Archive for the ‘Feelings of heart’ Category
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“Street Singer”(1966) was directed by Chandrashekhar for Bhavdeep Films, Bombay. The movie had Chandrashekhar, Sarita, K N Singh, Manmohan Krishna, madan Puri, David, Sundar, ratna, Jeewan Kala, Keshav Rana, Agha, Tuntun, Polson, Bimal Chadha, Brijmohan, Ridku, Kundan, Sheikh, Amrit Patel etc in it.
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Hey chaand tum chitchor
Posted on: January 21, 2017
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“Lav Kush”(1951) was produced by Babubhai Shukla and directed by Nanabhai Bhatt for Shree Bhanu Pictures, Bombay. The movie had Nirupa Roy, Prem Adib, Umakant, Amirbai Karnataki, Badri Prasad, Dinesh, Mahesh etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Muslim socials, one of the genres of Hindi films, came into prominence during 1940s when ‘Qaidi’ (1940), produced by Film Corporation of India, Calcutta became a box office hit. Thereafter, in the 1940s, films like ‘Maasoom’ (1941), ‘Yaad’ 1942), ‘Naukar’ (1943) ‘Najma’ (1943), ‘Ismat’ (1944), ‘Zeenat’ (1945), ‘Pehli Nazar’ (1945), ‘Nek Parween’ (1946), ‘Shama’ (1946), ‘Dard, (1947), ‘Elan’ (1947), ‘Kaneez’ (1949) etc were released and most of them which became box office successes.
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Ab rahoge tum apne hi bas mein
Posted on: January 20, 2017
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Today (20 january 2017) is the 12th death anniversary of Parveen Babi (4 April 1949 – 20 January 2005). She was the classiest and prettiest leading actress of 1970s as far as I was concerned. Unlike most other leading actresses of her time, she sadly had a disturbed life post retirement when she suffered from mental disorders viz paranoia, schzopheria etc and she met with an anonymous death staying alone. Her death in fact was discovered on 22 january 2005 after her residential society secretary alerted the police that she had not collected milk and newspapers from her doorstep for three days. Police speculated that she was dead for about 72 hours before her body was discovered. That is how her death has been estimated to have taken place on 20 january 2005.
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Ladkhadaane do mujhe
Posted on: January 19, 2017
- In: "Broken heart" song | Devnagri script lyrics by Avinash Scrapwala | Drunkard song | Duet | Feelings of heart | Kishore Kumar songs | Kishore Kumar-Lata duet | Lata song | Lyrics by Prakashchandra | Lyrics contributed by readers | Rajesh Khanna songs | Rajesh Khanna songs by Kishore Kumar | Singing-Humming song | Songs of 1970s (1971 to 1980) | Songs of 1977 | Yearwise breakup of songs
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Palkon Ki Chhaaon Mein”(1977) was produced by A Khalia and Nariman Baria and directed by Meraj Ansari for Navsampati Productions, Bombay. This movie had Rajesh Khanna, Hema Malini, Farida Jalal, Leela Chitnis, Master Raju Shrestha, Indrani Mukherjee, Amjad Khan, Asrani, Kanhaiyalal, Leela Mishra, Jeetendra, Rekha, Aruna Irani, Om Shivpuri, Sharma, Pratima Devi, Dhumal, Shahid Bijnori, Sunder etc in it.
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“Sabse Bada Rupaiyya”(1955) was directed by P L Santoshi for Alhad Chitra, Poona. The movie had Shashikala, Agha, Alhaad, Sundar, Nana Palsikar, Achala Sachdev, Krishnakant, Kundan, Raja Gosavi, Haroon, Ramkumar, Vijaybala, Premlata, Rajni, Hira Sawant etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
PRATIMA (1945) was produced under the banner of Bombay Talkies and it was directed by Jairaj. Dilip Kumar and Swarnlata were in the lead roles with Jyoti, Shah Nawaz, P F Peetahwala, Mumtaz Ali, Mukri etc in supporting roles. It was the second film for Dilip Kumar. Among the films in which Dilip Kumar acted in the 1940s, ‘Pratima’ (1945) may well be his least known film. I was surprised to note that not much information about the film was available on ‘Filmindia’ magzines of 1945 issues. The film had not fared well at the box office.
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Le gayi khushboo maang ke bahaar
Posted on: January 17, 2017
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“Phir Kab Milogi” (1974) was produced by Hari Mehra and directed by Hrishikesh Mukharjee. The movie had Biswajeet, Mala Sinha, David, Deven Verma, Bipin Gupta, Vijaya Chaudhary, Abhi Bhattacharya, Parveen Paul, Ansari, Sailesh Kumar, Naaz, Uma Dutt, Neelima, Shridhar, Sujata, Bishan Khanna, Vikram etc, with Dilip Kumar is a special role.
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“Dharm Patni”(1953) was directed by Ramchandra Thakur for Harishchandra Pictures, Bombay. This movie had Mahipal, Nirupa Roy, Moti sagar, Durga Khote, Yashodhara Katju, Niru, Mona, Kumar, Gope, Bhagwandas, Dalpat, Eruch Tarapore, hameed, Dewaskar, Maqbool, Deepak Nayudu, Parvati Bai, anwari, Vijaybala, Dewan etc in it.
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Madhur suron mein suno jhamela
Posted on: January 17, 2017
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Many aspirants, dreaming of becoming actor, singer, lyricist, music director etc. have been attracted towards Bollywood right from the time that sound films came into existence in 1931. However, a significantly large numbers of such aspirants do not get a chance to prove their perceived talents. Some of them who get chances in Bollywood are mainly those who have their relatives or friends to recommend them to producers/directors. But there is no guarantee that they would be successful and would establish themselves in the Hindi film industry. Many of them had to either leave the film industry or look for some other vocations in the film industry which were not of their choices.
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