Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Khayyam’


This article is written by Sudhir, a fellow enthusiast of Hindi movie music abd a regular contributor to this blog.

There have been many an artist from the Hindi cinema, that have become enduring icons in the cultural history of our country. And there are many a great artists with wonderful qualities to create and render in films and film music. Majority of those whom we remember, are not with us anymore in this physical world. And we think of them, remember them, and feel blessed that we have had the good fortune to be born in this time and in this place, where this wonder that we call the Hindi film music ruled, and still rules, the hearts of millions. The sounds and songs of the yesteryear still abound in the memory of music lovers. That memory is a great treasure, and a heritage of lasting presence.
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“Kabhi Kabhi” (1976) was a Yashraj Films production movie. It was produced and directed by Yash Chopra. The movie had Shashi Kapoor, Rakhi, Amitabh Bachchan, Waheeda Rehman, Rishi Kapoor, Neetu Singh, Simi Grewal, Parikshat Sahni etc in it.
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“Kabhi Kabhi” (1976) was a movie that I became aware of when its title song began to play on radio. I found the title song quite antiquated in its tune. Those were the days when anything not sung by Kishore Kumar or not composed by R D Burman was regarded as old by me. I found that the music of this movie was composed by someone called Khayyam. and that is how I became familiar with this name.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A few days back on the occasion of Amitabh and Rekha’s birthday I spoke of how famous or popular or well received their pairing was in Bollywood movies. There were other such equally popular jodis. Viz. Rishi Kapoor- Neetu Singh, Vinod Mehra- Moushmi Chaterjee, Rajesh Khanna with Sharmila Tagore, Rajesh Khanna with Mumtaz, Rajesh Khanna with Asha Parekh etc in my growing up years. Actually I thought that Jaya Bhaduri never made a geat pair on screen with Amitabh, I liked her more with Sanjeev Kumar or even Jeetendra. There were popular pairing in the previous generation of stars too. But I think we have more knowledgeable people in our group to list them. Now what made a pairing popular was how well they looked together or how had their movie fared at the box office or how much recall value their songs had.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

After listening to some of the evergreen non-filmy songs during the last few days, I have come to the conclusion that non-filmy songs have their own style of compositions with tunes and melody getting primacy over orchestration. The musical instruments used in such songs are minimum. Most of these songs give a feel of devotional songs in one way or the other. In romantic songs, there is the devotion towards lovers/beloved. The patriotic songs are devotion to the country. Of course, the bigger canvass of the devotional songs (bhajans) is the spiritualism and devotion to the Almighty. In the 60s, ghazals and bhajans formed a bulk of the non-filmy songs.
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“Baawri” (1982) is a recent movie by the standards of this blog, but this movie has already been forgotten and its details are not known to most people. This movie was directed by A C Trilogchandar. The movie had Rakesh Roshan, Jayaprada, Yogita Bali, Dr Shreeram Lagoo etc in it.
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“Tatar Ka Chor” (1955) was an M P Production movie. It was directed by Majnu. The movie had Shyama, Mahipal, Vijay Lakshmi, Chandrashekhar, Maruti, Yashodhara Katju, Gope, Sheikh, Indira, Tuntun, Rajan Kapoor, Shetty, Mohd Ali, Verma, Sattar, Hanuman, Rafiq, Shafi, Ramavtar, Zakhmi, Kamal etc in it.
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“Shagoon” or “Shagun” (1964) was a Shaheen Art production. It was directed by Nazar. The movie had Kamaljeet, Waheeda Rehman, Neena, Achla Sachdev, Libi Rana, Nazir Hussain, Nana Palsikar, Pratima Devi, Rajdeep, Chand Usmani etc in it.
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