Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1960s (1961 to 1970)’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The strongest image that remains in the mind is that of the film director Sinha Saab, a bedraggled man in tattered garments, with ruffled grey hair and white beard, a leathery skin on face lined with wrinkles that appeared much before time – a young person who aged too rapidly for his years. With help of a walking stick, he climbs down from the shadows of the scaffolding where he has perched himself, watching the action on the floor below – the same floor where once, not too long ago, he was the ringmaster, and everyone bowed to him. Not anymore. Today, he is a ‘has been’, who lost his touch of Midas, and the same world that once clamored to him, has quickly forgotten and relegated him, literally, to the garbage heap.

With difficulty, he negotiates the narrow ladders that lead down from the scaffolding to the studio floor. Once there, he shuffles to the chair, his chair, in the days of glory; the chair with the word ‘Director’ written across its back. He sits. And then he is immobile, never to get up again, never to wake up.

When the crowd of workers return after lunch, everyone is shocked to see this grimy old man, sitting motionless in the director’s chair. Everyone is known to him, but today no one recognizes him, now that he is gone. None, save one light-boy, who remembers and recognizes his earliest benefactor – Sinha Saab.

The power of these images and these sequences now have a cult following, not only in India but worldwide. Remembering Guru Dutt on his seventy seventh anniversary. (9th July)
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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sureeli Suman – 14
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Music Director Shyam Sharma, a regular employee with HMV (later on, RPG) had in 1970 recorded an Album named “Swar Bahar” that had ten melodious devotional and love-songs by Suman Kalyanpur (aka Suman Hemadey, her maiden name). Seven out of these ten have now been covered in this wonderful singing blog. This one is the eighth jewel from that Album. Some songs which were not Meera Bhajans were love songs written by Anjaan and Yogesh. This one is written by Yogesh.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Missing Films of 1960s – 22
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‘Toofaani Tarzan’ – a picture with this name was produced and released way back in 1937. That film was produced by Wadia Movietone, and the title role of Tarzan was performed by John Cawas. The film had three songs, written by Pandit Gyan, and composed by Master Mohammad. All three songs are in the voice of Ahmed Dilawar. Interestingly, the film itself is available, as are the three songs on 78 rpm records published under the ‘Twin Records’ label.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Paalki” (1967) is a Poonam Pictures presentation. It was directed by Mahesh Kaul and S U Sunny. The movie had Rajendra Kumar,Waheeda Rehman,Rehman, Johnny Walker, Murad, Rashid Khan, Nazir Hussain, Manmohan Krishna, Minoo Mumtaz, Pratima Devi etc in it.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It has been over a month now since I last sent a post to Atul ji.

My travels on official and personal accounts during this period have delayed my posts on the themes, topics already planned and other posts that have been triggered by the discussions and happenings during this period.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Paalki” (1967) is a Poonam Pictures presentation. It was directed by Mahesh Kaul and S U Sunny. The movie had Rajendra Kumar,Waheeda Rehman,Rehman, Johnny Walker, Murad, Rashid Khan, Nazir Hussain, Manmohan Krishna, Minoo Mumtaz, Pratima Devi etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Grihasthi”(1963) was directed by Kishore Sahu for Gemini Chitra,Madras. The movie had Ashok Kumar, Manoj Kumar, Nitrupa Roy, Rajshree, Indrani Mukherji, Sudesh Kumar, Lalita Pawar, Bipin Gupta, Jageerdaar, Ifthikhar, Kanhaiyalal, Niranjan Sharma, Achla Sachdev, Pushpavalli, Bhatri Malvankar, Mehmood, Shubha Khote etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is a typical Pre-69 song of Kishore kumar from his ‘sab kuch’ film Jhumroo-61.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Sati Savitri”(1964), as the name suggests, was a mythological tale of Savitri and Satyawaan, where Savitri brings her husband back from the clutches of Yam, the god of death. Such mythological movies were scoffed at by “educated” city slickers, whereas “less educated” movie watchers, especially of rural and semi rural backgrounds constituted the bulk of audience for such movies.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

So we are on our next movie which has one song left. This is the 1964 release “Door Gagan Ki Chaon Mein”. It was written, produced and directed by Kishore Kumar. The movie also had Kishore Kumar as music director.
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