Archive for the ‘Songs of 1960s (1961 to 1970)’ Category
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 22
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‘त’
“तुम्हीं से हुई है शुरू और तुम्हीं पे सनम खत्म होगी कहानी हमारी”
What a gem of a delight this song is, from the 1969 film ‘Mera Dost’. As we continue to delve and search, we continue to come across as yet un-posted songs that are simply out of this world. Such wonders will not cease, I am sure for quite some time yet.
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Today (25 july 2016) is the 20th death anniversary of G S Kohli. G S Kohli, a long time assistant to O P Nayyar was an independent music director in movies like “Faulaad”(1963), Shikaari”(1963), “Namasteji”(1965) etc.
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Kaan mein jhumke chaal mein thhumke
Posted on: July 19, 2016
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today (19 july 2016) is the eighth anniversary of this blog. On this occasion, I as well as some of our regulars have shared our views on the blog.
I have shared my views in two posts and I find that I still have some more things to say that have not been covered in my previous articles. So here is another writeup on the occasion. 🙂
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Missing Films of 1960s – 23
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In our effort to bring on the films of 1960s as yet missing from the blog, today with enter the year 1963. This is as per the list of pending films sent by Khyati Ben. ‘Been Ka Jaadu’ is alphabetically the first film of 1963 that is still waiting representation here. To recap the status, I am giving below the list of films from 1961 and 1962, for which we are as yet unable to trace any songs.
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Ruk ruk thham thham
Posted on: July 16, 2016
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Jhumroo”(1961) was a K S Production movie which was directed by Shankar Mukherji. K S Stood for Kishore Kumar and Anoop Sharma (his secretary). Kishore Kumar had made Anoop Sharma as the producer of this movie instead of himself for tax purposes. This followed in the wake of “Chalti Ka Naam Gaadi”(1958) which was the first venture of K S Productions.
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Ik paise ka sawaal hai mere daata
Posted on: July 14, 2016
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“Ghar Ka Chiraag”(1967) was produced and directed by Jagdev Bhamri. The movie had Dharmendra, Waheeda Rehman, Balraj Sahni, Indrani Mukherjee, Dev Kumar, Tun Tun, Abhi Bhattacharya, Biswajeet, Chand Usmani etc in it.
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Na re na re baabu
Posted on: July 14, 2016
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“Naunihaal” (1967) was a Mercury Production movie. It was directed by Raj Marbros. The movie had Balraj Sahni, Sanjeev Kumar, Indrani Mukherji, Jagdeep, Harindranath Chattopadhyay, Abhi Bhattacharya, Asit Sen, Madhvi etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Jaal”(1967) was directed by Moni Bhattacharya for New World Pictures. The movie had Mala Sinha, Biswajeet,Johnny Walker,Tarun Bose, Sujit Kumar,Nirupa Roy, Helen, Asit Sen, Jagdish Raj, Niranjan Sharma, Kamran(Guest Artiste) etc in it.
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Rokna hai agar rok leeje magar
Posted on: July 11, 2016
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Jaal”(1967), not to be confused with “Jaal”(1952) was directed by Moni Bhattacharya for New World Pictures. The movie had Mala Sinha, Biswajeet,Johnny Walker,Tarun Bose, Sujit Kumar,Nirupa Roy, Helen, Asit Sen, Jagdish Raj, Niranjan Sharma, Kamran(Guest Artist) etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The strongest image that remains in the mind is that of the film director Sinha Saab, a bedraggled man in tattered garments, with ruffled grey hair and white beard, a leathery skin on face lined with wrinkles that appeared much before time – a young person who aged too rapidly for his years. With help of a walking stick, he climbs down from the shadows of the scaffolding where he has perched himself, watching the action on the floor below – the same floor where once, not too long ago, he was the ringmaster, and everyone bowed to him. Not anymore. Today, he is a ‘has been’, who lost his touch of Midas, and the same world that once clamored to him, has quickly forgotten and relegated him, literally, to the garbage heap.
With difficulty, he negotiates the narrow ladders that lead down from the scaffolding to the studio floor. Once there, he shuffles to the chair, his chair, in the days of glory; the chair with the word ‘Director’ written across its back. He sits. And then he is immobile, never to get up again, never to wake up.
When the crowd of workers return after lunch, everyone is shocked to see this grimy old man, sitting motionless in the director’s chair. Everyone is known to him, but today no one recognizes him, now that he is gone. None, save one light-boy, who remembers and recognizes his earliest benefactor – Sinha Saab.
The power of these images and these sequences now have a cult following, not only in India but worldwide. Remembering Guru Dutt on his seventy seventh anniversary. (9th July)
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