Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3490 Post No. : 14022 Movie Count :

3872

First of all, I have to express my gratitude to this blog once again, it is only because of this blog that am able to share this post here. Though I have already shared many posts earlier, but today the personality I am writing about is of such a great stature that it is my fortune and blessings of this blog that I am able to do this.

Today we remember Ramchandra Narayandutt Dwivedi whom we fondly admire and respect as ‘Kavi Pradeep’ or ‘Rashtra Kavi Pradeep’ on the anniversary of his birth. He was born on 6th February,1915 and passed away on 11th December,1998 leaving behind a great legacy or even I can say a ‘heritage’ – a national heritage of his immortal poems and his ‘voice’.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3490 Post No. : 14019

The film ‘Sushila’ of 1966 – and a peculiar turn of events as we tried to ‘Yippeee’ this film, earlier on 26th January. And then there is another very interesting quirk related with this post and this Yippeee action today.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3490 Post No. : 14018 Movie Count :

3871

Missing Films of 1960s – 55
– – – – – – – – – – – – – – –

Today’s debut film is Shri Ram Bharat Milan, from 1965.

Today is also the birth anniversary of Kavi Pradeep, one of the leading poets who wrote for Hindi films, during the 1940s, 50s and 60s.

The film is produced under the banner of RM Art Productions Bombay, and is directed by Mani Bhai Vyas. The cast of actors listed for this film are Mahipal, Anita Guha, Nirupa Roy, Rajkumar, Aruna Irani, B M Vyas, Niranjan Sharma, Vanmala, Prithviraj, Balakram, Sulochana. The listings show that there are six songs in this film, all written by Kavi Pradeep. The music for the film is composed by Pandit Shivram. This particular song is a twin dance song sung by Asha Bhosle, Usha Mangeshkar and supported by chorus.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3488 Post No. : 14011 Movie Count :

3868

In the early 1970s in Mumbai, it was quite common to see Pathan moneylenders standing outside the gates of the factories, mills, railway workshops and even some of the Government offices. Pathan moneylenders used to lend money at high interest rates, mostly to workers and subordinate staff who were in perpetual need of money. I had frequently watched them standing outside the main gate of my office, normally in pair, during the first week of every month. Their operations were always discreet without inviting any attention from the passers-by except that their distinct dress and caps would identify them to be the Pathans.

I had got the first hand information on the modus operandi of the Pathan moneylenders from one of my subordinate staff who was perpetually indebted to them. On the salary day, they would be present at the gate at the start of the office, at lunch time and the office closing time. If a borrower is not able to pay the monthly interest/principal amount, he would try to avoid the Pathans by not going out of the office during lunch time, would leave the office well before the closing time or leave late. But the network of the Pathans was so large that they would eventually catch the defaulters and get at least the interest amount by their discreet strong arm methods.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3487 Post No. : 14008

The yippeee film for today the 1972 production by Manoj Kumar – ‘Shor’.

There was a period in the career of Manoj Kumar, where every film he touched has either been a hit, or it has commanded a cult status over the years. Starting with ‘Shaheed’ in 1965, and right up to ‘Kranti’ in 1981, he produced, directed and acted in a string of hit films, that have become memorable icons over the years. It was ‘Shaheed’ in 1965, then ‘Upkar’ in 1967, then ‘Poorab Aur Pashchim’ and ‘Yaadgar’ in 1970, then ‘Shor’ in 1972, ‘Roti Kapda Aur Makan’ in 1974, and then ‘Kranti’ in 1981. Of these, the 1972 production of ‘Shor’ is kind of the odd one out – it is not really a patriotic / nationalist theme, that is Manoj Kumar’s forte, that earned him the nickname of Mr Bhaarat. After 1981, Manoj Kumar seemed to have lost his touch, and after a string of indifferent productions – ‘Painter Babu’ (1983), ‘Kalyug Aur Ramayan’ (1987), and ‘Clerk’ (1989), he kind of let go the production / direction stance.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3487 Post No. : 14004 Movie Count :

3867

As I am searching for a song to make the debut post for today, my mind goes to check the anniversaries page, and I find that today is the anniversary of passing away of Pt Shivram. This gives me an impetus and I start exploring the films for which Pt Shivram has composed the music. After going thru the list of his films, as given in the Geet Kosh, I find that although his work in Hindi cinema is confined to about 23 films, there still are some of his films that are not yet represented on our blog. So I search through his pending films, and I come across this obscure film, albeit from a major banner.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3486 Post No. : 14001 Movie Count :

3866

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 61 # Movies with same titles ‘Haar Jeet’
———————————————–—————————————–

Recently our dear Kamath Saab shared the song ‘Mast Pawan Shaakhen Lehraayen’ from the 1940 movie ‘Haar Jeet’. And seeing that post I immediately recalled sharing one song from the film having the same title – ‘Haar Jeet’ and released in 1972. I thought that a song from this ‘Haar Jeet’ (1972) was already posted on the blog. Or maybe it was discussed in some post or mentioned in comments on the blog.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 14000th song post in the blog.

Blog Day : 3485 Post No. : 14000

Aah, the magical triple zero. There is always quite a long wait to get to a milestone that carries all zeroes in the last three digits. Welcome all, to the fourteenth such milestone. Yes, I hear you say it – it IS getting to be a staggering collection, this ASAD blog. You can pick your time preference, we are on to the

  • 3, 485th day, or
  • at 497 weeks and 6 days, or
  • 114 months and 14 days, or
  • 9 Years, 6 Months and 14 Days

of the continued proliferation of this blog.

Given where we are today, and from when we started, the average posting rate has been a tad over 4 songs a day, 4.0172 to be precise. Or to put it another way, if we were exactly at 4 songs a day, then today we would have been at 13,940, requiring 15 more days to hit the 14K milestone. So we are running marginally faster than 4 songs a day. And today morning, I was just wondering, maybe I should suggest to Atul ji, and maybe we should name this blog as AFSAD, instead of ASAD. OK yes, you guessed it right – Atul-Four-Songs-A-Day. 😀 😀
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3485 Post No. : 13999 Movie Count :

3865

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# The Special Voices of the decade – 2 # Anwar #
———————————————–———————-

Welcome all to this second article under this series.

In this series we are discussing Special Voices which emerged on the horizon of HFM in the years of Seventies, and who in their own way have left an indelible mark in the minds of music lovers leaving behind legacy of many many memorable songs.

These Special Voices are those singers who make their entry in Hindi Film Music when the legends like Mohd Rafi, Kishore Kumar, Manna Dey and Mukesh, Mahendra Kapoor among Male Singers and Lata Mangeshkar, Asha Bhonsle, among female singers were already ruling the Hindi Film Music scene. Still, these new voices, when they entered into HFM, took the audience by storm. Some of them were successful enough and popular too, and they continue to sustain for a long time.
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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3485 Post No. : 13998

 

Piya Tune Kya Kiya Re, Tere Bin Laage Na Jiya” – this post in 2008 by Atul ji inspired me to sit through an otherwise serious (read boring) movie. In the post Atul ji had written 3 postscripts each after different stages of movie watching and getting more gyaan about the movie. There is nothing more to add about the movie if one reads that particular post.
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