Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Guest posts’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Prem naam hai mera. . .
Prem Chopra. . .

Thus happens the surprise introduction of this villain cum character artist, in the film ‘Bobby’ (1973). I call it a surprise because his name does not appear in the credits at the start of the film. ‘Bobby’ was one of the films that I got to see on the big screen, with family. Prem Chopra would be a familiar artist in the nascent mind of the school going ‘yours truly’, thanks to films like ‘Shaheed’ and ‘Upkar’. And so, when abruptly and unexpectedly on to the shining tinsel screen, appears this familiar face and the familiar voice, chewing on a blade of grass, and making his presence felt in a very lewd and unexpected manner, I remember I was aghast – “arre, is ka to naam bhi nahin hai, ye kaise aa gaya?”. For a split second, the thought did cross my mind – “cinema waalon ne koi galat reel laga di hai”. But immediately as the film continued, that thought would be discarded. “Achhaa, aisa bhi hota hai. B’gair naam ke bhi actor film mein aa jaate hain”.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SONGS FROM ARTISTE NAME FILMS….Song No. 4
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Today’s song is from the film Usha kiran-1952. It was a film made by Malwa productions Bombay and the production of the film and its supervision was by the nawab of Kurval from Uttar Pradesh. Those days, many kings and Nawabs got interested in making films. For some of them, the added attraction was the film’s Heroine. Some state chiefs, however,genuinely helped and encouraged Cinema as an art form. One such example was the Shahu Maharaj of Kolhapur State.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Chaandni Raaten – Song No. 10
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‘Chaandni Raaten’ as a theme is much broader than the ‘Nainon se naina milaa ke’ theme. If I am looking for one songs on youtube, it is giving at least two other songs having the same sort of mukhda or similar words. Some of the popular one are usually posted, but still more songs are founds which are not posted. I am trying to give some order to these posts. And keeping some songs for special occasions also.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Chaandni Raaten – Song No. 9
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This song is simply my most favourite ‘chaand’ song of the 21st century. The last two decades had a few such music scores in Hindi films, ‘ Khaamoshi ‘ and ‘Parineeta’ are among them which made the decades bearable musically. Favourite ‘chaand’ song from the 90’s is here. Melody in film songs was still trying to keep its head above the general cacophony which passed for music and entertainment.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Rafi Sb – In The Seventies – 16
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(1978 – Duet)

And with this duet, another film from 1978 makes a debut on the blog. The film is ‘Damaad’ directed by Raja Rakshit. This song I would not categorize as obscure. It was heard relatively more often on the radio, and continues to be alive in memory. And what a gem of a song this one also is.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Rafi Sb – In The Seventies – 15
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(1978 – Solo)

This solo song that got picked for 1978 is a real surprise. Wonderful gem from an obscure film. A song that was heard occasionally, before fading away from radio waves and settling into the quicksand of memories. As I was browsing the list for 1978, this song strummed lost memories of absolutely lovely songs and I had to pick it as tops.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SONGS FROM ARTIST NAME FILMS…..Song No. 3
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Today’s song is from the film Veena-1948. It is sung by Chitalkar, ie. C.Ramchandra, under the baton of Anil Biswas. C.Ramchandra used to respect Anil Biswas very much and Anil Biswas knew that he was a talented composer, who would carry forward the use of western instruments started by Anil ji in HFM. Anil ji liked his style of singing and used to call him to sing in his films,whenever there was an opportunity.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sahir Ludhianvi will always be remembered for the respect he brought to the lyricists of Hindi films. His arrival in the Hindi film industry set a bench mark for lyricists which brought about a transformation in the style of lyrics writing for Hindi film songs from the 5Os through 7Os.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SONGS FROM ARTIST NAME FILMS……Song No. 2
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The famous song, ” Jaane naa nazar, pehchane jigar” was being shot on the floor, on Raj Kapoor and Nargis for the film ‘Aah’-53. It was a romantic song, but Nargis was weeping. The director of ‘Aah’ was Raja Nawathe. He said, ‘ What is this Nargis ? This is a romantic song and you are crying ? ‘. Nargis requested him to stop the shooting. Raj Kapoor,the film’s hero and her close friend was worried. He went to her and asked,” what is the matter,Baby ? ‘. She said sobbingly,” Nani ki bahut yaad aa rahi hai”. Her Nani- Dilipa – was very sick those days. Raj had met her some times, so he understood.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Rafi Sb – In The Seventies – 14
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(1977 – Duet)

Come 1977 and Shatrughan Sinha had been around in films for about 8 years now. He already had two Filmfare awards for best supporting actor under his belt – in 1971 for ‘Paaras’ and 1975 for ‘Dost’. On screen, majority of his roles have a style – freewheeling, assertive and emphatic, whether being the smug good guy or the abrasive bad guy. In the seventies, Shatrughan Sinha was one of the busier actors in the industry, averaging 8 to 9 films a year.
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