Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Feelings of heart’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

‘Inkaar’ from 1977 is one of my more favorite cops-and-robbers films. Almost the entire picture is a study in understatement. A film that flows pretty close to the levels of realism, and all the characters seem very natural and very normal in the surroundings they are placed in. Most of the action and most of the histrionics is played very normally. There is not much in the film that can be singled out as something overplayed. A difficult feat to pull off, given that it is a crime and detection story.
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There have been several movies titled “Zindagi”. This blog has so far discussed songs from “Zindagi” (1940), “Zindagi” (1956) and “Zindagi” (1964).

Here is a song from “Zingadi” (1976). This song is sung by Lata and Kishore Kumar and it is picturised on Mausami Chatterji and Vinod Mehra.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The film ‘Teesri Gali’ makes a debut on this blog today. It is one of the lesser known films from 1958. But being that the music direction is by Chitragupt, there are bound to be some very good songs included in this film. And sure enough, the song in this post is a gem that has stayed obscure for too long. A very wonderful and a lilting duet in the voices of Hemant Da and Lata ji.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

hain aur bhi duniyaa mein sukhanwar bahut achchhe
kahte hain ki Ghalib kaa hai andaaz-e-bayaan aur

Whenever I remember this maqta of Ghalib’s ghazal, Majrooh Sultanpuri’s name props up in my mind. I always felt how apt it would be if words ‘duniyaa’ and ‘Ghalib’ from the maqta she’r were replaced with ‘filmi jahaan’ and ‘Majrooh’. During Majrooh Sultanpuri’s time, there were renowned poet-lyricists like Sahir Ludhianvi, Shakeel Badayuni, Shailendra, Kaifi Azmi, Jan Nisar Akhtar and later, Gulzar, Javed Akhtar etc. but Majrooh’s andaaz-e-bayaan , the sophistication even in his teasing, racy and light hearted lyrics in Hindi film songs was something which became the hallmark of his style of song writings. He wrote songs trending with the time. Perhaps this explains why Majrooh Sultanpuri had one of the longest innings of over five decades in the Hindi film industry, penning songs for most of the well known music directors – from Naushad in 1946 to A R Rehman in 2000.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #18
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The year of 1947 was the most prolific yet for Mukesh. Having started his singing career for Hindi films in 1941, in the six years from 1941 to 1946, he had sung a total of 21 songs in eleven films. Of these, seven are solos and fourteen are duets. As far as incremental score is concerned, the years 1945 and 1946 were very good in comparison to the years from 1941 to 1944.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Ah yes, a surprise it is. This post is being written, as I am at the home of Khyati ji, in Fountain Valley, California. I reached here just earlier in the evening today, and Khyati ji and her husband, Jagdish Bhai picked me up at the airport. Folks may remember from an earlier exchange, that we had some specific plans for ensuring that we recognize each other, when we would meet for the first time at the airport (since we have never met before). But these plans did not work out, as planned. 🙂 I was supposed to be wearing a black trench coat, felt hat, and dark glasses, and carrying a red rose in my hand. And Khyati ji was supposed to be dressed like. . . well, without any description, I refer to the photograph she had shared in email.
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This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This is the last song of Doosri Sita (1974). Quite interesting to see that the film has basically only three songs. Since one of them has three versions, a person watching the film would have the effect of listening to five songs.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Many Colors of Love #1
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“Mohabbat Hai Kyaa Cheez, Hamko Bataao”
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