Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1970s (1971 to 1980)’ Category


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Asrar-ul-hasan Khan, better known as Majrooh Sultanpuri (1st October 1919 to 24th May 2000), was one of the foremost Urdu poets to have graced the Hindi film industry. His first film as lyricist was “Shahjahan” which immortalised him in the annals of Hindi film music. The film’s music was by Naushad and it starred K. L. Sehgal in the title role.
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I have mentioned it in my previous post that I am at present visually hamstrung. I am unable to see what I am typing since I have forgotten my glasses at home. There are terms like touch typing, typing with two fingers etc, and I suppose I can add another term, viz typing by guesswork as well. I can barely see the letters on the keyboard but I am an experienced keyboard warrior and so my fingers tend to move to the correct keys almost like second nature. So I hope that I am typing correctly without too many typos.
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“Ummeed” (1962) was a Rajan Films production. It was directed by Nitin Bose. The movie had Joy Mukherjee, Nanda, Ashok Kumar, Leela Naidu, Agha, Tuntun, Leela Mishra, Tarun Bose, Laxmi Chhaya, Chandrima Bhaduri, Nazir Kashmiri, Jankidas, Madhumati, Sabita Chatterjee, Ravi Kant, Hazara Singh, Parashram, Hussain, Jeevankala, Ramesh etc in it.
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With the success of “Chor Machaaye Shor” (1974), Shashi Kapoor had become a much sought after actor.Shashi Kapoor decided to make hay while the sun shone and he signed up each and every offer that came his way. Shashi Kapoor signed up so many movies that he did not have dates to give for his various producers for shooting. Normally actors give “dates” in units of “shifts” for shooting, where one shift consists of six hours (I may be incorrect about the duration of a shift. I request our knowledgeable readers to throw more light on a “shift”). But Shashi Kapoor began to give time in hours for shooting, much to the chagrin of his producers, including Raj Kapoor, his own brother.
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“Aalingan”(1974) , though a recent movie by the standards of this movie is an extremely obsure movie. This movie was a low budget movie, which were then euphemistically described as art movie and they used to be made with out of work newcomers.
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When Raja pointed it out to me that today (10 may) was Kaifi Azmi’s death anniversary, I began to look for a few songs to discuss. It may sound easy but searching for a Kaifi Azmi song (or for that matter any other artist’s songs) is not a simple affair if that artist is well represented in the blog. More than one hundred of Kaifi Azmi’s songs have already been discussed in the blog. In other words, most well known Kaifi Azmi songs are already there, and only the lesser known songs remain to be discussed. I have already discussed one such lesser known song of Kaifi Azmi. And here is another song which is also quite an obscure song.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Is there another song for selling newspapers? I cannot off hand recall one. This one I do remember – film ‘Dooriyaan’, year is 1979, and this film I remember seeing on the big screen.
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Achala Sachdev (born 3 may 1920- died 30 april 2012) died yesterday. She was 91 and she was three days short of completing 92 years. She started her film career at a young age, as a child actor in fact, but it is as a filmy mother that she is remembered the most.
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This article is written by Santosh Ojha, a fellow enthusiast of Hindi movie music and an old contributor to this blog.

When Atul wrote to me in his usual polite way the other day that I must write a post on this song I was taken aback. I have been a (mostly silent) reader of his blog and I have even written a few pieces for it but none for a very long time. Perhaps he thought I might like to do this piece on Don’s “Khaike paan banaraswala” as most of my early pieces were on Amitabh Bachchan’s movies of that era as I am an unabashed AB fan. What he did not know when he wrote to me is that I had another “qualification” for doing this piece; I studied for five years in Banaras.
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