Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1975’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sanyaasi”(1975) was directed by Sohanlal Kanwar for Filmnagar, Bombay. The movie had Manoj Kumar, Hema Malini, Premnath, Prem Chopra, Arun Irani, Nazima, Pran, Indrani Mukherji, Sulochana, Kamini Kaushal, Raj Mehra, Shailesh Kumar, Chandrashekhar, Helen, Jayshree T, Aparna Chaudhary, Dhumal, V Gopal, C S Dubey, Rajpal, Kuljeet, Keshav Rana, Madhup Sharma, Kamal Deep, Narmada Sharkar, Tuntun , Hari Shivdasani, Brahm Bhardwaj, Yunus Parwez, Murad, Bihari, Sabina etc in it.

The movie had nine songs in it which were penned by as many as six lyricists.

One song from this movie has been discussed in the past.

Vishweshwar Sharma (16 december 1933- 30 december 2014) was one of the six lyricists of this movie. The title song -“Chal sanyaasi mandir mein” from this movie, which became the most popular song of the movie, was penned by Vishweshwar Sharma. This song finished fifth in Binaca geetmala final of 1976. This song also earned Vishweshwar Sharma a nomination for Filmfare best lyricist award in 1976.

As a tribute to the deceased lyricist, who left for his heavenly abode on 30 december 2014, here is this famous song from “Sanyasi” (1975). This song is sung by Lata and Mukesh. This song is picturised as a seduction song on Hema Malini and Manoj Kumar.

Music is composed by Shankar Jaikishan.

Lyrics of this song were sent to me by Nitin Shah.

Audio

Video

Song-Chal sanyaasi mandir mein (Sanyaasi)(1975) Singers-Lata, Mukesh, Lyrics-Vishweshwar Sharma, MD-Shankar Jaikishan

Lyrics(Provided by Nitin Shah)

chal sanyasi ee ee
mandir mein aen
mandir mein aen
mandir mein aen
ho o
ho o o o
chal sanyaasi ee ee
mandir mein aen
tera chimta meri choodiyaan
donon saath bajaayenge ae
saath saath khankaayenge ae
chal sanyaasi ee ee
mandir mein aen
tera chimta meri choodiyaan
donon saath bajaayenge
saath saath khankaayenge ae
kyun ham jaaye mandir mein
paap hai tere andar mein
lekar maala kanth doshala
raam naam gunn gaayenge

chal sanyaasi ee
mandir mein
tera chimta meri choodiyaan
donon saath bajaayenge
saath saath khankaayenge ae
chal sanyaasi ee ee
mandir mein aen

resham sa ye roop salona
yauvan hai ya tapta sona
ye teri mohan si moorat
kar gayi mujhpe
haaye jaadu tona
kaisa jaadu tona
saari man ki ye maaya hai
arre tujh per devi kisi rog ki
badi vikat chhaaya hai

arre chal sanyaasi ee
mandir mein aen
tera kamandal meri gagariya
saath saath chhalkaayege ae
saath saath chhalkaayege
kyun ham jaayen mandar mein
paap hai tere andar mein
ham to jogi
raam ke rogi
dhooni alag ramaayenge

chal sanyaasi ee
mandir mein aen

jaage jaage
so jaati hoon
aur sapnon mein
kho jaati hoon
tab tu mera ho jaata hai
aur piya main teri ee
ho jaati hoon
sapnon mein bharmaakar maanav
sachha sukh khota hai
arre raam naam japte rehne se
kasht door hota hai

chal sanyaasi ee
mandir mein aen
tera chola meri chunariya
saath saath rangwaayenge
saath saath rangwaayenge
kyun ham jaaye mandar mein
paap hai tere andar mein
chhod jhamele baith akele
jeevan saphal banaayenge

chal sanyasi ee
mandir mein aen

man se man ka deep jala le ae
madhur milan ki jyot jaga le
pooran kar le teri aasha
aj mujhe apna le ae
apna le
man se man ka deep jalaana
mujhe nahin aata hai
bas pooja ki jyot jagaana
mujhe yahi bhaata hai

ho chal sanyaasi ee
mandir mein aen
mera roop aur teri jawaani
milkar jyot jalaayenge ae
milkar jyot jalaayenge ae
kyun ham jaayen mandar mein
paap hai tere andar mein
dharam chhod kar
dhyaan chhod kar
paap nahin apnaayenge

