Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1970s (1971 to 1980)’ Category


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Blog Day :

49 Post No. : 71 Movie Count :

66

Some day I will make a list of all the sad songs of Mukesh, and then I will analyse them to find out which song expresses which kind of sadness. I may be able to identify scores of types of sadnesses listening to Mukesh’s songs, and then I will present my thesis to an university and take a doctorate. Not a bad idea, I think.
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Blog Day :

46 Post No. : 59 Movie Count :

56

I have an old diary where I noted down lyrics of songs that I liked those days ( in 1976). I find that many of the songs that I have written down in that diary are popular even today. On the other hand, some very popular songs of those days have been forgotten.

Here is one such forgotten song. Now a days when we are rediscovering old gems, here is my contribution towards that exercise. This song is certainly an old gem of R D Burman, which deserves to be cleaned and dusted, and put on display as one of the masterpieces of R D Burman.
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Blog Day :

43 Post No. : 47

S D Burman would typically sing a song at the beginning of the movie that would become an immortal song. “Zindagi Zindagi” also had such an opening song sung by the maestro that became immortal.

“Zindagi Zindagi” went one better. Not only did the movie open with a S D Burman classic song, the movie ended likewise too. And the song that plays at the close of the movie is just as standout as the opening song.
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Blog Day :

42 Post No. : 42 Movie Count :

46

“Yaadon ki baraat” was a movie full of memorable foot tapping numbers. Its songs are what I would call party songs. These songs were sung in parties in the movie. In fact, the entire movie was full of parties and every party had one memorable party song.

One song that was extremely popular among teens like me was the song where the boy invites a girl to come to the stage. A dream situation for desi teens those days. No wonder I simply loved this song.
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Blog Day :

42 Post No. : 42 Movie Count :

45

I have mentioned it earlier that S D Burman tended to have one philosophical song in his movies at the start. Credits would appear on the screen accompanied by the voice of S D Burman singing a song that would set the tone for the movie. This was the case in “Guide”, as well as “Amar Prem”.

There was a movie released just after Amar Prem, which also had a song like this. Unlike the above mentioned movies, this movie “Zindagi Zindagi” was not successful. And I am very disappointed with this fact. I have heard laments that most Bollywood movies are hackneyed. But when some good off beat movies are produced, the audience do not have the maturity to appreciate them.
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Blog Day :

41 Post No. : 41 Movie Count :

41

Rajesh Khanna had acted opposite many actresses right from seniors like Asha Parekh and Sharmila Tagore to his contemporaries like Hema Malini and Rekha as well as juniors like Shabana Azmi and Smita Patil. There are many Bollywood stars who have acted opposite their wives before marrying them. Rajesh Khanna did not acted against Dimple, but he did something rare. He is perhaps the only leading actor who has acted against his sister in law in a movie.
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Blog Day :

40 Post No. : 40 Movie Count :

40

As a kid in one’s early teens, I was not much into liking a song by its “class”. I was purely a member of the “masses” in 1970s. Still, this song, which now I realise is a “classy” song, was a big favourite of mine. No idea why, perhaps it was the catchy tune that made me fall in love with this song.

Not just me, even my younger brother loved this song, but he disagreed with me about the lyrics. I tried to convince him unsuccessfully that the line was “anhoni path me kaante lakh bichaaye”, where as he was firm in his conviction that it was not “path mein kaante” but ” patle kaante”.
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Blog Day :

39 Post No. : 39 Movie Count :

38

This song is from circa 1970s, picturised on Sanjeev Kumar and Sharmila Tagore on a hill station. Do you say “mausam” ? Think again.

This song is from a movie that was released one year prior to “mausam”. Lata Mangeshkar is indeed the female singer, but the male singer here is Kishore Kumar, and the music director is R D Burman. For the record, R D Burman could do no wrong in those days. But the same could not be said about the makers of the movies in which he gave music.
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Blog Day :

37 Post No. : 37 Movie Count :

37

“Geet gaata chal”, where Sachin debuted as a hero, paired against Sarika, another debutant, was a musical blockbuster from Rajshri productions. Its title song sung by debutant singer Jaspal Singh was a chartbuster. Another song from this movie- “Shyam teri bansi pukare Radha naam” sung by Aarti Mukherjee (another debutant) and Jaspal Singh,also became popular, and in fact, it become a Krishna bhajan, with many cover versions sung by many artists.
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Blog Day :

33 Post No. : 33 Movie Count :

33

Boat songs, where the singer sings about maajhi(boatman) and the boat were the speciality of S D Burman as a singer and music director. But here, his son R D Burman has created music that his father must have been proud of .

And the voice of Kishore Kumar is nothing short of magical. It has been chronicled that the people present at the time of recording of this song were so much moved by Kishore Kumar’s singing that they cried. Kishore Kumar’s voice full of pain and pathos had that effect on them.
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