Archive for the ‘Lyrics contributed by readers’ Category
Hum Ne Chaaha Magar Keh Na Paaye
Posted on: July 26, 2016
- In: Asha Bhonsle solo | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Ghazal | Guest posts | Love song | Lyrics contributed by readers | Post by Sudhir | Radio Song | Songs of 1970s (1971 to 1980) | Songs of 1971 | Yearwise breakup of songs
- 6 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
For a soft and lovely and romantic expression, it probably does not get better than this delightful ghazal. The words, the music, and the rendition – all have come together to craft this wonderful expression of bashful love. Love, that wants to say many things, but remains un-speaking, when presented with the opportunity. The anxiety and hesitations tie the tongue, and the moments pass by without a word being said. Shakeel Sb has so beautifully painted the words around this emotion. Each couplet is a priceless gem. I am bowled over with how the words are knitted together.
hasraten aarzooen umangen
jaane kis raah par jaa rahi theen
un ko dekha to manzil samajh kar
ruk gaya karvaan un ke aage
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today (25 july 2016) is the 20th death anniversary of G S Kohli. G S Kohli, a long time assistant to O P Nayyar was an independent music director in movies like “Faulaad”(1963), Shikaari”(1963), “Namasteji”(1965) etc.
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Aagre Se Odhni Mangaa De Balma
Posted on: July 22, 2016
- In: "Naughty" song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | fun timepass song | Guest posts | Lyrics contributed by readers | Mukesh songs | Post by Sudhir | Shamshad Begam songs | Shamshad Begam-Mukesh duet | Songs about a place | Songs of 1940s (1941 to 1950) | Songs of 1947 | Yearwise breakup of songs
- 7 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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The Voice of Mukesh #70
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The film industry has seen many stars, who, by logical analysis, should not have been. Let me mention the names of four male singers, who have become legends now – Saigal Sb, Rafi Sb, Mukesh, and Kishore Kumar. Besides all four of them being singers who have rendered songs that have become timeless in their essence and popularity, there is one more common thread that runs through their lives. None of these four had any recognized formal training in classical music. And yet, their voice, their renditions, the emotional alchemy contained therein – has an element of something that can only be attributed to providence.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Missing Films of 1960s – 23
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In our effort to bring on the films of 1960s as yet missing from the blog, today with enter the year 1963. This is as per the list of pending films sent by Khyati Ben. ‘Been Ka Jaadu’ is alphabetically the first film of 1963 that is still waiting representation here. To recap the status, I am giving below the list of films from 1961 and 1962, for which we are as yet unable to trace any songs.
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- In: "Dholak" song | Dance song | Devnagri script lyrics by Sudhir | Duet | fun timepass song | Guest posts | Lyrics contributed by readers | Post by Sudhir | Question-Answer song | Rafi - 'अ' से 'ह' तक | Rafi songs | Rare song | Series of articles | Shamshad Begam Rafi duet | Shamshad Begam songs | Songs of 1950s (1951 to 1960) | Songs of 1951 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 21
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‘ढ’
“ढोलक को खूब बजाओ, जानी को खूब नचाओ”
Today’s alphabet letter has been the most elusive to locate. Statistically, ‘ढ’ is one of the lesser used letters, and so, the songs starting with words starting with this alphabet are comparatively fewer in number. As I was poring through the song lists from various sources, the search always ended with just three songs starting with ‘ढ’. And incidentally, these three are well known songs, and are already posted on our blog. The search through the lists, whether from Geet Kosh or other sources, is sometimes a problem, because at times a leading couplet appears in the beginning, and ‘mukhda’ of the song appears in the later part of the title. Searching for such words in the title is a difficult and tedious task. But after some extra effort I was able to identify this song. Then I went back into the Geet Kosh again, and confirmed that the ‘mukhda’ of this song indeed starts with the word ‘ढोलक’.
