atul's bollywood song a day- with full lyrics

Posts Tagged ‘Rafi


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Assalaam u alaikum wa rehmatullahi wa barakatahu
Walaikum as salaam wa rehmatullahi wa barakatahu

First is the salutation for greeting and second is the reply. Both the greeting and reply mean ‘May Allah be with you and keep you safe and sound, with his mercy and bountiful blessings ‘. There are different pronunciation used all over the world by people of different regions and linguistic groups.

And peevisie’s Mom ji, if I remember correctly than Amitabh Bachchan did mispronounce it as ‘Assalam walekum’ in the dialogue you referred here in his attempt to sound like a Pathan in “khuda gawaah’. Still he managed to do a lot better than Sridevi, dubbed dialogues not withstanding. So even if pronounced or spelled differently inadvertently, as long as the wishing intention is the same, it may be fine provided God is willing and accepting the prayer. And it is a prayer wishing each other peace and security.

Yes he did go over the board ,with double roles and triple roles and some really badly made movies in the 90’s. Movies like ‘Zanjeer’, ‘Deewar’ and ‘Bemisaal’ are the better defined characters I like to remember him by. ‘Trishul’ , ‘Shakti ‘ and ‘Abhiman’ were also those well written and directed movies which made him the legend. In the late 70s and 80’s he diversified into comic , action and romantic hero’s characters. With his comedy alone he managed to nullify the role of the comedienne in the movies for many years, till Johnny Lever managed to recover some ground. Still the ‘Comedienne ‘ character actors have not regained the status of crowd pullers which they lost with the advent of Amitabh Bachhan, the action, comedy romance superstar. Personally, I havent liked much of his comedy and have to think hard to come with a decent comic hero role which he did. I can only recall ‘Namak Halaal’ and ‘Amar Akbar Anthony’ .
Films like ‘Shahenshah’ and ‘Kaalia’ were slightly better than the other trash movie moguls were churning out with Amitabh Bachchan in the lead.

11th October was Amitabh Bachchan’s 72nd birthday and I sent the lyrics of this song from Naseeb(1980). But this song did not get posted that day. This is a ‘ drukard song where Amitabh Bachchan is singing for himself and Rishi Kapoor who is the younger brother is singing in the voice of Rafi, with some dialogues in his own voice. So technically it is a truet of Amitabh, Rafi and Rishi Kapoor. Anand Bakshi is the lyricist and Laxmikant – Pyarelal are the music directors.

My last post was this song Chanda dekhe chanda o chanda sharmaaye which appeared on 03/10/2014. It has been a while, but I have written this present song posts in parts. I neglected completion of this post due to various reasons, one of them is that things have been a bit crazy on the work front. The department is undergoing a major ‘ shake up ‘. It was expected and when such changes are implemented, some of the employees do benefit. It will take sometime but things will settle down eventually.

Meanwhile, the activity in other sphere’s of life must go on as far as possible. As the blog too is an integral part of my life, so here I am and here the post of a crazily drunk but well composed song from the film ‘Naseeb’ (1980) It has these lines that I mentioned in the last post

chaand huaa awaaraa
subaah ka nikla taara

I couldnt remember any other film song specifically mentioning ‘ the morning star ‘. But knowing the versatile poetic ‘ zakhera ‘ that is the hindi film music, I decided to look for ‘subaah ka tara’ song . I found a film named ‘Subaah ka taara’ (1954) with a title song, a duet of TalatMehmood – Lata Mangehskar. This is ‘gaya andhera huaa ujaala chamka chamka subaah ka taara ‘ posted here

On this positive note, here is wishing everyone a very happy and safe Diwali. May this happy season bring the best health & wealth, better value system for the society and good life for all of us.


