Archive for the ‘“Aankh” song’ Category
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The moment the image of Ameerbai Karnataki comes to my mind, I remember some of her most popular songs, mostly full of pathos, melancholy, and devotion. In fact, the most popular songs of her singing career come from these genres. She started her filmy career in 1934 as an actor-singer but realising that the potential for career as a playback singer was bright after the system of playback singing was introduced in Bombay film industry in 1937, she confined herself mainly to playback singing thereafter. After her songs in ‘Kismet’ (1943) became very popular, for the next five years or so, she remained one of the top playback singers. Of the total of around 375 songs she sang during her filmy career, more than 50% was accounted for during 1943-48.
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- In: "Aankh" song | Calling the beloved | Devnagri script lyrics by Sudhir | Expecting the beloved | expression of love | Feelings of heart | Guest posts | Lyrics contributed by readers | Missing the loved ones | Post by Bharat Upadhyay | Songs of 1960s (1961 to 1970) | Songs of 1970 | Suman Kalyanpur NFS | Suman Kalyanpur solo | Suman Kalyanpur songs | Waiting for love | Yearwise breakup of songs
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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Sureeli Suman – 16
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This is the last but one song from the album ‘Swar Bahaar’, for which I have repeatedly discussed the details, in this series. Music Director Shyam Sharma has provided appropriate lilting tune to the lyrics of Anjaan.
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- In: "Aankh" song | Calling the beloved | Devnagri script lyrics by Avinash Scrapwala | expression of love | Feelings of heart | Guest posts | Love song | Lyrics contributed by readers | Post by Avinash Scrapwala | Songs of 1950s (1951 to 1960) | Songs of 1958 | Sudha Malhotra solos | Sudha Malhotra songs | Yearwise breakup of songs
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today we add one more movie in our endeavor to bring ‘movies with same titles’ on the blog. Today’s movie is ‘Chaltaa Purzaa-1958’
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- In: "Aankh" song | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Love song | Lyrics contributed by readers | Post by Sudhir | Rafi songs | Rafi-Asha Bhonsle duet | Series of articles | Songs of 1960s (1961 to 1970) | Songs of 1962 | Songs to tickle your memory | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Songs to Tickle Your Memory – 33
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wo jab yaad aaye
bahut yaad aaye
yes, bahut yaad aaye. . . that voice – the magic, the magnetism, the feeling of surreal contentment that descends into the being, and ensconces it with a joyous delight. It is a voice, that now lives only in our memories, or in the ethereal sound waves. The memories are such, they will never be detached till the breaths last. And the sound – they say in our culture that sound is forever; it lives in the space for all times to come. And so will this voice. This voice – of Rafi Sb. This voice that went to sleep 36 years ago, today. 36 years seem to be a long time, a third of a human life already. But it seems just like, well, recently. And the affinity and the magic of this voice has only deepened with time.
Remembering Rafi Sb today, with all humility and respect and love.
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Today (25 july 2016) is the 20th death anniversary of G S Kohli. G S Kohli, a long time assistant to O P Nayyar was an independent music director in movies like “Faulaad”(1963), Shikaari”(1963), “Namasteji”(1965) etc.
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Na kisi ki aankh ka noor hoon
Posted on: July 23, 2016
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The ghazal ‘na kisi ki aankh kaa noor hoon’ has been embroiled in a debate about its authorship. This ghazal became popular and well known when Mohammed Rafi sang it for the film ‘Laal Qila’ (1960). The ghazal was credited to Bahadur Shah Zafar, the last Mughal emperor. In fact, this ghazal was picturised on Bahadur Shah Zafar, this role played by M Kumar. The sentiment expressed in the ghazal fitted very well with the status of Bahadur Shah Zafar as the last Mughal king whose writ did not work beyond the walled city of Delhi. It was this that probably led many to believe that the ghazal was the expression of his inner feelings of sorrow and self-pity.
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Aankh mein aansoo dil majboor
Posted on: July 21, 2016
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Dil Ki Basti”(1947) was directed by Wahid Qureshi for Aaina Pictures. The movie had Masood, Nigar Sultana, Amar, Urmila, Lalita Pawar, Tiwari etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today (18 july 2016) is the death anniversary of Rajesh Khanna (30 december 1942- 18 july 2012). We already have two tributes to Rajesh Khanna is the blog from two die hard Rajesh Khanna fans.
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Mila nazar ko tera intezaar
Posted on: July 17, 2016
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Naubahaar” (1952) was jointly produced by Ashok Kumar and M S Alhuwalia under the banner of New Premier Pictures and it was directed by Anand Kumar.
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Uyi chubh gayi mere man mein ho
Posted on: July 15, 2016
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ZAMEENDAAR (1942) was produced by Dalsukh Pancholi and directed by Moti B Gidwani for Pancholi Art Pictures, Lahore. The movie had Shanta Apte, S D Narang, Manorama, Ghulam Mohammed, M Ismail, Baby Akhtar, Durga Mota, M Azmal, Khairaati, G N Butt etc. in it.
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