Archive for the ‘Bird songs’ Category
Pihu pihu papeehay na bol
Posted on: January 24, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
A semi classical creation from N Dutta. A versatile musician, N Dutta’s films display the range of his creativity. In a career that lasted a better part of three decades from 50s thru 70s, most of his film names sound like B/C grade films, with very few A grade films or known hits to his credit. A few names do stand out as films easily remembered, viz., Chandrakanta, Hum Panchhi Ek Daal Ke, Dharamputra, Saadhna, Dhool Ka Phool, Black Cat, Bhai Bahen, Didi, Naya Raasta etc.
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“Jagbeeti” (1946) is by now an extremely obscure movie. It was produced by Din pictures and it was directed by M Sadiq. The starcast of the movie, as mentioned in YT is Sadiq Ali, Auraiya, Shakir, Sulochana Chatterji, Abbas, Himalyawala.
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Koyal kyun gaaye
Posted on: October 12, 2011
Here is a song that I thought had already been discussed in this blog but I was wrong.
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Panchhi tu jaa re
Posted on: September 19, 2011
Here is a song that is extremely rare and obscure even by the standards of this blog where rare songs are discussed on a regular basis. And a song like this cannot be discovered just by stumbling against them in some site. One needs to consciously search for songs like this by name. I had got a lead somewhere that there was a music director called Pt Govardhna Prasad who was the father of Khemchand Prakash. Pt Govardhan Prasad worked as a music director in only one movie and that movie was called “Ismat”. With this minute bit of information, I set out to search for the songs of this movie.
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“Anban” (1944) is as obscure a movie as a movie ever can be. Hardly any information is available about this movie now. This movie was directed by N Lahiri. Its star cast included names like Shah Nawaz, David Abraham, Mubarak , Pahari Sanyal, Nargis , Jagirdar , Shobhana Samarth etc.
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Ambuwaa pe koyal boley
Posted on: September 16, 2011
“Moorti” (1945) was a movie produced by Ranjit Movietone. It was directed by Chaturbhuj Doshi. The movie had Motilal, Khursheed, Padma Banerjee, Yashwant Dube, Kamal Jamindar, Kaneez, Tara Bai etc. in it. Only the first two names in the cast are somewhat familiar. I have little idea about the other actors in the list.
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Koyal boley koo
Posted on: August 25, 2011
“Baap Beti” (1954) is a very obscure movie and its songs are even more obscure. But what nice songs this movie has !
Here is a lovely song from this movie. This song is sung by Lata and chorus. Only the audio of this song is available, so it is difficult to guess how and whom this song is picturised. My guess is that a music teacher is teaching music to her pupils in this song.
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Ek thhaa gul aur ek thhi bulbul
Posted on: July 28, 2011
In Hindi movies, actors tend to sing song at just about any occasions, including when they are travelling. we have several rail songs, car songs, chariot songs etc in Hindi movies where actors, not content with travelling in silence, break into a song.
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Main panchhi aazaad
Posted on: July 8, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
This wonderful song is from the film Tadbeer (1945). The film was produced and directed by Jayant Desai, and featured KL Saigal, Suraiyyaa, Mubarak, Rehana, Jillo, Salvi, Reva Shankar, Shalini, and Shashi Kapoor as a child actor. Born in 1938, Shashi would be just seven years when this film was released. It is possible that this could be his debut movie or definitely one of the very first few movies that he acted in. (I have not been able to track specific information on this).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.
Parbat Pe Apna Dera (1944) is one of the more important creations of V Shantaram. The film deals with the concept of ‘maya’ the enduring allurement of the material world that spares no one. The theme also deals with the consequences fo desires, which are mostly painful and damaging. Briefly, Ulhas is an ascetic who lives alone on a hilltop, and does not allows any visitors or passersby to come to him. Once, Vanmala chances to come face to face with this ascetic, in one of her treks. She is injured, and the ascetic has some cure that relieves her of pain. She is the daughter of a rich person, probably used to having her way. She insists on continuing to meet Ulhas, against his wishes, and continues to bring him gifts, almost setting up a household on the hilltop, once where there was an abode of renunciation. One thing leads to another, and the ascetic ties the nuptial knot with this rich lady, leaves his ‘parbat’ (symbolically the high vantage point of human experience), and comes down to ‘civilization’ to live with his newfound family.
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