Song-Chal mere bhai (Naseeb)(1981)Singers-Rafi, Amitabh Bachchan, Rishi Kapoor, Lyrics-Anand Bakshi, MD-Laxmikant-Pyarelal

Lyrics

ae bolaa
chal phut na
saala peechha hi
karta ja raha hai
chal jaa

chal mere bhai
chal chal mere bhai
tere haathh jodtaa hoon
haathh jodtaa hoon
tere paaon padtaa hoon
chal mere bhai
chal chal mere bhai
tere haathh jodtaa hoon
haathh jodtaa hoon
tere paaon padtaa hoon
chal mere bhai
chaand huaa aawaara
subaah ka niklaa taara
chal mere bhai
abey hatt
chal chal mere bhai
tere haathh jodtaa hoon
haathh jodtaa hoon
tere paaon padtaa hoon
chal mere bhai

ae tu kya samajh rahaa hai bey
main ne sharaab pi hai
haan
saala doongaa kheench ke abhi
chal jaa

toone nahin pi
haan maine pi hai
toone nahin pi
haan maine pi hai
jis ne bhi pi yeh
a’adat buri hai
bahot ho chuki
duniyaa so chuki
ab maan jaa nahin een
sar phhodtaa hoon
chal mere bhai
hey bahot ho gayaa haan
chal chal mere bhai
tere haathh jodtaa hoon
haathh jodtaa hoon
tere paaon padtaa hoon
chal mere bhai ee

mujh ko yaaron ma’af karna
main nashe mein hoon
kyaa
main nashe mein hoon oon

jis ka badaa bhai ho sharaabi
chhotaa piye to kya hai kharaabi
jis ka badaa bhai ho sharaabi
chhotaa piye to kya hai kharaabi
bhala yaa buraa
tum hi samajhna
tum pe faislaa yeh ae
main chhodtaa hoon
chal mere bhai
abey bolaa na jaa saale
chal mere bhai
tere haathh jodtaa hoon
haathh jodtaa hoon
tere paaon padtaa hoon
chal mere bhai ee

taxi waale ne bhi
na baitthaaya
tamtam waale ne
chaabuk dikhaaya
hey taxi waale ne bhi
na baithhaaya
tamtam waale ne
chaabuk dikhaaya

apni peethh par
tumhen utthaa kar
ghodaa ban kar dekh
main daudtaa hoon
chal mere bhai
abey nahin jaana
chal chal mere bhai
bolaa na nayee jaana
chal mere bhai
abey
saala ghustaa hi
chala ja rahaa hai
haan

badaa ho ke chhote pe
ra’ub daaltaa hai haan
nahin aata hai naa
nahin aata hai naa
to jaa
main bhi nahin jaata
katti
bol diyaa naa
katti katti katti

tu jaan-e-man hai
jaan-e-jigar hai
tere liye jaan bhi
haazir hai ae ae
tu jaan-e-man hai
jaan-e-jigar hai
tere liye jaan bhi
haazir hai

mujh se iss qadar
pyaar hai agar
laa de yeh botal
main todtaa hoon
arre nahin nahin nahin nahin
chal mere bhai
haan
arey chal mere bhai
tere haathh jodtaa hoon
haathh jodtaa hoon
tere paaon padtaa hoon
chal mere bhai

bolaa na nahin aata hoon
arey chal mere bhai
arey ghustaa hi chalaa aa raha hai
haan
chal mere bhai

haan
aagayaa na line pe

chal chal mere bhai
haan
chal chal mere bhai
arey chal mere bhai
chal chal mere bhai
haan haan
chal chal mere bhai
arey chal mere bhai
chal chal mere bhai
arey chal mere bhai
chal chal mere bhai

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Happy Diwali.

Greetings to all dear fellow travelers of this musical voyage, and all dear friends and readers on this blog. Another new celebration of the festival of lights – may it illuminate your life with the brilliance of joy and happiness. And may it bring blessings of good health, peace and satisfying prosperity – blessings that may come visiting, and then continue staying in your household. Till the time when it is due for celebration again, and this greeting will be refreshed – again.

