Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

GEMS FROM THE MIGRATORS….Song no. 7
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Last time I wrote about my earlier series which I posted here. Here are the details:

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Sl No Title Period No of songs
1 Less common singers 6-10-12 to 15-10-12 10 songs
2 Songs by Non singers 28-11-12 to 8-12-12 10
3 Less known composers 17-12-12 to 26-12-12 10
4 C Ramchandra-Lata duets/CR Autobiography 30-1-13 to 11-2-13 10
5 C Grade film songs (Tarzan films) 21-2-13 to 5-3-13 10
6 Parody songs 16-3-13 to 2-4-13 10
7 MDs sing for other MDs 19-8-13 to 6-9-13 10
8 Flavour of 30s 12-9-13 to 6-10-13 20
9 Great souls of India 1-11-13 to 15-11-13 10
10 Gems from obscure films 26-11-13 to 15-12-13 10
11 Vintage Kishore 17-12-13 to 18-1-14 21
12 Debut/First film song 4-2-14 to 12-3-14 14
13 Badalate Huye saathi 19-3-14 to 4-4-14 10
14 The Vibrant 40s 8-4-14 to 16-5-14 15
15 Bhajan mala Golden 50s 22-5-14 to 10-6-14 12
16 The Joy of NFS 18-6-14 to 28-6-14 10

I have covered 192 songs out of 310 songs posted by me, which is almost 62%,but these are songs with a purpose and a link to the theme. Few days back, I got an idea, why not make an Index of personalities and topics that I have discussed on this Blog through my posts in last 3-4 years. This would help me as the readers to get the desired information at a click. Very enthusiastically and patting myself for this original idea, I started the work and then I realised that this was a mammoth project requiring lot of time and patience !
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The pen whose first creations mesmerized everyone with the magic of “Mera Sunder Sapna Beet Gayaa” and “Yaad Karoge Yaad Karoge Ik Din Humko Yaad Karoge”. A dream debut that most artists just think about. He was introduced to Shashadhar Mukherjee, then still with Filmistan, and got the assignment to write for the 1947 film ‘Do Bhai’. Sachin Da took the words and wove a musical magic around them, and gave them to the voice of Geeta Rai (later Geeta Dutt). It need not even be mentioned that the rest is history.

Remembering Raja Mehdi Ali Khan on the anniversary of his passing away (on 29th July). And we couple the remembrance with a celebration – reaching the 200 songs milestone on our blog.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bela” (1947) is by now an extremely obsure movie with little information available about it online. Mr Arunkumar Deshmukh, our belovedinhouse encyclopaedia, shared information about this movie in his comment on a previous song of this movie. Here is what he has to say about this movie:

BELA(1947),a Ranjit Movietone film was directed by Chaturbhuj Doshi and had Music by Bulo C Rani. The story, screenplay, Dialogues and Lyrics were by D.N.Madhok.

The cast of the film was P.Jairaj ,Nigar Sultana, Shrinath Tripathi (none other than S.N.Tripathi (who was a Lyricist and Music Director in later days), Pt.Iqbal, Krisnakumari, Master Mehmood, Rekha, Usha, B.R.Sharma etc.

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

aaye bhi wo
gaye bhi wo
khatm fasaana ho gayaa

Aisi kuchh baat hai ki, at the mention of Meena Kumari’s name, come to mind these lines written by DN Madhok (‘Namaste’, 1943). Born as Maahjabeen Bano in 1932, on screen in 1939, leading lady by 1950, won the first ever Filmfare award in 1952 (‘Baiju Baawra’), established tragedienne in 1953 (‘Daaera’), married to Kamaal Amarohi in 1952, separated from him in 1960, divorced in 1964, reunited in 1968, and then gone from this world in 1972. Just 40 years on this earth, and a career of thirty three years, ninety films, four Filmfare awards as best actress, and memorable string of powerful roles that made her a legend at an age and time in life when most of us are still finding our feet.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

GEMS FROM THE MIGRATORS….Song No. 6
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After Partition, the film industry in Pakistan was at its lowest ebb. Main reason was that most of the film activities were taking place only in one place-Lahore. During the riots, most studios were either burnt or damaged and there was a shortage of Financers, Distributors and technical staff. Composers who migrated from here to there had got accustomed to working in an organised sector and in Pakistan almost everything was in a mess. It is to the credit of few dedicated people in Lahore that by 1948 the first film, entirely made in Pakistan, with the entire crew from within the country, rolled out successfully. Despite lack of facilities, talented composers created inspired music and most composers succeeded there.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I had heard the name of the film ‘Rangeen Raaten’ (1956) for the first time in my friend’s house some time in 1971 where some of us used to assemble for listening to his collections of some rare Hindi film songs. My friend would stack a few 78 RPM gramophone records of rare songs on his Gerrad Record Changer and we would listen to those songs one by one with some discussion on the songs and the films. One of the songs through which I came to know about the film was bahut aasaan hai chilman se lagakar muskuraana.
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This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In 1980, I was in Delhi, fresh out of college, working for a firm that manufactured car parts. I stayed with my Aunt in Delhi, the rest of my family being elsewhere. My cousins were BIG music afficionados. They could sing beautifully and had an excellent taste in music.

I already loved the film music of 50s and 60s, so I was also well grounded in my musical tastes. My cousins helped me break out of my Lata/Asha/Rafi/Kishore mould and develop a taste for singers like Talat, Manna Dey, Begam Akhtar, Kumar Gandharva, Bhimsen Joshi and of course, Jagmohan.
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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Genius of Jaidev
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Gaman (1978) was produced and directed by Muzaffar Ali and had star cast consisting Farooq Shaikh, Jalal Agha, Nana Patekar, Smita Patil, Gita Siddharth, Satish Shah etc., with lyrics by Shahryar and music by Jaidev. In his unique style Jaidev used new voices, not usually used by other MDs. Chhaya Ganguli got her first break as a film playback singer with her award winning song ‘Aap Ki Yaad Aati Rahi Raat Bhar’ in film ‘Gaman’. Other voices used in the film ware Classical Singer Hiradevi Mishra, Hariharan, Suresh Wadkar etc.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It occurs to me today that. . we are today reaching that point in time when this world has been bereft of Rafi Sb’s physical presence now, for almost that duration of time that this world was blessed and more complete with his presence as a singer known to the listeners. For an active career that lasted about three and a half decades, it is now about the same amount of time that he has not been with us. And his legacy grows stronger.

Remembering Rafi Sb on the anniversary of his passing away today (31st July).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

A voice that knew no boundaries, knows no boundaries. A voice that spans the entire spectrum of octave range that the music directors dream of. A voice that displays limitless possibilities of emotions and colors. A voice that is alive and true to the very essence of the on screen scenario every moment. A voice such as his can only be explained in terms of a Divine intervention. The voice that is the voice of every performer he sang for. The voice that is Mohammed Rafi – matchless and inimitable.

Remembering Rafi Sb on the anniversary of his passing away today -31st July.
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