Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lyrics by Prakashchandra’ Category


“Painter Babu” (1983) was produced by Manoj Kumar under his banner of VIP Films with the aim of launching the career of his son brother Rajeev Goswami. The movie had Rajeev Goswami, Meenakshi Sheshadri, Neelima Parandekar, Veerender Sharma, Dheeraj Kumar, Aruna Irani, Madan Puri, Om Shiv Puri, Neelam, Rakesh Bedi, Bandini Mishra, Birbal, C.S.Dubey, Bharat Kapoor, Pinchoo Kapoor, Rajen Kapoor, Kamini Kaushal, Lalita Kumari, Ram Mohan,Meena T, Tuntun, Goga Kapoor, Sudhir Dalvi, etc.
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“Kailashpati” (1962) was a B grade mythological movie which was an Alice Pictures production. It was produced and directed by Dhirubhai Desai. The movie had Sumitra Devi, Mahesh kumar Desai, Jeevan, Niranjan Sharma, Padma Rani, Premlata, Paul Sharma, Abhimanyu Sharma, Bhoj Kumar, Polson, Laxmi Kant Bagla, Champak Lala, Darshan Kumar, Dushyant, Nitin Kumar, S.P.Kalla, Deepak Kumar, Prakash Bagla, Indira Bansal etc in it.
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The Bangla novel “Parineeta” has inspired the making of several films in Bangla as well as in Hindi. Some of these movies had the same titles as the title of the novel. Then there were movies with different titles too, but based on the same story.
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When ordinary people want to go down memory lane in their personal lives, they need to look for their old photo albums. With movie personalities with long successful careers, all they need to do is to watch their old movies. In some cases, where these film personalities began early, viz as child artists, they can relive their childhood by watching these movies.
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“Pyaar Ki Pyaas” (1961) was a Anupam Chitra Production. It was produced by Pt Mukhram Sharma and Mahesh Kaul. Pt Mukhram Sharma wrote the story and Mahesh Kaul directed the movie. The movie had Manmohan Krishna, Nishi Kohli, Shrikant, Honey Irani, David Abraham, Manorama, Yashodhara Katju, Lal Bahadur, Gopi Krishna, Kamal Mehra, Indira Bansal, Dulari, Kathana, Hayat, Taneja etc.
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When I was growing up in 1970s then I had propounded a theory about the actors and movie makers of Hindi movies. My thoery was that the movie makers needed to take the movie going janta for a ride by serving them fare that they liked. In cruder terms, movie going public had to be fooled into partonising their movies. And the movie makers needed to be on their toes because it was obviously not possible to keep serving them the same fare.
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