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Madbhari hain pyaar ki palken
Posted on: August 5, 2012
“Fashion” (1957) was a Kuldip Pictures production. This movie was directed by Lekhraj Bhakri. The movie had Pradeep Kumar, Mala Sinha, Chandrashekhar, Manoj Kumar, Jabeen Jaleel,Sunder, Jabeen Jalil, Jagdish Sethi, Kammo, Leela Misra etc in it.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The 1950s was the decade when Sur Saraswati Lata Mangeshkar showered scores of melodious gems on the music lovers which have defied time to linger in their memory like pangs of the first-love.
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Main bhanwra tu hai phool
Posted on: August 5, 2012
“Mela” (1948) was a Wadia Films production. S U Sunny and Hila Wadia were its producers. S U Sunny had directed this movie which had Dilip Kumar, Nargis, Jeevan, Roopkamal, Amar, Rehman, Baby Zubaida, Noorjehaan, Chandabai, Allaudin, Khalil, Abbas, Maqbul Jr., Ghulam Mohmed Jr. etc in it.
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Jeewan se na haar o jeenewaale
Posted on: August 4, 2012
Kishore Kumar, popularly regarded as a happy go lucky individual was deep down a sensitive soul. After making a couple of light hearted movies, Kishore Kumar began to make some serious movies on sensitive issues. But unfortunately the Hindi movie audience were not ready for such movies. In fact even today there is only a very small audience for serious and sensitive off beat movies.
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- In: Amitabh Bachchan songs | Amitabh Bachchan songs by Kishore Kumar | Feelings of heart | Kishore Kumar solo | Kishore Kumar songs | Lyrics by nahm | Lyrics contributed by readers | Manna Dey solo | Manna Dey songs | Multiple version song | Songs of 1980s (1981 to 1990) | Songs of 1981 | Yearwise breakup of songs
- 16 Comments
“Laawaris” (1981) was Produced and directed by Prakash Mehra. The movie had Amitabh Bachchan, Zeenat Aman, Amjad Khan, Suresh Oberoi, Bindu, Raakhee Gulzar, Om Prakash, Ranjeet, Ram Sethi etc in it. The movie was criticised quite badly by the movie reviewer of the magazine that I used to read those days. The critic wrote that the best scene in the movie was one that had the words “The End” in it.
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Arre nazar lage na saathiyon
Posted on: August 4, 2012
The first solo song that Kishore Kumar sang in his playback career was for Dev Anand in the movie “Ziddi” (1948) under the music direction of Khemchand Prakash. Then S D Burman, his mentor used his good offices to get Kishore Kumar to give plaback for Raj Kapoor in “Pyaar” (1950). But from that time onwards, Kishore Kumar sang for himself or for Dev Anand, in case it was a Dev Anand movie with S D Burman’s music direction. I can think of one more exception during 1950s though where Kishore Kumar sang for someone other than himself or Dev Anand. It was the iconic song Din hai suhaana aaj pahli taarikh hai(Pahli taarikh) (1954) which was picturised on Raja Nene.
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Na aaj thha na kal thhaa
Posted on: August 4, 2012
“Pati Patni Aur Woh” (1978) was a B R Chopra production. It was produced and directed by B R Chopra. The movie was a light hearted adult comedy in the sense that it depicted the tale of a man carrying on an affair with his female secretary in office behind the back of his homely wife.
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Tum bhi chalo ham bhi chalen
Posted on: August 4, 2012
- In: "Horse" song | "horseback" song | "Zindagi" song | Amitabh Bachchan songs | Amitabh Bachchan songs by Kishore Kumar | Asha Bhonsle songs | Duet | Feelings of heart | Kishore Kumar solo | Kishore Kumar songs | Kishore Kumar-Asha Bhonsle duet | Lyrics by Prakashchandra | Lyrics contributed by readers | Multiple version song | Songs of 1970s (1971 to 1980) | Songs of 1975 | Yearwise breakup of songs
- 13 Comments
Kishore Kumar was around in the Hindi movie playback scene for two decades from 1948 to 1968 but all these while he was on the fringes. But a combination of many circumstances, that are well chronicled, ensured that changes of epic proportions took place in the Hindi movies schemes of things in late 1960s. Whe the commotion was over and things settled down, the old order had changed giving way to the new. The old timers (heroes, singers, music directors) suddenly found themselves upstaged and evicted from the scene in the new order.
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