Hamaari kismat mein jo likha hai
Posted on: August 3, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
GEMS FROM THE MIGRATORS….Song no. 7
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Last time I wrote about my earlier series which I posted here. Here are the details:
| Sl No | Title | Period | No of songs |
|---|---|---|---|
| 1 | Less common singers | 6-10-12 to 15-10-12 | 10 songs |
| 2 | Songs by Non singers | 28-11-12 to 8-12-12 | 10 |
| 3 | Less known composers | 17-12-12 to 26-12-12 | 10 |
| 4 | C Ramchandra-Lata duets/CR Autobiography | 30-1-13 to 11-2-13 | 10 |
| 5 | C Grade film songs (Tarzan films) | 21-2-13 to 5-3-13 | 10 |
| 6 | Parody songs | 16-3-13 to 2-4-13 | 10 |
| 7 | MDs sing for other MDs | 19-8-13 to 6-9-13 | 10 |
| 8 | Flavour of 30s | 12-9-13 to 6-10-13 | 20 |
| 9 | Great souls of India | 1-11-13 to 15-11-13 | 10 |
| 10 | Gems from obscure films | 26-11-13 to 15-12-13 | 10 |
| 11 | Vintage Kishore | 17-12-13 to 18-1-14 | 21 |
| 12 | Debut/First film song | 4-2-14 to 12-3-14 | 14 |
| 13 | Badalate Huye saathi | 19-3-14 to 4-4-14 | 10 |
| 14 | The Vibrant 40s | 8-4-14 to 16-5-14 | 15 |
| 15 | Bhajan mala Golden 50s | 22-5-14 to 10-6-14 | 12 |
| 16 | The Joy of NFS | 18-6-14 to 28-6-14 | 10 |
I have covered 192 songs out of 310 songs posted by me, which is almost 62%,but these are songs with a purpose and a link to the theme. Few days back, I got an idea, why not make an Index of personalities and topics that I have discussed on this Blog through my posts in last 3-4 years. This would help me as the readers to get the desired information at a click. Very enthusiastically and patting myself for this original idea, I started the work and then I realised that this was a mammoth project requiring lot of time and patience !
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- In: "Zindagi" song | Artist century song in blog | Century songs for the blog | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | Mukesh solo | Mukesh songs | Multiple version song | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1970 | Yearwise breakup of songs
- 7 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The pen whose first creations mesmerized everyone with the magic of “Mera Sunder Sapna Beet Gayaa” and “Yaad Karoge Yaad Karoge Ik Din Humko Yaad Karoge”. A dream debut that most artists just think about. He was introduced to Shashadhar Mukherjee, then still with Filmistan, and got the assignment to write for the 1947 film ‘Do Bhai’. Sachin Da took the words and wove a musical magic around them, and gave them to the voice of Geeta Rai (later Geeta Dutt). It need not even be mentioned that the rest is history.
Remembering Raja Mehdi Ali Khan on the anniversary of his passing away (on 29th July). And we couple the remembrance with a celebration – reaching the 200 songs milestone on our blog.
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Bhaadon ki raat re pade barsaat re
Posted on: August 3, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Bela” (1947) is by now an extremely obsure movie with little information available about it online. Mr Arunkumar Deshmukh, our belovedinhouse encyclopaedia, shared information about this movie in his comment on a previous song of this movie. Here is what he has to say about this movie:
BELA(1947),a Ranjit Movietone film was directed by Chaturbhuj Doshi and had Music by Bulo C Rani. The story, screenplay, Dialogues and Lyrics were by D.N.Madhok.
The cast of the film was P.Jairaj ,Nigar Sultana, Shrinath Tripathi (none other than S.N.Tripathi (who was a Lyricist and Music Director in later days), Pt.Iqbal, Krisnakumari, Master Mehmood, Rekha, Usha, B.R.Sharma etc.
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
aaye bhi wo
gaye bhi wo
khatm fasaana ho gayaa
Aisi kuchh baat hai ki, at the mention of Meena Kumari’s name, come to mind these lines written by DN Madhok (‘Namaste’, 1943). Born as Maahjabeen Bano in 1932, on screen in 1939, leading lady by 1950, won the first ever Filmfare award in 1952 (‘Baiju Baawra’), established tragedienne in 1953 (‘Daaera’), married to Kamaal Amarohi in 1952, separated from him in 1960, divorced in 1964, reunited in 1968, and then gone from this world in 1972. Just 40 years on this earth, and a career of thirty three years, ninety films, four Filmfare awards as best actress, and memorable string of powerful roles that made her a legend at an age and time in life when most of us are still finding our feet.
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Shabnam kyun neer bahaaye
Posted on: August 1, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
GEMS FROM THE MIGRATORS….Song No. 6
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After Partition, the film industry in Pakistan was at its lowest ebb. Main reason was that most of the film activities were taking place only in one place-Lahore. During the riots, most studios were either burnt or damaged and there was a shortage of Financers, Distributors and technical staff. Composers who migrated from here to there had got accustomed to working in an organised sector and in Pakistan almost everything was in a mess. It is to the credit of few dedicated people in Lahore that by 1948 the first film, entirely made in Pakistan, with the entire crew from within the country, rolled out successfully. Despite lack of facilities, talented composers created inspired music and most composers succeeded there.
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This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
In 1980, I was in Delhi, fresh out of college, working for a firm that manufactured car parts. I stayed with my Aunt in Delhi, the rest of my family being elsewhere. My cousins were BIG music afficionados. They could sing beautifully and had an excellent taste in music.
I already loved the film music of 50s and 60s, so I was also well grounded in my musical tastes. My cousins helped me break out of my Lata/Asha/Rafi/Kishore mould and develop a taste for singers like Talat, Manna Dey, Begam Akhtar, Kumar Gandharva, Bhimsen Joshi and of course, Jagmohan.
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Ras ke bhare tore nain
Posted on: August 1, 2014
This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Genius of Jaidev
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Gaman (1978) was produced and directed by Muzaffar Ali and had star cast consisting Farooq Shaikh, Jalal Agha, Nana Patekar, Smita Patil, Gita Siddharth, Satish Shah etc., with lyrics by Shahryar and music by Jaidev. In his unique style Jaidev used new voices, not usually used by other MDs. Chhaya Ganguli got her first break as a film playback singer with her award winning song ‘Aap Ki Yaad Aati Rahi Raat Bhar’ in film ‘Gaman’. Other voices used in the film ware Classical Singer Hiradevi Mishra, Hariharan, Suresh Wadkar etc.
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Paagal naina sagri raina
Posted on: July 31, 2014
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
It occurs to me today that. . we are today reaching that point in time when this world has been bereft of Rafi Sb’s physical presence now, for almost that duration of time that this world was blessed and more complete with his presence as a singer known to the listeners. For an active career that lasted about three and a half decades, it is now about the same amount of time that he has not been with us. And his legacy grows stronger.
Remembering Rafi Sb on the anniversary of his passing away today (31st July).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
A voice that knew no boundaries, knows no boundaries. A voice that spans the entire spectrum of octave range that the music directors dream of. A voice that displays limitless possibilities of emotions and colors. A voice that is alive and true to the very essence of the on screen scenario every moment. A voice such as his can only be explained in terms of a Divine intervention. The voice that is the voice of every performer he sang for. The voice that is Mohammed Rafi – matchless and inimitable.
Remembering Rafi Sb on the anniversary of his passing away today -31st July.
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