Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Kishore Kumar songs’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 45 # ‘Sahir Ludhianvi – in remembrance #
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Today (25th October 2016) is the ‘thirty-sixth ‘death anniversary of Sahir Ludhianvi (08th March’ 1921 – 25th Oct’1980).
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

What is special today (16 october 2016)? It is the birthday of Hema-Dream Girl- Malini. She is still a dream to look at.

I had been to this show last month here in Bangalore where she was in chat with Kabir Bedi. (I had mentioned this in the post on Dev Anand’s birth anniversary.) It made my hair stand on end (as they say in Hindi- rongte khade ho gaye!)to see my favourite, since I was a child, at such close proximity. I felt like a kid once again. They played a clip from “Seeta aur Geeta”, the one where Manorama goes to the police station with Satyen Kappu to coax a very naughty Geeta to go home with them. The scene with the dialogue-“neeche aa beti.” To which Geeta replies: “oopar aa moti”. My mother used to tell me that as a child I had caught this dialogue and kept repeating it from the time we stepped out of the theatre after seeing the movie.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today 15th October 2016 is the 94th birth anniversary of Shankar Singh Raghuvanshi. We know him as Shankar of the music director team Shankar- Jaikishan of the 50s and 60s. Shankar Singh s/o Ram Singh (15 October 1922 – 26 April 1987) was a native of Telangana (formerly Andhra Pradesh and at the time of Shankar’s birth probably Nizam territory) and spent his early years in Hyderabad. During his formative years, Shankar played the tabla and learned the art formally from Baba Nasir Khan Sahib. For many years, Shankar studied as a disciple of the legendary composer Khwaja Khurshid Anwar, in whose orchestra he performed. Shankar started his career with a theater group, before shifting to Prithvi Theatre where he played tabla and performed some minor roles in plays. Shankar worked as assistant to the leading composer duo of Husnlal Bhagatram.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 43 # ‘Kishore Kumar-Ashok Kumar’ in remembrance #
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‘Harfan Maulaa-1976’ was produced and directed by S.M.Saagar for ‘Adhikar International, Bombay’. It had Ashok Kumar, Kabir Bedi, Asha Sachdev, Satish Kaul, Anwar Hussain, Kundan, Yashraj, Aroop Kumar, Shetty, Ramlal, Master Ripple, Danny Junior, Mumtaz Begam, Mughni Abbasi and Rukhsana. Zaheera, Aruna Irani, Helen, Shakila Banu Bhopali, N.A.Ansari, K.N.Singh, Chandrashekhar, Satyen Kappu, Bindu and Mehmood made special appearances in this movie.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

One thing about life that amazes me is its unpredictability. Let me explain. See when I got the email from Sudhirji in April 2014 informing me about the approaching 10K milestone I had decided to send as many songs as possible to Atul for reaching 10000 as soon as possible. And in right earnest I sent 4 songs over a week in my (personal) “March unto 10000” mission. And I must say Atul was good to me by posting all of them instantly. Then came my unexpected tour of Delhi; and I took a break from my list of romantic songs and sent a Delhi based song. This is one incident that proves that we plan something and we end up doing something else.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (13 october 2016) is the death anniversary of Kishore Kumar, one of the legends of Hindi cinema and easily one of its most versatile artistes.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, 10th October 2016, happens to be the birthday of Rekha, one of the most successful and prominent actors of the 1970s and 1980s.

This blog was started in July 2008 – which means this blog has already seen eight birthdays of Rekha since it was started.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In the recent ‘Bangalore gang-out’ series it’s now my turn to do the post part as decided in the ‘MoM’ 🙂 of the ‘gang-out’.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Clearly the adage “once bitten, twice shy” doesn’t apply to Atulites.

At least not to Batulites (Bengaluru-based Atulites).

Otherwise there’s no reason they’d ask me to post a write-up on the blog, describing the recent gangout event. The last time I wrote a post on a Bengaluru gangout, it was more than six months after the event! By then, I’d forgotten some details – and possibly many had lost interest. 🙂
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

As mentioned in a few of my earlier posts I have been visiting Khandwa regularly from August 2015 onwards. In the past when I was staying at Kota (Rajasthan) I would pass through this place while going to Purna and Akola Junction from Kota, but I never got a chance of staying there and feel the ‘town’.
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