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Doobi Naiyyaa Aa Ke Kinaare
Posted on: July 16, 2016
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 20
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‘ड’
“डूबी नैय्या आके किनारे”
Continuing with the alpha series of songs by Rafi Sb, I present today a lesser heard sad song from the early years of his career. The year is 1948. The young singer is just finding a foothold in the industry. The film song that will become his first popular hit happened this year – “Ik Dil Ke Tukde Hazaar Huye. . .” (from the film ‘Pyaar Ki Jeet’). Other very significant songs are also to follow in this year and the next (1949).
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Rokna hai agar rok leeje magar
Posted on: July 11, 2016
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Jaal”(1967), not to be confused with “Jaal”(1952) was directed by Moni Bhattacharya for New World Pictures. The movie had Mala Sinha, Biswajeet,Johnny Walker,Tarun Bose, Sujit Kumar,Nirupa Roy, Helen, Asit Sen, Jagdish Raj, Niranjan Sharma, Kamran(Guest Artist) etc in it.
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Aha Re Magan Mera Chanchal Mann
Posted on: July 10, 2016
- In: Artist century song in blog | Blog century song | Century of movies (all songs covered) | Century songs for the blog | Dance song | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Lata solo | Lata song | Lyrics contributed by readers | Post by Sudhir | Songs of 1950s (1951 to 1960) | Songs of 1960 | stage dance | Yearwise breakup of songs
- 12 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 12200th song post in the blog.
The duration has been sliced to less than half, rather almost one third. That is, in comparison to the previous interregnum. Maybe not THE quickest but one of the quickest. Ah yes, I refer to the century milestone, the 122nd that we strike today. The reference to the duration is the time comparison between this one today, and the one that came just before it. We had hit the 12 thousand mark on 20th April. After that, it has been a real slow tread to come to the next one hundredth mark, which happened on 18th June. Counting the days, the number is 60. One of the tardiest to have occurred on this blog. But then we made it up, very sprightly and very quick – from 19th June to 10th July today. Counting the days, the number is 22. Wow, that is the bandwagon at its galloping best. The Raanchiwaala Gaanewaala is pulling out all the stops.
Congratulations to all the bandwagoneers – one more batch of a hundred songs is now added to the collection. And the musical journey continues, merrily onwards.
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- In: "Mela" song | "Taqraar" song | Asha Bhonsle songs | Dance song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | fun timepass song | Guest posts | joie de vivre | Lyrics contributed by readers | Post by Sudhir | Rafi songs | Rafi-Asha Bhonsle duet | Songs of 1960s (1961 to 1970) | Songs of 1963 | Yearwise breakup of songs
- 7 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The strongest image that remains in the mind is that of the film director Sinha Saab, a bedraggled man in tattered garments, with ruffled grey hair and white beard, a leathery skin on face lined with wrinkles that appeared much before time – a young person who aged too rapidly for his years. With help of a walking stick, he climbs down from the shadows of the scaffolding where he has perched himself, watching the action on the floor below – the same floor where once, not too long ago, he was the ringmaster, and everyone bowed to him. Not anymore. Today, he is a ‘has been’, who lost his touch of Midas, and the same world that once clamored to him, has quickly forgotten and relegated him, literally, to the garbage heap.
With difficulty, he negotiates the narrow ladders that lead down from the scaffolding to the studio floor. Once there, he shuffles to the chair, his chair, in the days of glory; the chair with the word ‘Director’ written across its back. He sits. And then he is immobile, never to get up again, never to wake up.
When the crowd of workers return after lunch, everyone is shocked to see this grimy old man, sitting motionless in the director’s chair. Everyone is known to him, but today no one recognizes him, now that he is gone. None, save one light-boy, who remembers and recognizes his earliest benefactor – Sinha Saab.
The power of these images and these sequences now have a cult following, not only in India but worldwide. Remembering Guru Dutt on his seventy seventh anniversary. (9th July)
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