Archive for the ‘Series of articles’ Category
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 24
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‘ध’
“धीरे चल ज़रा, ओ पागल पुरवइय्या”
Vintage Rafi – that was my reaction on hearing this song, actually for the first time yesterday. And then I checked the other details, and find, this song is likely one the few very last songs that Rafi Sb would have recorded. This song comes from the 1980 vigilantes-and-robbers type story – ‘Hum Paanch’. As I chanced upon this song and started to play, my first feeling was – 1960s, or thereabouts. The sedate rhythm and the soft rendition, gives that charmed old world feeling of the golden era. Just that the picturization visual in the video clip gives one the clue that this song is much later than 1960s.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 23
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‘थ’ ‘द’
“दुपट्टा ओढ़े निकली बहारां देखो यारां”
I could not have missed the next episode in the Hindi alphabet series on Rafi Sb today. And it is by good luck that I am able to locate a song that adds one more anniversary together, and quite appropriately so.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Songs to Tickle Your Memory – 33
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wo jab yaad aaye
bahut yaad aaye
yes, bahut yaad aaye. . . that voice – the magic, the magnetism, the feeling of surreal contentment that descends into the being, and ensconces it with a joyous delight. It is a voice, that now lives only in our memories, or in the ethereal sound waves. The memories are such, they will never be detached till the breaths last. And the sound – they say in our culture that sound is forever; it lives in the space for all times to come. And so will this voice. This voice – of Rafi Sb. This voice that went to sleep 36 years ago, today. 36 years seem to be a long time, a third of a human life already. But it seems just like, well, recently. And the affinity and the magic of this voice has only deepened with time.
Remembering Rafi Sb today, with all humility and respect and love.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 22
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‘त’
“तुम्हीं से हुई है शुरू और तुम्हीं पे सनम खत्म होगी कहानी हमारी”
What a gem of a delight this song is, from the 1969 film ‘Mera Dost’. As we continue to delve and search, we continue to come across as yet un-posted songs that are simply out of this world. Such wonders will not cease, I am sure for quite some time yet.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mukesh and his co-singers – 1
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Remembering Mukesh on his birthday today (22nd July 2016). (22 July 1923 – 27 August 1976)
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Mukesh and his Composers – 11a
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The last post on this series dealt with the non-film songs sung by Mukesh for Ravindra Jain. That was nearly five months back. Some personal and professional matters crept in resulting in the inordinate delay. Though there was enough time for a few posts, the procrastinator in me kept on scoring small victories resulting in the holdup.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 21
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‘ढ’
“ढोलक को खूब बजाओ, जानी को खूब नचाओ”
Today’s alphabet letter has been the most elusive to locate. Statistically, ‘ढ’ is one of the lesser used letters, and so, the songs starting with words starting with this alphabet are comparatively fewer in number. As I was poring through the song lists from various sources, the search always ended with just three songs starting with ‘ढ’. And incidentally, these three are well known songs, and are already posted on our blog. The search through the lists, whether from Geet Kosh or other sources, is sometimes a problem, because at times a leading couplet appears in the beginning, and ‘mukhda’ of the song appears in the later part of the title. Searching for such words in the title is a difficult and tedious task. But after some extra effort I was able to identify this song. Then I went back into the Geet Kosh again, and confirmed that the ‘mukhda’ of this song indeed starts with the word ‘ढोलक’.
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Doobi Naiyyaa Aa Ke Kinaare
Posted on: July 16, 2016
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 20
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‘ड’
“डूबी नैय्या आके किनारे”
Continuing with the alpha series of songs by Rafi Sb, I present today a lesser heard sad song from the early years of his career. The year is 1948. The young singer is just finding a foothold in the industry. The film song that will become his first popular hit happened this year – “Ik Dil Ke Tukde Hazaar Huye. . .” (from the film ‘Pyaar Ki Jeet’). Other very significant songs are also to follow in this year and the next (1949).
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Toot Gaye Sab Saath Sahaare
Posted on: June 24, 2016
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 18
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‘ट’
“टूट गए सब साथ सहारे”
Aah, long gap, long wait. We come to the next episode in the alphabetic series of Rafi Sb songs. The word for today is ‘ट’ and the song is from a film from 1955 – ‘Raaj Darbaar’. As the name suggests, this is a costume drama that is directed by Balwant Bhatt for the banner of Deepak Pictures, Bombay. The star casting pairs Nirupa Roy opposite to Ranjan, as the lead pair. Others in the star cast include Ishwar Lal, Ranjeet Kumari, BM Vyas, Nagpal, Kesri, Shyam Sunder, Master Bachcha, Azeem, Neera, Henna, Asha Mathur etc.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 17
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‘झ’
“झुका झुका के नज़र यूं उठाई जाती है”
jab bhi ye dil udaas hota hai
jaane kaun aas paas hota hai
These lines tickle the strands of the mind often, when in the moods of a tranquil nothingness – sometimes in the moments just as the self is drifting into sleep, or sometimes, on a journey in a relaxed coziness with nothing particular to do, or sometimes on lonely walks in the evenings. And the mind wonders, trying to put a face to a distant thought – “jaane kaun aas paas . . . hai”. That face is almost never distinct. Whose presence it is that I feel – the mind is yet to discern, and ascribe substance to the tenuous wisps that almost form the image, but then always fails to bring into a distinct focus. And the mind wanders, continues to seek – an unfinished image, trying to capture an elusive face, and a name that keeps bumping tantalizingly close to the edges of memory, yet always remains just a breath away from my grasp.
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