Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Multi part song’ Category


This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Yatrik (1952) was one of New Theatres’ last productions before it went on a five-decade hibernation in 1955 after the Bengali movie Bakul.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Among the ‘forgotten’ music directors of the golden era, Snehal Bhatkar is remembered for his immortal song kabhi tanhaayion mein yoon hamaari yaad aayegi. In my case, I remember him for an additional reason. Somehow I felt that he had an unique personality. I am not a face reader 🙂 but when I saw Snehal Bhatkar for the first time on TV some time in 90s (on one of the Marathi channels) he appeared to be to be a self contented man. He was in the TV programme to witness the renditions of some of his popular filmy and non-filmy songs by some young and budding singers. Sitting in the front row with his trade mark white Gandhi cap, he was enjoying the rendition of his songs without any nostalgic reactions on his face. Whenever I see his photographs – old as well as new ones, I get the same impression of a contented man.
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“Paalki” (1967) is a Poonam Pictures presentation. It was directed by Mahesh Kaul and S U Sunny. The movie had Rajendra Kumar,Waheeda Rehman,Rehman, Johnny Walker, Murad, Rashid Khan, Nazir Hussain, Manmohan Krishna, Minoo Mumtaz, Pratima Devi etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Music has always been an enchanting appeal for me, since my childhood. Having grown up on a listening diet of radio programs on AIR and Radio Ceylon, the music of Hindi films has been the best charm for me. In the eighties, fresh out of college, and into my first job, the earnings meant that now I could buy music that I wanted to listen. Cassette tapes were the popular media in those days, and making copies of music from records was a rampant cottage industry.
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When it comes to artists of 1940s, there was a plethora of two names. One name was Khursheed and another was Shyam. There were far too many persons being called Khursheed and Shyam. The onfusion was further enhanced by the fact that the two Shyams will act together in the movie and one Shyam would give playback for the other Shyam.
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In olden days, becoming a train driver was a fond dream of every kid. And those who actually became one were looked upon with awe by his near and dear one’s. During the British days, most drivers in Indian Railways used to be Anglo Indians and that showed their status in society.
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“Chakradhaari” (1954) is a religious/mythological movie and one expects its songs to be mainly prayers etc. And indeed there are several such songs. But this movie also has songs that are more “mainstream” in the sense that they have more to do more with human relations rather than with the Almighty.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Saigal Saab and Suraiyyaa were to be paired together in 3 films between 1945 and 1947. Tadbeer (1945) was the first such film in which these two singer-star sensations came together. Tadbeer is a social drama produced and directed by Jayant Desai. The film presented an impressive star cast that includes Saigal Saab, Suraiyyaa, Mubarak, Jillobai, Rehana, Salvi, Reva Shankar, Amina, Shalini, Raja Joshi and Shashi Kapur. (This last name is not the Shashi Kapoor that we are all familiar with).
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