The day that marks the return of Bhagwan Shri Ram to his home in Ayodhya, after a gap of fourteen years. Fourteen long and dreary and joyless years for the people of Ayodhya; years that were spent without the presence of Lord Ram amongst them. While this tenure was in progress, it seemed limitless and overawing. But when the day arrived and the dear Lord returned home, it was a celebration of happiness never seen before.

In the epic ‘Ramayan’, there is a description of two other fabulous celebrations, one when the Lord appears in family of Raja Dashrath, and the second when the young Prince is married to Sita, the daughter of Raja Janak. Both celebrations have been described in detail in the epic. Both celebrations are also portrayed as epitomes of joy and fulfillment. And yet, it is the celebration of the return of Lord Ram that is the most celebrated. For it is the day when, after a wait of fourteen long years, the people of Ayodhya, who had known the joy of His presence amongst them, and had lost him on a pretext, were reunited with His presence and His grace once more. The happiness knows no bounds, when one receives back something that is a source of joy and fulfillment, something that was taken away, and then finally it is returned once again.

It is a celebration of the second homecoming of this happiness. It is the return and the revival of joy into life. It is the time to light up so many lamps that the night becomes as luminous and dazzling as the day itself. Let this celebration sweep through not just your home, but also through your self, your being. With the prayers that this return of the blessings and joy is now forever.

Presenting another wonderful non film rendition by Rafi Sb for this occasion today. This songs comes from the other side of the 78 rpm record that also carries the other Diwali celebration song by him – “Falak Se Utre Zamee Pe Taare” . An NFS that is recorded sometimes in the 1960s, for which information about the poet and the composer is as yet not available.

Listen and enjoy. May this celebration of the visitation of Divine presence and fulfillment, remain with you always.

Happy Diwali.


Song-Aayi deewaali ki dulhaniya (Rafi NFS)(1960) Singer-Rafi

Lyrics

aayi deewali ki dulhaniya
aayi deewali ki dulhaniya
jhil mil deep jaley
jhil mil deep jaley
aayi deewali ki dulhaniya
phoot padey kirnon ke jharne ae
phoot padey kirnon ke jharne
laagey mann ko bhaley
laagey mann ko bhaley
aayi deewali ki dulhaniya

ban thhan kar aaye parwaane ae ae ae ae ae
jal jal kar deewali manaane ae
jal jal kar deewali manaane
log kahen deewali jisko
log kahen deewali jisko
pyaar kisi ka hans ke jaley
aayi deewali ki dulhaniya
jhil mil deep jaley
jhil mil deep jaley

aaaa
birhan ke ghar aayi deewali
birhan ke ghar aayi deewali
sang mein dukhde laayi deewali
sang mein dukhde laayi deewali
lok laaj se darr kar chaahe
lok laaj se darr kar chaahe
us ne kiya singaar bhale
aayi deewali ki dulhaniya

jug jug se koi deepak gaata
jalaa hua dil aur jalaata
apne mann ki pyaas bujhaata
in taaron ki chhaon taley
aayi deewali ki dulhaniya
jhil mil deep jaley
jhil mil deep jaley
jhil mil deep jaley
jhil mil deep jaley

——————————————–
Hindi script lyrics (Provided by Sudhir)
——————————————–

आई दिवाली की दुल्हनीया
आई दिवाली की दुल्हनीया
झिलमिल दीप जले
झिलमिल दीप जले
आई दिवाली की दुल्हनीया
फूट पड़े किरणों के झरने
फूट पड़े किरणों के झरने
लागे मन को भले
लागे मन को भले
आई दिवाली की दुल्हनीया

बन ठन कर आए परवाने ॰ ए॰ ए॰ ए॰ ए
जल जल कर दिवाली मनाने
जल जल कर दिवाली मनाने
लोग कहें दिवाली जिसको
लोग कहें दिवाली जिसको
प्यार किसी का हंस के जले
आई दिवाली की दुल्हनीया

आssss
बिरहन के घर आई दिवाली
बिरहन के घर आई दिवाली
संग में दुखड़े लाई दिवाली
संग में दुखड़े लाई दिवाली
लोक लाज से डर कर चाहे
लोक लाज से डर कर चाहे
उसने किया सिंगार भले
आई दिवाली की दुल्हनीया

