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| Blog Day : | 3904 | Post No. : | 14957 |
“Ek Thha Ladka”(1951) was produced and directed by Roop Saanwre for Chitramahal, Bombay. This “social” movie had Geeta Bali, Bharat Bhushan, Geeta Nizaami, Neelophar, Kamal, Umesh Sharma, Tiwari, Jankidas, S K Prem, Urvashi, Kamal Zameendaar, Gopal Muni, Rajesh, Kumud, Bhagwan Jee, Uma Dutt, Chandrashekhar, Ek Ladka etc in it.
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Chori Se Sainyyaan Ne Mohe Pukaara
Posted on: March 26, 2019
- In: "teasing" song | Asha Bhonsle solo | Asha Bhonsle songs | Baag/Bagiya song | Calling the beloved | Dance song | Debut song of movie in the blog | Devnagri script lyrics by Sudhir | Feelings of heart | Group Dance | Guest posts | Lyrics contributed by readers | Post by Sudhir | Sahelis teasing a lady | Songs of 1960s (1961 to 1970) | Yearwise breakup of songs
- 6 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3903 | Post No. : | 14956 | Movie Count : |
4135 |
Missing Films of 1960s – 99
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OK wow, we are at 99 for this series today. 🙂
The surprising thing is that this film is not yet on the blog. It is not obscure, it is not unfamiliar, it is not starring unfamiliar faces, it does not contain unfamiliar or unheard songs, and the songs are good to be heard. So then, how come?
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3903 | Post No. : | 14955 | Movie Count : |
4134 |
Today’s song is a rare song from film Salma-1943.
Like in my earlier post on film ‘ Arab ka Sitara’-46 dt 13-3-2019, in this Blog, about 3-4 years ago also I had discussed the issue of very few films made in India, on Muslim Social issues and also on other minority communities, for that matter. One of our readers from USA, Mr. Salim Shah-son of actress Indurani aka Ishrat jehan siddiqi- wrote an E mail to me on this issue. He had said that the film market is driven by the needs of the majority and hence not many producers dare to make films on minorities, which have a very small and limited market. I agreed, as this was a very logical explanation to my loud thinking.
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| Blog Day : | 3902 | Post No. : | 14953 |
“Aakaashpari” (1958) was produced by S P Srivastava and M S Geete and directed by Mohan Sinha for Delite Pictures Prrivate Limited, Bombay. The movie had Kusum Pradhan, Mahipal, Ram singh, Maruti, Kamal, Krishnkumari, Sabita Chatterji, Kanchanmala, Nargis Nandini, Bhagwan sinha, Dubey, Gaurang, Moosa, Ramlal, Chhotu etc in it.
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Dhobiya Re Dhobiya Re Tera Chhora
Posted on: March 24, 2019
- In: "Nok-Jhonk" song | Accusation song | Devnagri script lyrics by Sudhir | fun timepass song | Guest posts | Light hearted song | Lyrics contributed by readers | Post by Arunkumar Deshmukh | Song sung by three or more singers | Songs of 1950s (1951 to 1960) | Songs of 1951 | stage dance | Stage song | Sulochana Kadam songs | Yearwise breakup of songs
- 2 Comments
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3901 | Post No. : | 14952 |
This song is from Master Bhagwan’s film ‘Damaad’ (1951).
This is the film which inspired Bhagwan to write a comedy social musical film story for his evergreen film Albela. In the decade of 1940’s, Bhagwan had specialised in low budget C grade action and stunt films. Usually his films would be completed in Rs. 60 to 70 thousand rupees only. He used to churn out films after films with the same set of actors with almost the same story in all his films. The audience of Master Bhagwan’s films came to the theatre to see his antics and comedy, coupled with action scenes of fighting and incredible stunts.
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Thhodi si jo pee li hai
Posted on: March 23, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3900 | Post No. : | 14951 |
Today (23 march 2019) happens to be 3900th day for the blog. This clearly is a landmark day for the blog, and a cause for celebration. It is just that I had no idea how to celebrate it. I had not thought about any special song so cover with some special write up.
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Mera rang de basanti chola
Posted on: March 23, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3900 | Post No. : | 14950 |
When I was in school, we had some “boring” subjects like, History, Geography, Social Science etc. These were “arts” subjects and were considered low scoring as well.
When I think about it now, I realise that History text book basically used to be like a collections of a few chapters and each chapter was like a story of a particular era. For instance, first chapter was Ramayana. second Chapter was Mahabharata. Third chapter was Mauryavansh (Chandragupta Maurya , Samrat Ashok etc. A few chapters later, we were into Mughal era (Akbar, Shahjahaan etc, and then British Era.
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Ae ae ae ae jagmaali
Posted on: March 22, 2019
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3899 | Post No. : | 14949 | Movie Count : |
4133 |
Today’s song is from an old, obscure film, Paak Daman-40.
The meaning of the word Paak Daman is Spotless Character. It has several other meanings depending on its usage. Generally this word is used to describe a woman of Chastest character and without any blemish.
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Pardesi Piya Se Kiya Pyaar
Posted on: March 21, 2019
- In: "pardesi" song | Debut song of movie in the blog | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Love song | Lover's Complaint | Lyrics contributed by readers | Poignant Song | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1970 | Suman Kalyanpur solo | Suman Kalyanpur songs | Waiting for love | Yearwise breakup of songs
- Leave a Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3898 | Post No. : | 14948 | Movie Count : |
4132 |
Missing Films of 1960s – 98
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It is such a delight to ferret out unheard songs from obscure and unfamiliar films. So many times, I come across the film names and then move on because it is unfamiliar. So many times I pause at a film folder in my collection, thinking whether I have opened it before. But then usually, other pressing matters take precedence and I say ‘oh well’, and move on.
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