Archive for the ‘Artist century song in blog’ Category
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Kaun Apna Kaun Paraaya”(1963) was directed by Niranjan for Golden Films, Bombay. The movie had Vijay Kumar, Waheeda Rehman, Nirupa Roy, Amar, Nasreen, Shammi, Dulari, Shyam Kumar, Tuntun, Johnny Walker etc in it.
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Main pyaar ki Lailaa hoon
Posted on: January 11, 2017
- In: Artist century song in blog | Blog century song | Century songs for the blog | Duet | Feelings of heart | Guest posts | Introduction song | Manna Dey songs | Manna Dey Sudha Malhotra duet | Post by Sadanand Kamath | Rare song | Songs of 1950s (1951 to 1960) | Songs of 1957 | Sudha Malhotra songs | Yearwise breakup of songs
- 8 Comments
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 12800th song post in the blog.This song is the 100th song of Sudha Malhotra in the blog as a singer.
Today(11 january 2017), we are celebrating two milestones on the Blog. First, Sudha Malhotra has hit her maiden century on the Blog. Second, her 100th song happens to be the 12800th song on the Blog. So this is double celebration post. Congratulations to Atulites for adding one more century to the Blog making it the 128th century.
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Aayi balloon waali aayi re
Posted on: December 17, 2016
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Another day, another milestone! Only the other day we were celebrating Kishore Kumar’s 1000th song on this blog. And now we have another milestone.
Some might say, this blog is beginning to deliver milestones like Virat Kohli or Ravichandran Ashwin do. 🙂
But who’s complaining? I, most certainly, am not! 🙂
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- In: "chaand" song | "How did I forget to post this song earlier" song | "wooing" song | Actor singing his song | Actor-Singer song | Artist century song in blog | Blog century song | Calling the beloved | Century songs for the blog | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | How come this song was not posted earlier | Kishore Kumar solo | Kishore Kumar songs | Love song | Lyrics by Peevesie's mom | Lyrics contributed by readers | One singer singing for two actors | Post by Raja | Songs of 1960s (1961 to 1970) | Songs of 1968 | Thousandth song for the artist | Thousandth song in the blog
- 13 Comments
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 12700th song post in the blog. This article is the 1000th song post of Kishore Kumar in the blog as a playback singer.
As I write out this post today, I have strong emotions attached to it.
It is a huge honour for me to write this post. I have to thank Atul for giving me the opportunity to do so.
Just a few days ago, Atul sent me an e-mail asking me if I could do a write-up for Kishore Kumar’s 1000th song on this blog. And of course, I immediately mailed back “Sure”. I wouldn’t miss this opportunity – it is indeed a very special occasion and a huge honour for me.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
A few days back, I had mentioned in one of my articles in the Blog that I regard 1940s as the transitional phase for Hindi film music which paved the way for the arrival of the golden period of Hindi film music in 1950s and 1960s. The music director who triggered the ‘renaissance’ period of the 1940s in Hindi film music was Master Ghulam Haider. His song compositions in ‘Khazaanchi’ (1941) revolutionised Hindi film music. One of the popular songs from the film Saawan ke nazaare hain (Khazaanchi) was a trend setter not only for Hindi film music but also for the picturisation of the song.
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Shatrangi chaal hai
Posted on: November 12, 2016
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Here is a song from film called Parichay-54. This song is sung by Lata Mangeshkar. The song is a different type of a fast paced song, the like of which Lata is not normally known for. The pace of the song reminds me of another fast paced song, “Mohe lagaa saraa jag feeka feeka re balam, which Lata sang for film Jhanjhar-53 under the baton of C.Ramchandra. The story of Jhanjhar-53 was set in Malaysia and hence C.Ramchandra had used a Malaysian fast tune in that film. However, in film Parichay the story is set in India, But the Music Director of this song had used a fast tune to suit film situation.
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Ek Khwaab e Tamanna Bhoole Thhe
Posted on: October 25, 2016
- In: Artist century song in blog | Asha Bhonsle solo | Asha Bhonsle songs | Century songs for the blog | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Jilted lover song | Lyrics contributed by readers | Poignant Song | Post by Sudhir | Remorse | sad song | Songs of 1970s (1971 to 1980) | Songs of 1978 | Yearwise breakup of songs
- 6 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
तुम ना जाने किस जहां में खो गए॰॰॰
एक शायर का नज़रिया है॰ यूं तो हमें मालूम है के ज़िंदगी का दिया एक दिन बुझ जाना है॰ मगर फिर भी, जब किसी चहेते का साथ छूटता है, तो दिल का ग़म इन्हीं लफ्जों में ढलता है॰॰॰ तुम ना जाने किस जहां में खो गए॰॰॰
[A poet’s perspective it is. We are all aware that the life breath will cease one day. But still, when a dear one departs, the sadness in the heart expresses itself in these very words. . . “Tum Na Jaane Kis Jahaan Mein Kho Gaye”].
The words are from the pen of Sahir – the poet extraordinaire, whose poetry has touched every strand in the fabric of life, every passion, every sentiment of the human psyche. A poet who has given us near about seven hundred film songs, that express a multitude of emotions coloring the canvas of life.
Remembering Sahir Sb, on the anniversary of his passing away today (25th Oct, 1980).
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- In: Artist century song in blog | Century songs for the blog | Devnagri script lyrics by Avinash Scrapwala | Duet | expression of love | Feelings of heart | Guest posts | Kishore Kumar songs | Kishore Kumar Usha Mangeshkar duet | Lyrics contributed by readers | Post by Avinash Scrapwala | Regulars' meet at Bangalore | Songs of 1970s (1971 to 1980) | Songs of 1977 | Usha Mangeshkar songs | Yearwise breakup of songs
- 3 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
In the recent ‘Bangalore gang-out’ series it’s now my turn to do the post part as decided in the ‘MoM’ 🙂 of the ‘gang-out’.
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- In: Artist century song in blog | Asha Bhonsle solo | Asha Bhonsle songs | Blog century song | Century songs for the blog | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Lyrics contributed by readers | Post by Sudhir | Songs of 1950s (1951 to 1960) | Songs of 1959 | Yearwise breakup of songs
- 5 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 12400th song post in the blog.
Songs to Tickle Your Memory – 35
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इकतारा बोले॰॰॰ तुन तुन
क्या कहे ये तुमसे॰॰॰ सुन सुन
बात है लंबी मतलब गोल
खोल ना दे ये सबके पोल
तो फिर उसके बाद
इकतारा बोले॰॰॰ तुन तुन
There is an interesting aside related to this iconic song from the 1970 film ‘Yaadgaar’. This song was originally written as a romantic song with the lines
रात अकेली साये दो
हुस्न भी हो और इश्क़ भी हो
तो फिर उसके बाद
It was selected by Manoj Kumar for his seminal classic ‘Upkar’. Eventually, this song somehow could not be fitted into the storyline. The song remained in suspended state, till Manoj Kumar revived it three years later, got it modified into a song of social messaging, and included it in his film ‘Yaadgaar’. After spending two and a half decades practically in the wilderness in the industry, here came the first major super hit for the song writer. This surely must be a record of some sorts.
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