Archive for the ‘Songs of 1960s (1961 to 1970)’ Category
Mera saanwla salona mehboob
Posted on: April 15, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
When I switch on the computer and open the blog in the morning, I have two things in mind. First, I need to find a song that would YIPPEE a movie, and second, a song that would cause a movie to make its debut in the blog.
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Balma kitna naadaan hai tu
Posted on: April 13, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Shrimaan Funtoosh”(1965) was directed by Shantilal Soni for S B Production, Bombay. The movie had Kishore Kumar, Kumkum, Anoop Kumar, Mohan Choti, Ashalata, Kesari, Harin Chattopadhyay etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Reshmi Roomaal”(1961) was directed by Harsukh Bhatt for Zar Productions, Bombay. The movie had Shakila, Manoj Kumar, K N Singh, Maruti, Shammi, Helen, Nasreen, Shivraj, Kamal Kapoor, Sulochana Chatterji, Keshav, Bharm Bhardwaj, Jankidas, Jagdish Kanwal, Prem Kumar, Narbada Shankar, Prem Sagar, Ratan Gaurang etc in it.
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Tumse nazar kuchh aisi mili
Posted on: April 12, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
In Hindi movies, we have had titles like “Maa Baap”, in 1944, 1960 and 1979. Then there was one film maker who decided to be “different” and he came out with a title called “Mummy Daddy”. 🙂
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Magic Box”(1963) was directed by B J Patel for Shree Ganesh Chitra, Bombay. This obscure movie had Ranjan, Nasreen, Rajan Kapoor, Sheila R, Shree Bhagwan, Prakash, Shyam, Babu Raje, Abbas Ahmad, Akram, Maulana, Abdul etc in it.
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Prem lagan man mein basa le
Posted on: April 11, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Soorat Aur Seerat”(1962) was directed by Bahl for Shobhna Pictures, Bombay. This movie had Dharmendra, Nutan, Sulochana, Ifthekhar, Honey Irani, Asit Sen, Leela Misra, Narbada Shanker, Badri Prasad, K. N. Singh etc in it.
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Paayal khul khul jaaye raam
Posted on: April 10, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Grihasthi”(1963) was directed by Kishore Sahu for Gemini Chitra, Madras. The movie had Ashok Kumar, Manoj Kumar, Nitrupa Roy, Rajshree, Indrani Mukherji, Sudesh Kumar, Lalita Pawar, Bipin Gupta, Jageerdaar, Ifthikhar, Kanhaiyalal, Niranjan Sharma, Achla Sachdev, Pushpavalli, Bhatri Malvankar, Mehmood, Shubha Khote etc in it.
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Rock n Rolla, Haseenon Ka Tola
Posted on: April 9, 2017
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Fabulous Foot Tappers – 7
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When the previous instalment in this series was posted, I had started it with the word ‘Goodness’. It was because that post came in after a gap of 5 months from the one previous to it. Now I am thinking what word to use – this instalment is now coming in almost 17 (seventeen) months from the previous post. Maybe you would say, the less said the better. 😉
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Geet mera sulaaye jagaaye tujhe
Posted on: April 9, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Soorat Aur Seerat”(1962) was directed by Bahl for Shobhna Pictures, Bombay. This movie had Dharmendra, Nutan, Sulochana, Ifthekhar, Honey Irani, Asit Sen, Leela Misra, Narbada Shanker, Badri Prasad, K. N. Singh etc in it.
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- In: "chaand" song | "Chhat / Kotha" - Terrace Song | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Love song | Lyrics contributed by readers | Post by Sudhir | praising a person | Rafi - 'अ' से 'ह' तक | Rafi solo | Rafi songs | Series of articles | Songs of 1960s (1961 to 1970) | Songs of 1964 | Stage song | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 34
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‘व’
“वो चाँद सा चेहरा लिए, छत पर तेरा आना”
tu raat khadi thi chhat pe
nee main samjha ke chaand nikla
There is something so uniquely desi about this romantic element – ‘chhat pe’ – ‘on the rooftop’ scenario. If it were the western milieu, the thought would be to go as far as the balcony; the scenario being Juliet present at the balcony and Romeo serenading her from the garden below. No where the western writer has thought of ascending to the terrace, bring in the soubriquet of the moon, and then let the verse take over from there. On the subcontinent, so much romance seems to have happened on the terrace, in the pages of prose and in the lines of verse.
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