Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Arunkumar Deshmukh’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mythological films have been an important part of Indian films since long and this was evident from the fact that there was hardly any production house that did not make a Mythological film. The period of 1940 to 1965 can be called an age of meaningful religious films. In this too, the 1950 to 1960 period was the peak period for this genre. Later on the production of such films dwindled and these days, of course, one has to make efforts to find such a film, with a large magnifying glass !
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from film Maldaar-1951. It was an obscure film which no one remembers now. The songs of this film were composed by a young Satish Bhatia. Songs were quite good. Unfortunately, 1951 was a period when the HFM was in its Golden period and Ek se badhkar Ek melodious songs were offered to the people by well known composers.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from film Badi Bahu-1951. This was a film produced by Ashalata Biswas (under the banner of Variety Pictures-the Logo of which was made by Anil Biswas and owned by Ashalata). The film was directed by her brother S Bhagat and the music was given by her husband Anil Biswas.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Till 1947, Hindi films were made in Bombay, Lahore, Calcutta and Poona. Most studios were located in these cities. South Indian language films were made mainly in Madras and Bangla films were made in Calcutta and Dhaka.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Film industry is one industry where men and women have to work together. Whether it is Actor-director or Singer-Composer, for the sake of work they have to spend much time together. No wonder then that Cupid does his work overtime. Sometimes there are mutual attraction and at times there are one sided fires burning. In most cases the one sided fire is extinguished in a very painful way, like what P L Santoshi faced with actress Rehana or the slap Sanjiv Kumar got from actress Nutan.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In our film industry,there were two types of actors. One-who were lucky and did not have to struggle at all to become successful as a Hero and Two-those who had to struggle hard to be a hero and successful. We are NOT talking about actors like Raj Kapoor, Shammi or Shashi kapoor or R D Burman, for whom already there was a base made by their fathers in the industry facilitating their acceptance and opportunities. However there are examples like Mehmood -son of a successful actor Mumtaz Ali and some other star sons who had to struggle hard to create their own space in the industry.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The best period of HFM’s melody was the 50s. Countless sweet melodies were brought out by talented composers. The whole atmosphere in India that time was highly conducive to the growth and spread of Indian film industry. newer markets were being added for overseas exhibition,thus making the actors and singers earn more.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In the mid 50s,there were several religious movies and hundreds of melodious Bhajans in them. Those readers who were grown up enough to enjoy Radio in that period will recall several bhajans from that era which had become commonplace in most household. Today we will enjoy one such bhajan from the film Tulsidas-1954.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today we are going to get introduced to yet another great singer from Gujarat, who was so popular in the 50s that people called him ” King of Prabhatiyas “. Prabhatiya is a kind of Bhajan sung in the early hours of mornings, just when the Sun is about to rise.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE GENTLEMAN MAESTRO….
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White full shirt, ironed white pyjama, spectacles with big powerful lenses and the trademark white Gandhi Topi… He could easily be mistaken for a ‘Pandharpur Warkari’ (a regular pilgrim to Pandharpur) or a member of a ‘Bhajani Mandali’ or simply a middle class ‘Marathi Manoos’. Such was the appearance of one of Hindi filmdom’s talented, yet not so famous, music maestro VASUDEV GANGARAM BHATKAR or Snehal Bhatkar, as we all know him.
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