Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Love song’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 8
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‘ओ’
“ओ ओ ओ गोरी लाखों जनम से”

Yet one more truly vintage Rafi, if ever there was one. The songs by him simply do not cease to wonder the mind, such is the quality of expression and the depth of a seasoned rendition. The measured deliberateness of singing underscores the mastery of the singer on perfectly realizing the nuances of the emotions involved. Yes, truly vintage Rafi.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 7
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‘ऐ’
“ऐ जान ए बहारां रूह ए चमन”

Truly vintage Rafi. A song that brings to mind the times and the era of gentle romancing, and the soft songs of love. In the voice of Rafi Sb, these songs carry a heartfelt emotion that conveys a genuine feeling of love. It is a wonder that this song has so far not made it to the blog already.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mukesh and his Composers – 10
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Wishing Usha Khanna on her 74th birth anniversary, a celebration full of all things good and happy.

For some reason, Usha Khanna never received the recognition and fame that she so rightfully deserves. She is not the first, but definitely is the most successful and talented of a handful of female composers in the Hindi film industry. Born on 7th October 1941, she composed music for her first film at a very young age of 17 with ‘Dil Deke Dekho’ 1959. This was also after more than one year of a sort of apprenticeship and convincing the world that composing was an easy task for her.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Two important birthdays coming together today – 8th September. One is music director S Mohinder and the second is Asha Bhonsle. These two have created a number of songs together. Some memorable, and others, like this one, need to be rediscovered for their sheer beauty and simplicity of pleasure. During our visit to Bombay last month, Bakshi ji and I had the good fortune to spend a whole afternoon with S Mohinder ji.  A session that lasted almost four hours – it was a wonderful trip down the memory lane, for him, as well as for us.  That meeting itself is a detailed writeup that is waiting in the drafts list.  For this occasion, I am quoting two episodes where S Mohinder ji remembered Asha ji very fondly.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

2486 Post No. : 11111

 

एक गाना सुना होगा – “बड़ा ही CID है वो नीली छतरी वाला, हर ताले की चाबी रखता हर चाबी का ताला”॰ अपने blog पर भी है॰ लगता है अब इस गाने को थोड़ा बदलना पड़ेगा, ऐसे – “बड़े ही CID हैं, ये अतुल गैंग के मेम्बर्स, गाना guess करने में हैं अव्वल नंबर”॰ काश, लेकिन नहीं, अभी ये गाना blog पर नहीं है॰  🙂

(You must have heard the song – “Badaa Hi CID Hai Wo Neeli Chhatri Waala”.  It is on our blog.  Seems as if this song needs to be modified.  Like This – “Bade Hi CID Hain, Ye Atul Gang Ke Members, Gaana Guess Karne Mein Hain Awwal Number”.  Sorry, this one is not yet on the blog).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Amitabh – The Later Decades – 4
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Almost ‘Lolita’, but not quite so.  In the book, the young nympho is only 12 years old, and the old man is actually a pedophile.  In this Hindi film take off, the young girl is 18, and the old man is not a pervert, but is actually in love. And for all that matters, for all the time it matters, it is a two way love between the girl and the old man.

Around the time this film was relased, a joke was doing the rounds. Q: What is the height of good luck?  A: Amitabh in ‘Nishabd’.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The twinkling eyes and the arresting smile get to your heart when she sings “Kabhi Aar Kabhi Paar Laaga Teer e Nazar”. An accomplished dancer, who has the capability to take a song, many levels higher.  Witness that in “Diya Na Bujhe Ri Aaj Hamaara” (‘Son of India’, 1962), “Dagaa Dagaa Wai Wai Wai” (‘Kaali Topi Laal Roomaal’, 1959), “Tera Jalwa Jisne Dekha Wo Tera Ho Gaya” (‘Ujaala’, 1959), “Tera Teer O Bepeer Dil Ke Aaram Paar Hai”, (‘Sharaarat’, 1959), “Madhuban Mein Radhika Naache Re” (‘Kohinoor’, 1960), “Rang Rangeela Saanwra Mohe Mil Gayo Jamna Paar” (‘Baarood’, 1960), “Ab Na Chhupo Re Chhalia” (‘King Kong’, 1962), “Kaanha Jaa Re Teri Murli Ki Dhun” (‘Tel Maalish Boot Polish’, 1962), “Zulmi Hamaare Saanwariya Ho Ram” (‘Mr X In Bombay’, 1964), “Tujhse Wo Neha Lagaaye” (‘Shreeman Funtoosh’, 1965), “Door Kahin Door Hamen Le Chalo Sanam” (‘Ek Sapera Ek Lutera’, 1966), “Main To Khadi Re Khadi Re, Aankh Ladi Re Ladi Re” (‘Sab Ka Ustad’, 1967), “Mera Naam Hai Chameli, Main Hoon Maalan Albeli” (‘Raja Aur Runk’, 1968), and many more.  Once again request Atul ji to create a new category – ‘Kum Kum Dances’.

Greetings to Kum Kum on her birth anniversary today (22nd April).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The first lady of Bangla cinema. And the first lady singing superstar of Indian cinema. It is said that at the height of her popularity, she required protection when she was traveling.

Remembering Kanan Devi on the anniversary of her birth today (22nd April). (It is her 99th anniversary)
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Not many debuts can be better than starting with the song “Afsaana Likh Rahi Hoon. . .” (‘Dard’, 1947).  His innings lasted for 23 years.  A long time in which he could not even complete a century of films.  He has written about 750 songs in 89 films across his career.  Typecasting, or more correctly to state, pairing groupism was responsible for this state of affairs.  All along his career, his partnership with music directors remained primarily confined to just three – Naushad Sb, Ghulam Mohammed Sb and Ravi.  His films with other music directors are really few and far between.

Remembering Shakeel Badayuni on the anniversary of his passing away today (20th April).
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 11 # Duet-1 Hemlata, Suresh Wadkar
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For this post I was specially looking for a ‘duet’ and I think this ‘lighthearted’ and ‘typical Ravindra Jain musical’ fits in this series of ‘seventies’ very much.  This one is from the 1978 Film ‘Madhu Maalti’ sung by Suresh Wadkar and Hemlata. Listening to this song reminds us of the popular  “Vrishti Pade Tapor Tupur” from the film ‘Paheli’ (1977), by same team.
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