जुग जुग से कोई दीपक गाता
जला हुआ दिल और जलाता
अपने मन की प्यास बुझाता
इन तारों की छांव झिलमिल दीप जले
झिलमिल दीप जले
तले
आई दिवाली की दुल्हनीया
झिलमिल दीप जले
झिलमिल दीप जले
झिलमिल दीप जले
झिलमिल दीप जले

Tags: , ,

This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohd Rafi in the 70s
————————-
The introduction to my Facebook group “Mohd Rafi – The Virtuoso” starts with – “Rafi Saab ek ehsaas hai jise mahsoos kiya jata hai, bayaan nehin. Yeh ek naam hai jise sunte hamare dil mein sukoon aur chhehre par muskurahat aa jati hai (Rafi Saab is a feeling that is felt, which cannot be told. It is a name that brings a smile on our face and we feel relaxed). To us he is ethereal; someone from another world; larger than life. No less than a God. This one name evokes a million feelings inside us. We have a smile on our lips and tears in our eyes. In other words, we feel alive when we hear this name – Mohammad Rafi.”
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The blog has seen two dry days in a row when no new posts were made. It is something unusual for the blog but it cannot be avoided. As it is, I was travelling all these days. In fact my travel is not over yet. I have to commence my return journey from today and it will be another couple of days before I arrive back at my base.
Read more on this topic…


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Rafi Saab – In the 70s
——————————

A BIG thanks to Sudhir Ji, a key contributor to this blog, who has started a wonderful thread – “Mohd Rafi Saab – In The Seventies” and has posted some great songs during the month of September.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Ashok Kumar or Kumudlal Kunjilal Ganguly (his birth name) would have been 103 if he had been there. Born in 1911, in Bhagalpur Bengal presidency was a laboratory assistant at Bombay Talkies when he was offered a role in 1936 in Jeevan Nayya. Thus began his six-decade long career. Of course by the time I became aware of Ashok Kumar, the actor, he was past doing hero roles and into playing a father or grand father or some such character. But to give credit where due his name would always appear first in the title cards of all these movies. Whether it was the grandpa in “Anuraag”, “Anurodh”, “Khoobsurat” or many such movies. He was very charming in the brief role of Air Force officer in “Aradhana”. He was Vijay Anand’s “Jewel Thief” as well as Brij Sadanah’s “Raja” along with Pran as “Rana” in “Victoria No: 203”. After the 1973 hit Victoria No: 203 this pair was repeated many times.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shaan” (1950) was directed by Jayant Desai for Kuldeep Pictures, Bombay. The movie had Suraiyya, Rehman, Manorama, David, Amar, Chaand, Pratima Devi, Cuckkoo, Savitri, Neeru, Kala, Rajani, Sapru etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Maryaada”(1971) was produced and directed by Arabind Sen for Lalit Kala Mandir. The movie had Raj Kumar, Rajesh Khanna, Mala Sinha, Helen, Rajinderanath, Pran, Bipin Gupta, Asit Sen, JankiDass, Abhi Bhattacharya,Dulari,Gurnam, Master Babla, Abhimanyu Sharma, Arun, K.Shukla, Lata Bose, Sanjana, Jankidass, Bunty etc in it.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

= = = = = = = = = = = = = = = = = =
The Many Colors of Love #21 – Dwelling in the Lover’s Eyes
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – -

And so wrote the scribe

oooo
meri aankhon mein bas gaya koi re
mohey neend naa aaye main kyaa karun

Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

= = = == == = = = = = = = = = = = =
Rafi Sb – In The Seventies – 23
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(1971 – Solo – Regional – Chhattisgarhi)

One more song, the final one of this series – it belongs to the category ‘heard- just-once-o-but-never-forgotten’. And once again, another dramatic reunion, this one just two days ago.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10400 songs post by now.

Total number of songs discussed

10404

Number of movies (All songs covered)

552

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