Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Feelings of heart’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Laughter is a symbol of happy mood or joy. It is an important segment of ‘NAVRASAS’ as HASYA. Even the original writer Bharatmuni has described Hasya as an important element of Navaras, in his Natyashastra. That is why , probably, that many kings and Rajahs used to appoint a court Jester or Vidushak, who would ease the tension in the court by causing mirth.
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Today (6 november) is the 27th death anniversary of Sanjeev Kumar. When most of his contemporary actors were content to get typedcast in certain kinds of roles and would spend their entire career playing the same kinds of role, Sanjeev Kumar would play just about any kind of character that he was offered. While signing up movies, he did not worry about the impact of that role on his star value. To worry about one’s stardom was for lesser actors, not for Sanjeev Kumar , who could play roles that most heroes would summarily reject. Sanjeev Kumar played roles of deaf and dumb (Koshish), pimp (Manoranjan), Old man (in several movies), mad (Khilona) etc. His star value remained undiminished, no matter what kind of roles he played in his movies.
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We in this blog have discussed lots and lots of songs picturised on Shammi Kapoor. I eagerly look forward to the day when all available songs picturised on Shammi Kapoor will be available in this blog. I have not counted such songs, but I am sure we may already have at least half of all such songs in the blog.
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“Baadal” (1966) was a Super Pictures Production. It was produced and directed by Aspi Irani. The movie had Sheikh Mukthar,L Vijayalaxmi, Sanjeev Kumar, Helen, Kamal Mehra, Hira Lal, Shammi Aunty, Ratnamala, Niroo, Fazal Khan, Prem, Bob, Ali Razak etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

It is interesting to note the striking similarities in the musical career of S D Burman and Hemant Kumar though the latter was 14 years younger than the former. Both started their musical careers as singers in the 30s followed by composing many non-filmy Bengali and Hindi songs in Calcutta (Kolkatta). Both started their Hindi filmy careers as music directors under the banner of Filmistan – S D Burman in Shikhar (1946) and Hemant Kumar in ‘Anand Math’ (1952).
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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Thanks to cyclone ‘Nilam’ whole of Tamil Nadu, parts of Andhra & many parts of Karnataka are having rains for the past few days. And Bangalore has gone cold. So we are experiencing fantastic romantic (in my husband’s words) climate. Baarish bhi sardi bhi!!! Ab in such a situation I read this post by Atul and thought wow! He has posted “Rama Rama“from “Naya Zamaana” so we can have one more “rain” song. Then I saw that we have a song from “Dus Lakh” soon thereafter so I thought we really need another romantic song to celebrate the weather. So here it is from “Maan Gaye Ustaad” starring Shashi kapoor Hema Malini Pran & wonder of wonders Amjad Khan playing Hema’s long lost brother. Imagine this relationship if you remember “Sholay” & “Jab Tak Hai Jaan” (mind it I am here talking of the Sholay song not Yash Chopra’s next movie’s title, God let him rest in peace).
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“Shehnaayi” (1964), not to be confused with “Shehnaayi” (1947), was a New Oriental Pictures Production. It was directed by S D Narang. This movie had Biswajeet, Rajshree, Johnny Walker, Veena, Chand Usmani, Nirupa Roy, Asit Sen, Iftekhar, Leela Chitnis, D. K. Sapru, Parveen Choudhary etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Imagine that you reached someplace where a song is playing, probably on a radio. But unfortunately it seems you have missed almost the entire song. What you hear as you get into listening range is just the last one or two lines playing. The words you hear do not seem to be part of the main song lyrics. And the words you hear do not seem to make a coherent sentence. You may just skip the thought and move on. Or if you are more Hindi-film-music inclined, you would start to wonder what the song was and who would have been the singer of this song, of which you have heard just a snippet.
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This article is written by Sudhir, a feloow enthusiast of Hindi movie music and a regular contributor to this blog.

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Voice of Mukesh #5
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Ah, so now we arrive at the turning point of Mukesh’s fledgling career that made him capture the attention of all concerned, and be launched on to the sky of Hindi films, never to look back. The year is 1945, the film is ‘Pehli Nazar’, and the singer Mukesh – well, it almost did not happen.
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