Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Duet’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (18 july 2016) is the death anniversary of Rajesh Khanna (30 december 1942- 18 july 2012). We already have two tributes to Rajesh Khanna is the blog from two die hard Rajesh Khanna fans.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It is well past 3.00 in the night (early hours of the 18th of July) as I start to write this post for the blog. I’m tired, my eyes are almost closing, I know I should be going to sleep – but the mind is rebelling and urging me on. It is saying “Go on, you can do it, you need to do it. You need to write a post, however tired you are, however badly the post comes out. You cannot let him down. Not on his death anniversary.”
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from the film Do Roti-57. It is sung by Shanker Dasgupta and Suman kalyanpur ( I think she was still Suman Hemady then), under the baton of composer Roshan.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 21
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‘ढ’
“ढोलक को खूब बजाओ, जानी को खूब नचाओ”

Today’s alphabet letter has been the most elusive to locate. Statistically, ‘ढ’ is one of the lesser used letters, and so, the songs starting with words starting with this alphabet are comparatively fewer in number. As I was poring through the song lists from various sources, the search always ended with just three songs starting with ‘ढ’. And incidentally, these three are well known songs, and are already posted on our blog. The search through the lists, whether from Geet Kosh or other sources, is sometimes a problem, because at times a leading couplet appears in the beginning, and ‘mukhda’ of the song appears in the later part of the title. Searching for such words in the title is a difficult and tedious task. But after some extra effort I was able to identify this song. Then I went back into the Geet Kosh again, and confirmed that the ‘mukhda’ of this song indeed starts with the word ‘ढोलक’.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naunihaal” (1967) was a Mercury Production movie. It was directed by Raj Marbros. The movie had Balraj Sahni, Sanjeev Kumar, Indrani Mukherji, Jagdeep, Harindranath Chattopadhyay, Abhi Bhattacharya, Asit Sen, Madhvi etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Giribaala”(1947) was produced and directed by Madhu Bose for Madhu Bose Productions, Calcutta. The movie had Indrani Devi, Dheeraj, Ahindra Cahudhary, Hrishikesh, Chitralekha, Rajlaxmi, Kamta Prasad, B R Tandon, Poornima, Vitthal, Das Panchotia, Abani Mitra, Tulsi Chakraborty etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Gaaon” (1947) was directed by Dwarka Khosla for Jamuna Productions, Bombay. The movie had Karan Dewan, Indu Mishra, Tiwari, Amir Bano, Khaleel, Ram Singh, Leela, Shanti, Anand, Shekhar, Mahendra Watal, Lalit etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The strongest image that remains in the mind is that of the film director Sinha Saab, a bedraggled man in tattered garments, with ruffled grey hair and white beard, a leathery skin on face lined with wrinkles that appeared much before time – a young person who aged too rapidly for his years. With help of a walking stick, he climbs down from the shadows of the scaffolding where he has perched himself, watching the action on the floor below – the same floor where once, not too long ago, he was the ringmaster, and everyone bowed to him. Not anymore. Today, he is a ‘has been’, who lost his touch of Midas, and the same world that once clamored to him, has quickly forgotten and relegated him, literally, to the garbage heap.

With difficulty, he negotiates the narrow ladders that lead down from the scaffolding to the studio floor. Once there, he shuffles to the chair, his chair, in the days of glory; the chair with the word ‘Director’ written across its back. He sits. And then he is immobile, never to get up again, never to wake up.

When the crowd of workers return after lunch, everyone is shocked to see this grimy old man, sitting motionless in the director’s chair. Everyone is known to him, but today no one recognizes him, now that he is gone. None, save one light-boy, who remembers and recognizes his earliest benefactor – Sinha Saab.

The power of these images and these sequences now have a cult following, not only in India but worldwide. Remembering Guru Dutt on his seventy seventh anniversary. (9th July)
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 19
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‘ठ’
“ठुमक ठुमक चले चाल आँख में काजल की डोरी”

With humble beginnings as a child ‘extra’, way back in 1951, the story of Jagdeep’s career is an interesting discourse. He made his debut appearance as an extra child actor in BR Chopra’s ‘Afsaana’ (1951). His comic propensities became visible in another small role as a child actor in Bimal Roy’s ‘Do Beegha Zameen’. Then on to more noticeable child roles – ‘Laila Majnu’ (1953), the younger Kaif, playing the child version of Shammi Kapoor; ‘Footpath’ (1953), a young street smart pickpocket; the role of Elaichi in Guru Dutt’s ‘Aar Paar’ (1954); the child clown in ‘Munna’ (1954); the young Kishore Kumar in ‘Dhobi Doctor’ (1954); and ‘Railway Platform’ (1955), ‘Mr & Mrs 55’ (1955), ‘Kismet Ke Khel’ (1956), ‘Dhaake Ki Malmal’ (1956), and more. Then comes 1957 and two important films – ‘Ab Dilli Door Nahin’ and ‘Hum Panchhi Ek Daal Ke’. Still the child actor, but gaining recognition with every role. The child actors’ team in ‘Hum Panchhi Ek Daal Ke’ was recognized and awarded by Pt Jawahar Lal Nehru.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 50
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Khud samajh lo ke iltijaa kya hai
Hamhin keh den to phir mazaa kya hai

Iltijaa= Request, desire

The matla (first) she’r of the above ghazal penned by Arzoo Lucknawi is apparently addressed to the ‘maashooqa’ (beloved) by ‘aashiq’ (lover) saying that the former should get a hint, may be the way he talks and treat the beloved, as to what is his request or what he is desirous of. There is no fun if he reveals his request/desire.
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