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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
अब क्या मिसाल दूँ में इस प्यारी आवाज़ की
इन्सान बन गई है तरंग वीणा के तार की
वीणा, माँ सरस्वती के हाथ की वीणा – जो सब ज्ञान का स्रोत है, जो समस्त सृष्टि के संगीत का उद्गम स्थान है, जो वाणी और ध्वनि का आरंभ है।
Veena, that is in the hand of Goddess Saraswati; veena, that is the source of all knowledge and all that is music in this creation.
Yes, the voice of Lata ji. A voice that is adorned in many a thousand ways, a voice that lives in the minds and memories through many a thousand songs, in Hindi films, in films of other regions, and songs that don’t belong to films. The legacy is a treasure. Quite so much has been written about this voice, my adding more would simply be repeating what has been said before. And much of that discussion is an overbearing analysis of the phases and careers, that are after all moot points, when arrayed against the qualities of the voice itself. That discussion is like ‘गूंगे की शक्कर’ – the description of the sweetness of sugar as expressed by a person who cannot speak. He would place the sugar on your palm, and tell you silently, to taste it, to eat it. After that tasting, no words are necessary, to discuss what sugar is. 🙂
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Bhaagwaan Zara Dheere Bol
Posted on: June 9, 2017
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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hullo to all in Atuldom
Today we will have a song from the 1957 L.V. Prasad directed Meena Kumari- Raj Kapoor- Shyama starrer ‘Sharada’ – written as ‘Shaarda’ by Atulji in the ‘List-of songs-moviewise’. It is mentioned as ‘Sharada’ in the filmography of Meena Kumari (a rule in English grammar says that proper nouns can be written with any spelling, specially there is no right or wrong spellings as far as Indian words are concerned).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Who was the first female music director in Hindi film Industry? The answer to this question has changed thrice during the last few years.
It was believed that Saraswati Devi (real name: Khorshed Minocher-Homji) was the first female music director who composed songs for ‘Jawaani Ki Hawa’ (1935), produced under the banner of Bombay Talkies. Subsequently, it was established that Jaddanbai, who composed the songs for ‘Talaash-e-Haq’ (1935) was the first female music director, her film having been released earlier than ‘Jawaani Ki Hawa’. It will be interesting to know as to which of the songs from these two films were recorded first on the respective film’s sound track.
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- In: Devnagri script lyrics by Ashwini Scrapwala | Feelings of heart | Guest posts | Lyrics contributed by readers | poetry based song | Poignant Song | Post by Avinash Scrapwala | Rafi solo | Rafi songs | Song about Nature | Songs of 1950s (1951 to 1960) | Songs of 1957 | Yearwise breakup of songs
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
5th June is celebrated as ‘World Environment Day’ all over the world every year. The theme for this year is “Connecting People to Nature“.
I am approaching today’s post in a different manner. Instead of going into the details of the environmental agencies, their history and purpose, the significant environmental issues being faced by humanity on this planet, etc. I am thinking of our Hindi films and their music. The nature is so intimately connected herein. We cannot imagine our Hindi Film Music without ‘connecting with nature’.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hullo atuldom
Hope all fine here.
Today (8 june 2017) I am posting a song which falls right in the category of “How come this is not yet posted?!?!” But that is how this blog of ours (Atul’s) is. Even after 13300 songs we still have songs for the “How come” category.
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Duniya chaar dinon ka mela
Posted on: June 8, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Mitti” (1947) was directed by Ravindra Jaykar. The movie had Khursheed, Sadiq Ali, Revashankar, S Ahmed, Bhagwan Das etc in it.
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O kaal teri jholi mein kya kya bhare
Posted on: June 8, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Raajraani Damyanti”(1952) was a mythological movie which was produced by Mahipat Rai Shah-Anupchand Shah and directed by Raja Nene for Roopkamal Chitra, Bombay. The movie had Nirupa Roy, Trilok Kapoor, Usha Kiran, Vikas, Baby Tabassum, Ratan Kumar, Prakash, Vasant Kaanse, Shakeela, Shakuntala, Uma Devi, Yashwant Dave, Ram Singh etc in it.
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Hausley dil ke mitey
Posted on: June 7, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Bhedi Bangla”(1949), an obscure B grade mystery movie was directed by Bhagwan for Jagriti Pictures, Bombay. This movie had Baburao, Bhagwan, Azim, Shankar Mirajkar, Inamdar, K K Swami, Leela Gupte, Usha Shukla, Tarabai etc in it.
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Kar de zaraa ishaara
Posted on: June 7, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Khazaana”(1951) was produced by Bakshi Jang Bahadur and directed by M Sadiq for Bakshi Brothers, Bombay. This movie had Madhubala, Nasir Khan, Gope, Om Prakash, Cuckoo, Ramesh Thakur, Gujri, Abbas etc. in it.
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