Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1970s (1971 to 1980)’ Category


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6329 Post No. : 19602

This is a role reversal to “Abhi na jaao chhod ke, ke dil abhi bhara Nahin”. Here Hema Malini is trying to stop Dharmendra from going to his job. She is calling him ‘Raja” and asking him not to leave her alone, take leave from work, or better to leave the job if he is not getting holiday. The filmy or flimsy situation, Lata Mangeshkar’s playback, Hema Malini looking resplendent in a red jacket/suit, begging. Dharmendra on his part is just trying to get away on whatever transport he can find and enjoying all the attention. All that bhav is good for the hero anyway. Songs like “haay haay yeh majboori”, “Na ja mere hamdam”, “bataa doon kya laana” and others convey the similar emotion in different ways.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6329 Post No. : 19601

This nice song is sung by Mohd. Rafi, written by Omkar Varma and composed by Sonik Omi.

The first song of this movie was posted by our Mr. Avinash Ji in June this year.

From the above post we also get to know that ‘Playboy -1975’ is also known as ‘Rangeelaa Mastaanaa’. It was directed by T. Janakiram for ‘Mahesh Movie International, Madras’. It had Roopesh Kumar, Ritu Kamal, Mohan Choti, Fariyal, Hiralal and a host of other artists.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6328 Post No. : 19598

#The Decade of Seventies – 1971 – 1980 #
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In this post I am presenting a duet sung by Kishore Kumar and Sharda which is composed by Sharda. I guess this is one of the very few duets they sung together and this must be the first of them to appear on this blog today.

The movie ‘Mandir Masjid-1977’ was directed by Mohammad Hussain for ‘K.K. Movies, Bombay’. Krishan Karim was the producer of this movie which was passed by the Censor Board on 20.07.1977. This movie has in its cast Nutan, Dr Shreeram Lagoo, Raza Murad, Yogita Bali, Sajid Khan, Jaya Kaushalya, Rajesh Laher, Nazir Hussain, Lalita Pawar, Madan Puri, Jagdeep, Sanjana, Praveen Paul, and Kamran. They were supported by Shivraj, Mushtaq Merchant, Shaikh, Moolchand, Sabir, Master Hussain, Master Shahid, and others. Jagirdar, Murad, Manorama and Bhawan had special appearances in this movie. Story of this movie was written by S. Raza and its screenplay and dialogues were written by Kafeel Azar. Editing of this movie was done by Moosa Mansur.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6327 Post No. : 19595

‘Barkha Bahaar’ (1973) was produced by Amar Kumar and his brother, Prahlad Kumar and was directed by Amar Kumar. The cast included Navin Nischol, Rekha, Kamran, Dulari, Murad, Hiralal, Mubarak etc. The film was based on ‘Resurrection’ (1899), the last novel written by Leo Tolstoy. Amar Kumar has directed some good films such as ‘Garam Coat’ (1955), ‘Ab Dilli Door Naheen’ (1957), ‘Rangoli’ (1962), ‘Mere Sanam’ (1965), ‘Mere Hamdam Mere Dost’ (1968), ‘Pyaasi Shaam’ (1969) etc.

I was not aware of this film until recently. The information about the film is sketchy. I came across an advertisement of the film announcing the release of the film in 1971. However, the film was certified on October 25. 1973 and was released thereafter. This indicates that the film may have gone on the floor some time in 1970, most probably after the box office success of ‘Saawan Bhaadon’ (1970) in which both Navin Nischol and Rekha made their debut.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6326 Post No. : 19592

Rafi Sahab’s Legendary Associations – 15

Back in 2021, I had started this ambitious series for posts to highlight the significant associations in Rafi Sahab’s career. I knew that very few and far between, songs of the major influencers on Rafi Sahab’s singing, were remaining to be posted in the blog, even in 2021.