arre chal sanyasi ee
mandir mein ae

prem hai pooja
prem hi poojan
prem jagat hai
prem hi jeevan
mat kar tu apmaan prem ka
prem hai naam prabhu ka
bada hi paavan
prem prem kar ke mujhko
kar degi ab tu paagal
mera dheeraj dol raha hai
laaj rakhe ganga jal

bol siyaawar raamchandra ki jai


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

‘Phanda-1975’ was one of the first few films screened at our colony club when the weekly screening of films was started there in 1975-76.  The name of this film was vague in my memory, and I do not remember either the film or its’ star cast or songs.  Might be an obscure movie of its time.  Now, after so many years when the film’s name knocked my memory, I take on search for its songs and other details.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Geet Gaata Chal”(1975) was produced by Tarachand Barjatya and directed by Hiren Nag for Rajshree Productions. This movie marked the debuts of Sachin and Sarika (erstwhile child artists) in lead roles in Hindi movies.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Only if religion had not fallen out of favor with the film industry. Kya kahen, sab paise ki maya hai (what to say, it is all a money game). The producers say that the public is not interested. And so they will lose money if they make religious films. And so we have been seeing less and less of religious and spiritual themes on screen. Rather, I do not recall seeing any title that indicates a religious film, in the past decade or so.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (19 november 2014) is the birth anniversary of Zeenat Aman (19 november 1951). She was one of the most popular leading ladies of Hindi movies during the 1970s. She, alongwith Parveen Babi, represented the “Westernised” women as opposed to traditional Indian women that actresses like Hema Malini, Rekha etc of that era represented.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

He had this unique technique perfected, for which his contemporaries would envy him. There was nothing like it before him, nor now after he is gone. For the want of any better terminology, he would simply call it the “switching on, switching off” technique. On the sets, his was the fastest transition from the self to the role, when the cameras started to roll, and also the fastest pull back to the self from the role, when the director called ‘cut’. I have read this comment by, or heard it in interviews of more than one of his contemporaries, may it be the male or the female artists. They used to marvel at his ability to switch on into the character and the mood in a snap, and then withdraw himself from the character in an instant. Many others would comment that they would take many minutes to get to the right depth of mood and emotions, and after the scene is done, they need time to withdraw from the emotion and return to the normal self.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mausam” (1975) was produced by P Mallikarjuna Rao and directed by Gulzar for Sunandini Pictures. This movie was losely based on A J Cronin’s novel “The Judas Tree” (source-wikipedia). The movie had Sanjeev Kumar, Sharmila Tagore, Dina Pathak, C.S.Dubey, Om Shivpuri, T.P.Jain, Agha, Kamal Deep, Satyen Kappu, Lily Chakravarty, Pinchoo Kapoor, Mrinal Mukherjee, Shekhar Purohit, Yogendra, Nasir, R.Chopra, Mona Rajput, Baldev Mehta, Anwar, Chandu, Anand Pal, Ramnath etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Zameer” (1975) was produced by B R Chopra and directed by Ravi Chopra. The movie had Amitabh Bachchan, Vinod Khanna, Shammi Kapoor, Indrani Mukherjee, Saira Bano, Madan Puri, Jagadish Raj, Ramesh Deo,Prem Sagar, Minu Mumtaz, Chaand,Harishivdasani, Uma Dhawan, Rani, Sunil Dhawan, Keshav Rana,Janki Dass, Nazir Kashmiri, Raaj Kishore, Akbar etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In my younger days, I used to identify Hyderabad with Nizams. For me Hyderabad and Nizamshahi were inseparable in the city’s history, developments and monuments. The establishment of Osmania University is one example among others of the contributions of Nizams in this region. It was only when I visited Hyderabad for the first time on a sightseeing trip in 1989, I became aware of the role of Qutub Shahi (also written as Qutb Shahi) dynasty in the development of Hyderabad. Of the 7 Sultans of Qutub Shahi dynasty that ruled from Golconda and later from Hyderabad, the reign of 5th Sultan, Mohammed Quli Qutub Shah was regarded as the golden period. During his rule, Charminar was constructed and a new capital across Musi River called Bhagnagar and later renamed as Hyderabad was established.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

= = = == == = = = = = = = = = = = =
Rafi Sb – In The Seventies – 9
– – – – – – – – – – – – – – – – – – – – –

(1975 – Solo)

Wow, vintage Rafi, if ever it were.

As I was browsing for the song from 1975, I bumped into this very old friend, whom I had not met for a long time. But oh, what a lovely remembrance this one. A wonderful gem of a song, that is lost in obscurity, even though the film is comparatively not very old.
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