Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Multi part song’ Category


This artice is written by Raja, a fellow enthusiast of Hindi movie and a regular contributor to this blog.

Today is the birthday of one of our living legends – Manna Dey ji.

It is his 94th birthday – and although 94 is a ripe age, we wish him many more birthdays to come.
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It is the young generation of the nation that is expected to take a nation forward in future. The nation looks forward to them with expecxtation. And the role of the women in taking the nation forward can never be underestimated. In fact, the role of women in shaping the destiny of the society and the nation is vital.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

‘Shabistaan’ (1951) – the film that saw the sensational and tragic end of a very young and handsome star, who had broken into the popular imagination of the cinegoers just two or three years earlier. Called by some as the Eroll Flynn of Hindi cinema, Shyam was all of 31 years old when he died following the injuries sustained in a fall from horseback while shooting for this film. Historians have speculated that the course of Hindi cinema in the 1950s would have been very different, had this accident not happened.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Music director Rai Chand Boral (1903-81) is credited with bringing playback to Hindi cinema with the number “Main khush hona chaahoon khush ho na sakoon”, a chorus song in the New Theatre production Dhoop Chhaaon (1935). A personna no less than the doyen of Hinsustani Cine Sangeet, the late Anil Biswas, reportedly complimented Boral, recepient of the prestigious Dadasaheb Phalke Award in 1978, as the Father of Indian Cinema Music.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

When Alam Ara was released in 1931, people were awe-struck. Additionally, there were 7 songs in it. It was a novelty that the moving images on screen not only talked but they also sang. Alam Ara was lauded as a Landmark. One would imagine that there must have been a spate of Talkie films in its wake, but surprisingly only 24 in 1931, 61 in 1932 and 76 films in 1933 were made. This was because silent films were still being made till september 1934. Further the new filmmakers were yet to join the field. After 1934 the number crossed 100 and never stopped again.
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We in this blog have discussed lots and lots of songs picturised on Shammi Kapoor. I eagerly look forward to the day when all available songs picturised on Shammi Kapoor will be available in this blog. I have not counted such songs, but I am sure we may already have at least half of all such songs in the blog.
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Today (2 august 2012) is the festival of Raakhi. Like most Indian festivals, this date of the festival depends of the Indian Saka calender rather than on the Gregorian calender. As a result, this festival falls on different dates on different years for people familar with the Gregorian calender.
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