‘Asha’, ‘Miss Mary’, ‘Naya Daur’, ‘Do Aankhen Barah Haath’, ‘Paying Guest’, ‘Nau Do Gyarah’, ‘Dekh Kabira Roya’. ‘Nausherwaan e Adil ‘, ‘Gateway Of India’, ‘Hum Panchhi Ek Daal Ke ‘, ‘Kathputali’, ‘Sharada’ . . . Films like Baarish, Ab Dilli door nahin, Abhiman, Bada Bhai, Begunah, Beti, Chhote Babu, Coffee House, Dushman, Johnny Walker, Miss Bombay, Miss India, Mr. X, Narsi Bhagat, Paak Daman, Pawanputra Hanuman, Ustad, Zamana.

Films produced in Madras were quite popular. AVM’s ‘Bhabhi’, ‘Miss Mary’ and ‘Hum Panchhi Ek Daal Ke’, Prasad Production’s first Hindi film ‘Sharda’, and MV Raman’s film ‘Asha’ played havoc with their captive audiences. Films from south somehow have always concocted a success formula, mixing comedy, tragedy, social message, excellent production values and above all superb music, which made their films very popular everywhere.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6385 Post No. : 19802

“Circus Queen”(1959) was produced by Homi Wadia and directed by Noshir Engineer for Basant Pictures, Bombay. The movie had Nadia, John Cavas, Samar Roy, Sheela Kashmiri, Sheikh, Habeeb etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6384 Post No. : 19798

‘Gul Sanobar’ (1953) was produced and directed by Aspi Irani under his banner, Super Pictures. The cast included Shammi Kapoor, Shayma, Agha, Zilloobai, Rajni, P Kailash, Jagdish Kanwal, Nazir Kashmiri, Agha Shapur, Habib, Alka, Ruhi etc.

The story of Gul Sanobar is an ancient Persian folklore which spread to the middle east Arab region and became a part of the bigger ‘One Thousand And One Nights’ of the Arabian Night traditions. I was expecting that the story of Gul Sanobar may have been first staged by the Parsi Theatres knowing their interest in staging many Arabian Night stories. But I could not find any mention of Gul Sanobar being staged by any theatre group. Even Kathryn Hansen, in her book, ‘Stages of Life‘ is silent on staging ‘Gul Sanobar’. Finally, I got a clue from Internet Archive which has posted in its website Parsi Theatre’s booklet of 75 songs in Gujarati ‘Gul Sanobar No Gaayano’ (Songs of Gul Sanobar) which indicates that the Parsi Theatre had staged the play in Gujarati.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6383 Post No. : 19795

“Kavi”(1954) was directed by Debki Bose for sunrise Pictures, Bombay. The movie had Bharat Bhushan, Geeta Bali, Nalini Jaywant, Chandrashekhar, B M Vyas, Jankidas, Om Prakash etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6382 Post No. : 19791

Today’s song is a Bhajan from the Religious film (Bhakti Pradhan)- Narsi Mehta-1957.

This film was made by Producer/Director Devendra Goyal for his banner Goyal Cine Corporation, Bombay. The music was by Ravi aka Ravishankar Sharma, who had debuted as an independent Music Director, with the film Vachan in 1955. In a very short time, he had earned a good name. There were popular bhajans like, Darshan do Ghanshyam, Jay Govinda Gopala, Vaishnav jan to tene kahiye, Sab ki naiya paar lagaiya’ Ramdhun lagi etc. On the whole this film was full of religious fervour, good music and a show of histrionic talents by experienced artists. The cast included Shyama, Shahu Modak, Lalita Pawar, Radha Kishen, Madan Puri, protima Devi and many others. There were 4 Guest artists, including S.N.Tripathi.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6381 Post No. : 19788

Today’s song is a special song from a Muslim Social film – Darwaza-1954.

The film was produced by the famous writer of Urdu, Ismat Chugtai (21-8-1915 to 24-10-1991). She was the wife of this film’s director Shahid Lateef (11-6-1913 to 16-4-1967). His famous films were Naya Sansar-41, Jhoola-41, Anjaan-41, Ziddi-48, Arzoo-50, Fareb-53, Darwaza-54, Sone ki chidiya-58 and Baharen phir bhi aayengi-66. This pair of story writer, screenplay writer and producer- Ismat Chugtai and director Shahid Lateef worked in many films, including today’s film Darwaza-1954. The banner was Film India Corporation, Bombay. Music for this film was by Nashaad.

Film Darwaza-1954, true to its name, was the entry door for many artists. Singers Suman Kalyanpur and Sabita Bannerjee debuted as Hindi film singers with this film. Lyricist Khumar Barabankvi also debuted as a Lyricist with this film. The cast of the film was Shyama, Shekhar, Nazir Hussain, Leela Mishra, Neelam, Kumkum, Altaf (husband of Khurshid Jr, actress and singer as well as sister of Meena Kumari). Master Romi was a Guest artist.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6380 Post No. : 19785

Today, January 5, 2025, is the 44th Remembrance Day of Ramchandra Narhar Chitalkar, popularly known as C Ramchandra as a music director and Chitalkar as a playback singer. He regaled the connoisseurs of Hindi film music with his melodious musical compositions in the 1950s and 1960s. He was the pioneer of introducing popular foot-tapping songs with western musical influence and western musical instruments like saxophone and guitar in his compositions as early as in the 1940s. At the same time, he was composing classical raag-based as well as folk-based songs. He was trained in Hindustani classical music for six years first under Vinayakbua Patwardhan and later Shankarrao Sapre.

Despite producing many melodious songs especially in the 1950s, it is unfortunate that C Ramchandra did not get any award – whether National Film Award or Filmfare Award as a music director. The first Filmfare Awards were announced in April 1954 for films released in 1953. But his film, ‘Anarkali (1953) was not in the reckoning for the best music director’s award. His film, ‘Aazaad’ (1955) and ‘Paighaam’ (1959) were nominated for the Filmfare Award in best music director category but did not win. But the fact remains that many of his melodious and rhythmic songs of 1950s are still popular among the current generation which itself is a great award to a creative genius.
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