Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1940s (1941 to 1950)’ Category

“Waapas” (1943) is a very old movie, nearly seven decades old in fact. Not too many details are known about this movie. And it does not help matters when conflicting information is available about this movie.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

KHAZAANCHI (1941) was produced by Lahore based Pancholi Art Picture owned by Dilsukh Pancholi and directed by Moti Gidwani. The star cast included Ramola, S D Narang, M Ismail, Durga Mota, Manorama, Ajmal etc. Recently, I watched this film on the internet and felt as if I was watching one of the films of 50s with a familiar story line – romance, a villain, murders, court proceedings, climax scenes of chase etc and finally victory of truth over evil. No doubt, this film was a blockbuster at the box office front. I am giving below a synopsis of the film story just to get an idea as to how this type of the story line became familiar in the films mostly produced in the 50s.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a new contributor to this blog.

Growing up in India, one of the memorable numbers that I heard in my childhood on the two sides of a 78 rpm gramophone record from my late father’s collection was “Bhaarat ki ek sannari ki hum katha sunaate hain” in Vijay Bhatt’s seminal Ram Rajya (1943).
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This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Rewinding back to 1950. The earlier year, 1949, had proved to be a golden year for music and songs in Hindi films. Many a memorable films and many many memorable songs got released in this year, and many relatively new artists got launched on hugely prolific careers. Some writers accord the period from 1949 to 1952 as the best period of music in Hindi film industry. But one voice was relatively unheard. A very new singer by the name Asha Bhosle, was just fledgling, and a career that was still to take a shape. Sixty one years hence, she would be celebrated as the most recorded singer in history. But back, in 1949 and 1950, you could count her songs on your fingers. All of sixteen years old at that time, and already saddled with turbulent personal affairs, no wonder that she did not have many songs to her credit in this golden period of Hindi film music.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Roshan, a name that immediately brings to mind the iconic qawwalis of ‘Barsaat Ki Raat’ (1960), or the perennial sentimental favorite “Caarvaan Guzar Gayaa, Gubaar Dekhte Rahey” from the film ‘Nai Umar Ki Nai Fasal’ (1965). A master musician who would blend the classical and the folk with graceful ease, Roshan had his training under famous masters such as Ustad Allauddin Khan and Ustad Bundu Khan (saarangi king). After working with All India Radio in Delhi for about a decade, he moved to Bombay in 1948 in search of a career as a music director in films. He got introduced to Kidar Sharma, who was so impressed by his musical acumen that he actually made some changes to his next production. Plans were underway for the film ‘Neki Aur Badi’, and Snehal Bhatkar was already assigned the music direction responsibility. After meeting with Roshan, Kidar Sharma had a talk with Snehal Bhatkar, who agreed to let Roshan handle the music department. That is how the debut break came Roshan’s way.
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I have discussed songs from “Ham Bhi Insaan Hain”(1959) in this blog. It turns out that there was another movie of the same title which was produced in 1948. This movie was produced by Ghanshamdas and directed by Phani Majumdar. This movie had Dev Anand, Ramola, Anand Pal, Ganshamdas, Jerman, Vinodini etc in it.
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Regulars of this blog may be wondering why I have discussed only one post today and then nothing ! The reason is, today my wife has all the time to supervise over me and sitting at the computer is proving out to be difficult for me. I somehow managed to post one writeup today when she was not looking. Now it is afternoon and she has gone out for her favourite pastime, viz shopping. I refuse to have anything to do with shopping so I have dropped her (and the daughter) to a shopping complex and come back. Assuming that they will be there for three hours, I need to make the most of these three hours to make up for lost time. 🙂
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

It is a bit of a surprise for me that one of the songs which I had heard from my mother in my childhood was intact in my memory even though I had no occasion to listen to on the radio or watch on the TV thereafter. This is more so when I was engulfed on those days by the popular songs of the early 50s. As I came to know much later, this song was the most popular one attaining the tag of the highest sales of gramophone records for HMV in 1943. The song was ‘beena madhur madhur kachhu bol’ from the film RAM RAJYA (1943). I was not aware of details of the song until I watched the video clip of the song for first time on YT few months back. Before that, I was under the impression that it was a non-filmy classical song.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

About a month back, I stumbled upon a song ‘aankhen to huyi band magar dard jagaa re’ from the film BEGUM (1945) sung by Ashok Kumar. Until then, I had neither heard of this song nor of the film which had Ashok Kumar and Naseem Bano in the lead roles. I liked the song so much that I must have listened to it umpteen times. The song is written by Gopal Singh Nepali and set to music by Hari Prasanna Das (H P Das) whose name also I heard for the first time. From the Indian Film Trade Data website, I observed that H P Das had given music to 10 Hindi films between 1935 and 1948 including 2-3 films jointly with Manna Dey.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

During my younger days, I got acquainted with some of the popular music directors of the pre-partition days mainly through listening to some of their bench-mark songs on Radio Ceylon. Khwaja Khurshid Anwar is one of those names.
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