Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Arunkumar Deshmukh’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The decade of the 50s and the 60s clearly belonged to Johnny Walker. From 1951 to 1969, JW worked in 142 films – an average of 6 films per year. This means, every 2 months a JW film was released. This is a very high average, which I feel many leading stars also must have found difficult to achieve for successive years. There must be very few to get this number. In the year 1955 alone his 17 films were running at a time in theatres ! In the period 1970 to 1989 he did only 42 films, which averages to almost just 2 films a year.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Our film industry is is not a level playing field for artists, that is for sure ! There were actors, directors, composers and singers who became famous. At the same time there were many ‘not so famous’ artists in all categories. But the largest group of artists are those who can be clubbed together as ‘unknown or less known’ artistes. The industry got enriched with the contributions of all these categories of artists. The ‘Famous’ artists may be 20%, the ‘Not so famous’ may be 30%, but the ‘Unknown or less known’ artistes must be 50% of all the artists in the industry.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is a special song-for me, because it is not only composed by one of my favourite composers, but it is also sung by him, as a duet with Shamshad Begum, in the film Hamaari Shaan-1951. Chitragupta is the composer / singer of this song.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Cinema is popular all over the world. It is popular in India and in every state of India. An average Indian is fond of and can talk endlessly on three common topics- Indian Politics, Cricket and Films. He has opinions on every happening in these matters. At least, this was the case till a few years back. The points of interests might have changed for the new generation and I am blissfully ignorant about the topics that interest the new generation.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

We will discuss today a song from film Daaman-51. This song happens to be one of Lata’s favourite songs and also a Milestone song in her early career, when she was getting settled in her playback singing career. I am pleasantly surprised to note that this song still remained undiscussed here so far,thus giving me the opportunity to discuss this song now.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The decade of the 1950s is called “The Golden 50s”. Within the decade 1957 was the brightest Diamond. The year brought a deluge of meaningful, entertaining and musical films. The Indian audience truly bathed in Ecstasy and exhilaration to enjoy such a variety of joyous feast of optical and aural treat !
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

After film music became popular among the masses, Non film songs were relegated to the background. They not only became difficult to locate,but also became unknown for the newer generation. Compared to the fast, foot tapping songs of today, NFS were very slow and poetic. In most of the NFS ( except a few Jagmohan songs),the use of orchestra was not even worth a mention. Hardly 2-3 instruments were used in most of these songs.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is a song from film Neelampari-1952. It is a duet of Asha Bhonsle and Geeta Roy, under the baton of composer Khwaja Khursheed Anwar.

Many readers may not be having much information about this Music Director, because he migrated to Pakistan in 1947. However he kept on visiting India on and off to compose music for a few films, till 1952. After this he never came for composing music in films.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The song under discussion today is from Yahudi ki Ladki-57. It is a duet sung by Shamshad Begam and Geeta Dutt. Hemant Kumar was the music director. This is one of the very few films in Hindi Film History, which had a similar story plot in four films at different times.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is perhaps the first ever song of S D Batish that I am discussing here. Not that I avoided his songs or his songs were not good enough for me, but may be all his popular songs were already discussed here by others and I just did not get any of his songs for my purpose. It is purely a coincidence. Actually, I have lot of respect for S D Batish, who did a marvellous job of promoting Indian Music in UK and USA. He is one of the rare people who left the film world, but continued serving the Music by turning a corner in his life.
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