Posts Tagged ‘Rafi’
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The personality personified in these two lines “Dil Hai Hamaara Phool Se Naazuk, Baazu Hain Faulaad” – that is the image of Dara Singh that I have always carried with me. A childhood hero, a super powerful man, who was always friendly and helpful for the needy, and was a scourge for the baddies.
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“Sabse Bada Rupaiyya” (1976) was a Balaji Kalamandir Production. It was produced by Mehmood and directed by S Ramnathan. The movie had Mahmood, Vinod Mehra, Moushumi Chatterjee, Farida Jalal, Jeevan, Sulochana Latkar, Nivedita, Madhu, ChandraShekhar, Agha, Mukri, Sunder, Randhir, Asit Sen, Keshto Mukherjee,
Anwar Ali, Sheikh, Bhushan Tiwari, Babban, Nausir Khatau, Janki Das, Polson,Mulchand, Amir Ali, Narbada Shankar, Ghosh, Saigal, Chavan, Chand, Somender, Parikh, Badshah, Rachna etc in it.
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Ye deewaane ki zidd hai
Posted on: July 13, 2012
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
There are qawwali’s and than there are some qawwali’s. Or should I say there are qawwalis and than there are some filmi qawwalis by Roshan. To begin with I am not a very big fan or a knowledgeable person to talk about qawwali, hence this flippancy 😉 .
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- In: "Aankh" song | Duet | Guest posts | Kishore Kumar lip syncing in another voice | Kishore Kumar lip syncing in two other voices | One singer singing for two actors | Post by Sadanand Kamath | Rafi songs | S D Batish - Rafi duet | S D Batish songs | Songs of 1950s (1951 to 1960) | Songs of 1956 | Yearwise breakup of songs
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I had played my 78 RPM record (No. N.52584) of the song ‘ajab hai daastaan teri ae zindagi’ from the film ‘Shararat’ (1959) umpteen times on my record player in my younger days. But it did not occurr to me at that time that there was something amiss about this song. It was much later I came to know that in this song, Mohammed Rafi had given playback for Kishore Kumar. .
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Aaj ko junli raat maa
Posted on: July 12, 2012
Today (12 july) is the death anniversary of Rajendra Kumar. On this occasion I have several songs to discuss, time permitting.
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Today (12th july) is the death anniversary of Rajendra Kumar. On this occasion, I have several songs to chose from, time permitting.
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Likh kar tera naam zameen par
Posted on: July 10, 2012
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
We all know that Madan Mohan left for his heavently abode during the making of this film “Laila Majnu”. The film released in 1976 and the music of this film was super hit and it is very popular to this day. The success that eluded him during his lifetime was only destined to be his after his death. I have been meaning to write down the lyrics of this films songs, as many of them are still to be discussed in this blog.
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Dekho zara ulfat ka asar
Posted on: July 10, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Taatarstan is an autonomous republic within the Russian Federation, which is situated along the banks of the River Volga, and to the west of the Ural Mountains. Historically, this is a small kingdom that was absorbed into the USSR after the Bolshevik Revolution in 1917, as an autonomous republic. The original inhabitants, called the Tataar or Taatari people, belong to the ethnic Taatar group from the old Turkistan (modern day Turkey), who spread out over a large part of East Europe in the eighth century AD. As a part of this migration, a group of enthnic Taatari people settled down at the banks of River Volga, and established the original Taatari kingdom.
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Today (9 july 2012) is the anniversaries of a large number of film personalities. Sanjeev Kumar happens to be one of them. Today is his birth anniversary.
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Jo dil ki baat hoti hai
Posted on: July 9, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The haunting image of a worn-out, white bearded face, with lines of age alluding to maybe a century of anguish, haltingly climbing down the service staircase in the deserted studio, wanting to reach the chair with ‘Director’ imprinted on its back. Or the vision of a decrepit man standing in the theatre doorway, his hands out flung across the entrance, and the sharp lighting from behind giving an impression of a phoenix rising from the ashes. These two celluloid illustrations are probably two of a handful of very gripping, compelling and spellbinding images that have left a lasting imprint on the minds of the cinema viewers and more importantly, a telling statement that redefined the very cultural fabric of the society and of film making itself.
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