Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

During my childhood and younger days, I had heard some songs and in case of a few of them I remembered only the tunes. I had no idea whether they belonged to films or were non-film songs.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Enjoying the film music now in its ninth decade, we are mostly familiar with all the variations, adaptations, improvisations, and of course even outright copying of music items across films, across music directors and across time. A very interesting adaptation / variation to the Hindi film song is a parody. A well known song from an earlier film is reused in a new film, generally keeping intact the melody and the tune, but the words are changed for a comical effect, mostly. We are all familiar with parodies, and I am sure we can surely list a few at the drop of a hat.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

And so, yesterday as I was conversing back and forth with Harish ji Raghuvanshi (resident of Surat, compiler of the ‘Mukesh Geet Kosh’) regarding information on the lyricist SH Behari, we started to discuss the general topic of hugely talented lyricists that spent a very small time in the industry, contributed a small number of very wonderful songs and then somehow did not work anymore for Hindi films. Their filmi careers are lost under obscurity.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Ek gaana hai, kareeb chaalis saal puraana – “Chain Se Humko Kabhi, Aap Ne Jeene Ne Diyaa” . From the film ‘Pran Jaaye Par Vachan Na Jaaye’. And the year is 1973. Yes getting to be about 40 years ago. But listening to this song, even today – the sound, the feelings, and the words – all appear to be so young and so fresh. And the lyricist – composer pair is SH Behari and OP Nayyar. A partnership that started in the mid 50s, and flowered exceptionally in the decade of 60s to give so many memorable songs one after another.
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“Baalika Badhu” (1976) which means “Child Bride” was a remake of a Bangla movie of the same name which was made in 1950s and where Mausami Chatterji had played the title role. Mausami Chatterji, after looking at Rajni Sharma felt that Rajni Sharma looked much more immature (and thus more suitable) for the role of the child bride.
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“Khushboo” (1975) was based on a Bangla story namely “Panditmoshai” written by Sharat Chandra Chatterji. The movie was a Tirupati pictures combine presentation. It was produced by Prasann Kapoor, who if I remember correctly was the brother of Jeetendra.
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When I was growing up in 1970s, I had heard of Gulshan Nanda a lot. Gulshan Nanda was the most popular Hindi novelist of that time. How popular he was could be judged from the fact that several of his novels were made into popular Hindi movies with same titles. For instance, “Kati Patang” (1970) was made based on his novel of the same name.
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Today (27 june) is the birth anniversary of R D Burman, who was easily the most influential music director during the time I was growing up in late 1960s and for entire 1970s. His dominance was so total that most other music directors had to change their music to sound like R D Burman. I too k it almost for granted that any song that I liked those days had to be a composition of R D Burman.
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