Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1972


Today (11 October) is the 70th birth anniversary of Amitabh Bachchan. He was born this day in 1942.

Today he is a well established legend, but his beginnings were quite shaky and uninspiring. In fact, he had delivered a string of flop movies and he was on the verge of packing up and going back when “Zanjeer” (1973) was released and it became a hit. And after that Amitabh Bachchan did not have to look back.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Ah Ganesh, the unsung genius composer, creator of incredible melodies and rhythms that almost never got picturized on the so called grade A stars of his time. His songs, buzzing with hummable and memorable tunes, played themselves out in B and C grade cinema halls, in productions that were considered of the same categories. Some of his songs escaped this banishment to the C grade world, and found a place on the radio waves, and in the mind and memories of listeners. Some such songs have remained in the memories; but then there are many other remarkable creations from him that await re-discovery by aficionados.
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“Baawarchi”(1972) was produced by Hrishikesh Mukherji and N C Sippy and directed by Hrishikesh Mukherji. The movie had Rajesh Khanna, Jaya Bhaduri, Usha Kiran, Manisha, A. K. Hangal, Harindranath Chattopadhyay, Suraj, Paintal, Kali Banerjee, Durga Khote, Asrani etc in it.
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“Bombay To Goa” (1972) was a Mehmood Productions movie. It was produced by N C Sippy and directed by S Ramnathan. The movie had Amitabh Bachchan, Aruna Irani, Mehmood, Shatrughan Sinha, Lalita Pawar, Manorama, Anwar Ali, Nazir Hussain, Kishore Kumar, Dulari, Mukri, Keshto Mukherjee, Sunder, Asit Sen, Agha, Manmohan, Dilip Dutt, Indira Bansal, Usha Iyer aka Usha Uthup, Babban, Kammo, Birbal, Randhir, Raj Kishore, Jerry, Darshan, Praveen Paul, Shobha, Oscar Unger, Junior Mehmood etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

“Babu Moshai, zindagi badi honi chaahiye lambi nahi”

The exuberant, prophetic words enunciated by a character – terminally ill, fully aware of his fate, and yet living the life to its brim. Anand (1971), the character that captured the imagination of multiple generations of viewers, has gone down in the film history as the ultimate optimist and a very endearing idealist. The wonder that this film is, simply never ceases for me. The extrovert, loud mouthed, always hungry for a conversation, and food – in his filmi demise, he taught a valuable lesson for the living.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The year is 1972, and Salil Da has completed two decades in the film industry. Making his debut with the 1953 Bimal Roy production, ‘Do Bigha Zameen’, he continues to be a fairly busy music director in the early 70s. Somewhat unassuming, somewhat low key, his creations continue to catch one’s ear as well as one’s fancy. During the 50s and 60s, he has made his mark with such films that have become memorable on account of his music – ‘Biraj Bahu’ (1954), ‘Jaagte Raho’ (1956), ‘Musaafir’ (1957), ‘Ek Gaon Ki Kahaani’ (1957), ‘Madhumati’ (1958), ‘Parakh’ (1960), ‘Chhaayaa’ (1961), ‘Kabuliwaala’ (1961), ‘Half Ticket’ (1962), ‘Poonam Ki Raat’ (1965) etc. The seventies have emerged and Salil Da already has films like ‘Anand’ (1971) and ‘Mere Apne’ (1971) under his belt. In 1972, his melodies from ‘Annadaata’ are making waves on the radio. In 1972, Salil Da will also compose for two more films that did not get retained on the memory cards of the listening public. One is ‘Sabse Bada Sukh’ that has two wonderful songs. And the second is an even more obscure film, ‘Anokha Daan’, which carried as many as five superb melodies.
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Watching old Hindi movies (and its songs) is a good way to look back at the past and see how things were back then. Another way of looking back at the past is by going through the publications of those days.

I recall that I was an avid reader of books in my younger days, viz 1970s. I would read each and every book, whether they were meant for kids or grown ups. In addition to being an avid reader, I was an avid collectors of children’s magazines in Hindi. The children’s magazines in Hindi those days used to be “Bal Bhatri”, “Nandan”,”Champak”,”Parag”, “Lotpot”, Chandamama”, “Indrajaal Comics” etc. You name the children’s magazines and I collected them. I not only collected them, I catalogued them systematically too. They were my prized possessions. I would not be averse to get hold of magazines not in my collection, but I would be quite reluctatnt to lend my magazines to others, because the likelihood of the borrower returning the book were remote in most cases. One needed to pester the borrower hard, sometimes by visiting his home, before one could get your book back.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

During my travels and trekking in the Himalaya, I have met some interesting personalities – from fellow travellers/ trekkers, drivers, guides, porters, villagers etc. I even had the company of Bhotia dogs during some of my high altitude treks. I remember that in 1986, a Bhotia dog accompanied me during the full 65 kms of trek from start to finish crossing a pass with knee deep snow. Fortunately, it was a round trek thus bringing the Bhotia dog back to his village.
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