Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1950s (1951 to 1960)’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Paisa” was originally a drama that was performed by Prithvi Theatres with great success. Encouraged by the success, it was made into a movie of the same name.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

जब मैं छोटा बच्चा था, (and my, not just then. . . even now). . .

No, no I am not going to start a description of my ‘शरारती’ pranks and naughtiness. I am going to tell somethings about my favorite actor and songs; that my favorite male performer was Dev Anand. There was a charismatic attraction in his face, his smile with one out of line canine, his mannerism, and his style of dialogue delivery – all put together made for a striking package,  that would steal hearts. I am talking of the time when films like ‘Baazi’ and ‘Jaal’ and ‘Taxi Driver’ continued to be popular in re runs, and continued to be discussed as iconic films. This popular set of films was shown more than once on TV, and it would be a gala Saturday/Sunday when a Dev Anand film was scheduled. Those were days when the weekly film shows were split across the two last days of the week. And needless to say, the break was very irritating. 🙂
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from the 1951 film ‘Simba’, which is making its debut on the Blog. The film was made by Comedy pictures and was directed by Mohammed Hussain. Mohd. Hussain was born in Bombay on 25-2-1918. He directed about 40 odd films, which included some known names like Roop lekha-49, Sipah salar-56,Qaidi-57, Aji bas shukriya-5d, Delhi Junction, Shikari,Faulad,Teesra kaun,Thakur jarnial singh, Dilruba,CID 909,Jaal saaz and lastly Madina masjid-77.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Chaar Paise” (1955) was produced and directed by N K Ziri. The movie had Kishore Kumar, Shyama, Johnny Walker, Agha, Kammo, Nishi, Nazir Kashmiri etc etc. in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Haseena”(1955) was directed by J P Advani for Shabaab Productions. The movie had Jairaj, Shyama, Krishna Kumari, Amarnath, Manmohan Krishna, Durga Khote etc. in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Gul Bahaar”(1954) was produced by Darshan and directed by Nanubhai Vakil for M P Films, Bombay. The movie had Shakeela, Hemant, Kuldeep, Randheer, Ram Avtaar, Chaand Burque, Shanti Madhok, Heera Sawant, Khairaati, Kumar, Anwari, Chanda, Kavita, Mukherji, Panditji, Rajan Kapoor, Ramesh Thakar, Uma Devi etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Nand Kishore”(1951) was produced and Vasant Joglekar for M & T Films, Bombay. The movie had Mahipal, Nalini Jaiwant, Durga Khote, Sumati Gupte, Sulochana, Sadhana Bose, Lalita Pawar, Baburao Pendharkar, Rajan, Navin Yagnik, Vasant Thengdi, Master Chhotu, Dinanath Takalkar, Chittaranjan Kolhatkar, Angre, Madhu Apte, Ramesh desai, Surendra Kumar etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Durga Maata”(1960) was produced and directed by B S Ranga for Vikram Productions, Madras. The movie had Rajkumar (south), Sowcar Janaki, Sandhya, Nagan, Narsomharaju, Bhatt etc in it. It appears to me that this movie was a remake/ dubbed version of a Sputh Indian movie where songs were created afresh for the Hindi version.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from the film Captain India-1960. Not only this film is making a Debut on the Blog, but its Music Director- Hemant Kedar- too is making his Debut here. It is a rare occasion these days that a music Director makes his Debut in the blog, because we have covered so many MDs already ( at my last count, we have covered 462 MDs on this Blog). However, there are still a large number of MDs whom we have yet to listen. From 1931 to till today, as per a rough estimate, there could be almost 500 to 700 Music Directors.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

रोक सकता हमें ज़िन्दान-ए-बला क्या मजरूह
हम तो आवाज़ हैं दीवार से छन जाते हैं

Rok sakta hamen zindaan-e-bala kya ‘Majrooh’
Ham to aawaaz hain deewaar se chhan jaate hain.

[Can prison of calamity stop us?
We are the voice which can infiltrate the wall].

This she’r was written by the young Majrooh Sultanpuri probably sometime in the 1940s. Perhaps he was goaded by the idealistic impulses when he was  associated with the Progressive Writers Association (PWA), a left-oriented ideological group.  Nonetheless, for Majrooh Sultanpuri, it has been a quick transformation – from an idealistic poet of PWA  to a lyricist in the film industry.
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