Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Song sung by three or more singers’ Category


“CID 909” (1967) was a Bindu Kala Mandir Production movie. The movie was produced by B D Kapoor and directed by Mohammad Hussain. The movie had Feroz Khan, Mumtaz, Bela Bose, Aruna,Roopesh Kumar, Rajan Haksar, Helen, Ram Mohan, Brahm Bhardwaj, Uma Dutt, Sherry(aka Mohan Sherry), Tuntun, Bela Bose, Paro, Paresh Kumar, Meenaxi, Rajan Kapoor, Master Shetty, Balaram, Nadir, Dhanraj, Kamal etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Roshan – a name that spells a purist, a name that is acknowledged as a creator of master melodies. The career of an artist in the film industry is measured by the films one is associated with. In a short career of 19 years, this giant amongst music directors accomplished 56 films. The filmography is as impressive as can be – Baawre Nain (1950), Humlog and Malhaar (1951), Anhonee, Naubahaaar and Malhaar in 1952, Maalkin, Aagosh and Maashooqa in 1953, Chandni Chowk and Jashan in 1955, Agra Road and Coffee House in 1957, Aji Bas Shukriya in 1958, CID Girl and Heera Moti in 1959, and then on to sixties with Barsaat Ki Raat, Baabar, Aarti, Surat Aur Seerat, Wallaah Kya Baat Hai, Dil Hi To Hai, Taj Mahal, Chitralekha, Bheegi Raat, Nai Umar Ki Nai Fasal, Devar, Mamta, Bahu Begum and Anokhi Raat. In this sampler list, each film represents a treasure of melodies that would be the envy of other music directors. With this post, we are celebrating the 200th song of this illustrious melody maker to be represented on this blog.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Music director Rai Chand Boral (1903-81) is credited with bringing playback to Hindi cinema with the number “Main khush hona chaahoon khush ho na sakoon”, a chorus song in the New Theatre production Dhoop Chhaaon (1935). A personna no less than the doyen of Hinsustani Cine Sangeet, the late Anil Biswas, reportedly complimented Boral, recepient of the prestigious Dadasaheb Phalke Award in 1978, as the Father of Indian Cinema Music.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

You must have heard the famous quotation,”Politics is the last resort of a scoundrel”. Though it is not true in ALL cases,it is used since long.

Similarly, the last resort of young boys who ran away from homes to Bombay in the 30s and 40s (and may be even today) was Hindi Films. For a growing Film industry there was a need for actors, singers, writers, technicians etc. Quantity was always available but quality was questionable. This field did not attract the educated gents from good families. So, whenever any educated i.e. a Graduate joined the industry, he was most welcome and he too would flaunt his degrees proudly. Thus you had a Lyricist named Moti,B.A. and Miss Kamal,B.A. in those days.

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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

We are born with whatever God has given us and we can not change it. Some are born handsome, some tall and some handicapped. Some are born with ‘silver spoon in their mouth’ and yet some are born with artistic inclination.
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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I can not believe that one year has elapsed since the passing away of Dev Anand. It was a shocking news on that Saturday morning one year ago. My parents had come to visit me and dad is a huge fan of the Dev-Dilip-Raj triumvirate. I had heard this news in the early morning bulletin and conveyed it to my father who had just left for a sight seeing trip. And I conveyed the news as one would convey the bad news about any family member or relative the minute one hears of it. Such was the craze for this charming man that I shared with my dad. Mine was a case more of loving his movies and songs. I do not know exactly when I became aware of Dev Anand movies or songs. But it withered away after I saw his last movie “Censor” on TV (I suppose). After that I gave up keeping track of any Navketan Movie. Even my dad gave up on him. In fact my dad had given up on him in the 1980’s itself. But any way this is not meant to bring down the greatness or the charm of the man. Its just an out pouring of the heart.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

While it is true that “A man is known by the company he keeps”, in reality we are known by our names.
But suppose, there are 2 persons of the same name, known to you, what will you do ?
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Collecting information from forgotten artists is extremely difficult. First problem is to find them. Many yesteryear actors who are still alive are living in anonymity. People who live around them also may not know their identity, many times. If they are members of CINTAA (Cine and TV Artists’ Association, Mumbai), one may get their addresses, but some actors do not even inform CINTAA, when they shift.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

When Alam Ara was released in 1931, people were awe-struck. Additionally, there were 7 songs in it. It was a novelty that the moving images on screen not only talked but they also sang. Alam Ara was lauded as a Landmark. One would imagine that there must have been a spate of Talkie films in its wake, but surprisingly only 24 in 1931, 61 in 1932 and 76 films in 1933 were made. This was because silent films were still being made till september 1934. Further the new filmmakers were yet to join the field. After 1934 the number crossed 100 and never stopped again.
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