Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from a comparatively new film ‘Lagaan’ (2001). The song,written by Javed Akhtar and composed by AR Rahman, is sung by 5 singers, viz. Alka Yagnik, Shaan, Shankar Mahadevan, Sukhwinder Singh and Udit Narayan. Why do I feel some readers are smiling after reading my above sentence calling ‘Lagaan’ as a new film ? As compared to what my forte has been so far (old films from 1930s to 1970), ‘Lagaan’ IS a comparatively new film. . . at least for me !
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 1
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‘अ’ – अब जीने का मौसम आया

kya kahoon
kuchh kahaa nahin jaaye. . .

Really so – our utterances and our thoughts well nigh come to a helpless pause. The more I want to substantiate these thoughts, the more difficult I find to avoid repeating myself. And yet, the voice of Rafi Sb, the limitless nuances of emotions it carries, the multitude of expressions carried in thousands of songs – that voice, that divinity descended from the heavens, continues to perpetuate afresh, with every song that is played. There seems no end to this variety.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today is a very special day for all HFM lovers. It is the birth anniversary of one of the most beloved of artistes, and one of the greatest and most respected. I am, of course, talking about the one and only Rafi Saab.

Had he been alive today, he would have completed 93 years. But as fate would have it, he left us in 1980 itself, when he was barely 55. One does not have control over these matters – one can only have fond memories of the person concerned, and enjoy the rich legacy that he or she has left behind.

And WHAT A LEGACY Rafisaab has left behind!
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, 24th December 2017 is the ninety-third (24 December 1924 – 31 July 1980) birth anniversary of the great singer – ‘divine voice’ – Mohammad Rafi.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing law.

Today’s song is from a rare and less known film ‘Lakharani’ from 1945.

Although this was a film made by the great Prabhat Film Company of Poona, unlike earlier Prabhat films this movie never became famous or a landmark film. The reasons were many. The main reason was that it was was made in the period when the company had become very weak after V Shantaram left Prabhat Studios along with some of his chosen people from various departments. Secondly, the storyline of this film was far away from the type of films Prabhat had made in the past. True to its tradition, however, the film had a central theme of “open entry for all castes into Hindu temples“. But it was told through a story of tribal folks and allied jungle people, with whom probably, the audience could not  identify themselves.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

ना जाने क्यों॰ ॰ ॰ होता है ये ज़िंदगी के साथ
अचानक ये मन
किसी के जाने के बाद
करे फिर उसकी याद॰ ॰ ॰

Aah, Shyama. . . the vivacious, bubbly, chirpy, charming Shyama. That is the image that the mind always carries, of this spirited young lady, so full of life on the screen. Some memories and some reflections are so firmly engraved in the mind that it simply does not register or acknowledge the passage of time and the passing of eras. That is the beauty of these memories – that their beauty simply never fades away.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, we are celebrating the 3400th day that this blog has been operating.

And we Yippeee a film that has been waiting for more than two years for the final song to come online. 🙂

Sometimes, Atul ji springs a wonderful surprise. And at a very short notice too. It is 8.30 pm in the night (on 7th Nov). I am just casually checking my emails. Plop. There is a message from him. We have a significant and a very different type of milestone lined up for tomorrow (8th Nov). The immediate next sentence, he is quickly clarifying that no, the said milestone has nothing to do with demonetization anniversary or any other subject of Indian economy. The next sentence he clarifies, without building any suspense or delays in his words. 8th Nov is exactly the 3400th day of the continued existence of our blog. A few lights start blinking inside the head. Wow, – thanks ji, – what a surprise, – such a different type of milestone, – gosh tomorrow, – what a scramble, – and in a secret corner, another light blinks that says – अरे सर, थोड़ा एडवांस नोटिस तो देना चाहिए॰ ॰ ॰ खैर॰ ॰ ॰
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Fabulous Foot Tappers – 8
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“What a find. Such a rollicking song.”

This the comment by our own Ava Suri ji, that I find on the YouTube upload page of this song. Yes, ‘rollicking’ is just the right word to describe the tenor of this song. By the way, the YouTube channel on which this is posted is titled ‘The Edwina Channel’. And for those who are familiar, this channel is managed by Dan Thomas (aka Thomas Daniel). Dan has been actively collaborating with dear Greta Memsaab, for cleaning and sprucing up digital videos of old Hindi films, subtitling them and putting them up on the YT. Our dear Raja ji is also part of this effort.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Missing Films of 1960s – 36
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Aisa to hota hi hai. The name of the film sometimes is not so interesting; it seems to automatically convey a B/C grade stunt cum familiar crime and punishment fare. And so we tend to pass over such names in our search of favorites. But as always, unfailingly, it is such films that carry some of the best music that we have heard. Plus, as I realized while checking out this film, the music director is OP Nayyar. The year is 1966, and OPN is quite much in the running as one of the top music directors in the industry. And the film that I am un-packaging on this blog for the first time – it is ‘Love And Murder’.
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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The small girl in the song with this post celebrates her 52nd birthday today—unbelievable she is so young. The birthday list on our blog says she is 1965 born, also the Filmfare awards list page says she was all of 15 when in 1980 she won the Best Supporting Actress award for her depiction of a rape victim (in ‘Insaaf Ka Taraazu’). She seems to have been around forever. I just do not want to use the phrase ‘past her prime.’ Come to think of it she is younger to the Khans who are ruling the industry these days.
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