Most of these stalwarts were old timers, like Naushad, S. D. Burman, Shankar-Jaikishan, Chitragupt, Ravi and C. Ramchandra etc. A few of them of them were more contemporary, like R. D. Burman and Laxmikant-Pyarelal, who were with him. They were the latest beneficiaries of Rafi magic, who were ‘faizyafta” till the end, in 1980. Both started in 1966-67 and continued. Even Kalyanji-Anandji was composing songs for Rafi sahab till the end of 70’s. Madan Mohan and Ravi did it throughout his career and till “Laila Majnu” in 1976, and was the only one who started in 50’s and ended and 70’s, apart from Naushad.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6324 Post No. : 19586

This song post is the 1000th article contributed by him in the blog.

‘Apne Paraaye’ (1980) was produced by Mushir-Riyaz and was directed by Basu Chatterjee. The cast included Amol Palekar, Shabana Azmi, Utpal Dutt, Ashalata Wabgaonkar, Girish Karnad, Bharti Achrekar, Maneesha, Manik Dutt, Gopi Sapru, Zareena, Amal Sen etc.

This was Bharati Achrekar’s first Hindi film. She is the daughter of Hindustani classical singer, Manik Verma and lyricist Amar Verma.

This was Ashalata’s (Ashalata Wabgaonkar) first major role in a Hindi film. She had debuted in Hindi film with ‘Zanjeer’ (1973) in a role of the foster mother of Amitabh Bachchan.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6324 Post No. : 19585

#the Decade of Seventies – 1971 – 1980 #
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‘AANKHIN DEKHI-1978’ seems to be an obscure movie of its time as I could not find any video of this movie or its songs on internet. Not much information is avilable about the story of this movie or its trivia, except the details given in Geet Kosh Vol-V (1971-1980). Rajinder Singh Bedi ji was the director of this movie. It was a ‘Dachi Films, Bombay’ presentation and it was passed by Censor Board on 18.12.1978.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6323 Post No. : 19583

Subir Sen, the composer is himself an accomplished singer. This is a different style of composition. A very delicate fashion, of the tune returning to the mukhda in each stanza/antara. Very delicately done, almost like a breeze, and Rafi Sahab is the master, I think it was very easy for him. Having been singing for S. D. Burman for decades by 1972. One wonders if Subir Sen was testing Rafi Sahab if he could do this. One more thing I have noticed that each time the mukhda lines are repeated, the subtle changes in the lines repeating. There is a slight variation even at the end, when whole mukhda is repeated. Almost imperceptible. And again, the end of the song with final line.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6322 Post No. : 19580

‘Chaahat’ (1971) was produced by G M Roshan and was directed by Moni Bhattacharjee. The cast included Mala Sinha, Biswajeet, Jeetendra, Mumtaz, Achala Sachdev, Asit Sen, Sundar, Mridula, Madhumati, Rupesh Kumar, Jhilani, Jayshree T etc. This was the only black and white film in the entire career of Jeetendra and by this, I presume that this film may have taken long time to complete.

It is a surprise as to why Jeetendra signed this black and white film when he started his career as a lead actor in a colour film, ‘Geet Gaaya Pathharon Ne’ (1964). I had recently read two interviews – one by Jeetendra and another by Mumtaz which give me an indication that Jeetendra may have signed the film, ‘Chaahat’ (1971) before the release of his debutant film, ‘Geet Gaaya Pathharon Ne’ (1964).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6320 Post No. : 19572

Today, November 6th is the 40th Remembrance Day of Sanjeev Kaumar, (09/07/1938 – 06/11/1985), one of the most versatile actors of Hindi films and the two-time National Award winner. He was popularly known as Haribhai among his close friends which was derived from his real name, Harihar Jariwala. He was the first one from his family to step into the films on the basis of his talents, eventually becoming an icon of Hindi cinema. I have watched his performances in films for the first time in ‘Shikaar’ (1968) in the role of a calm and calculated police inspector followed by ‘Jyoti’ (1969) in a lead role. I was impressed with his performances in these two films which appeared different from his other contemporary actors.
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