Archive for the ‘Pathos’ Category
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49 | Post No. : | 72 | Movie Count : |
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Kishore Kumar has sung lots of songs that could be described as happy, romantic, comedy, sad etc. But there was one category of song where Kishore has not figured too many times. And this is the category of ghazal.
Here is a song that could be called a ghazal. If it is not so, plese correct me. This is a Kishore Kumar solo song, and quite a nice song. Yes, it is picturised on Rajesh Khanna. How did you guess that ?
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49 | Post No. : | 71 | Movie Count : |
66 |
Some day I will make a list of all the sad songs of Mukesh, and then I will analyse them to find out which song expresses which kind of sadness. I may be able to identify scores of types of sadnesses listening to Mukesh’s songs, and then I will present my thesis to an university and take a doctorate. Not a bad idea, I think.
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48 | Post No. : | 65 | Movie Count : |
61 |
“Bandini” was a movie that had some of the saddest songs one can come across. Each of these songs could move the audience, not only when the movie was released, but even today, some 45 years later.
Circumstances force Nutan to leave her home without informing anyone, and she leaves her home one night. Of course, she did not know what lay in store for her.
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47 | Post No. : | 62 | Movie Count : |
58 |
People like me tend to classify bollywood songs simply between sad and happy songs. But there could be so many variations to each of these themes. For instance, sad songs could have so many shades. Mukesh has sung so many sad songs, and they all are different from each other.
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Rahen na rahen hum
Posted on: September 2, 2008
- In: Braving it out | Duet | Lata solo | Lata song | Multiple version song | Pathos | philosophical song | Poignant Song | Rafi songs | Rafi Suman Kalyanpur duet | sad song | Songs of 1960s (1961 to 1970) | Songs of 1966 | Suman Kalyanpur songs | Translation by nahm | Yearwise breakup of songs
- 9 Comments
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Blog Day : |
46 | Post No. : | 57 | Movie Count : |
54 |
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45 | Post No. : | 55 | Movie Count : |
52 |
Lata Mangeshkar was at her zenith in 1960s in my opinion. And she was helped in that by the fact that she was the preferred choice of the best music directors of that time, who also happened to be the all time greatest music directors of Bollywood.
The same could be said about the lyricists. Genuine poets and shayars of the highest class used to write lyrics for the bollywood songs. And the heady mixture of quality singing, lyrics and music was for all to see and listen to.
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45 | Post No. : | 53 | Movie Count : |
51 |
Kishore Kumar sang most of his earlier songs under the music direction of S D Burman. But he did sing under other music directors too. But as far as sad/ serious songs were concerned, most such songs of Kishore Kumar tended to be under the music direction of S D Burman and typically picturied on Dev Anand.
But Kishore Kumar’s prowess in singing sad/ serious songs was being acknowledged by other music directors too. And Kishore Kumar was getting chances to sing for himself in movies as well.
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Piya toone kya kiya
Posted on: August 30, 2008
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43 | Post No. : | 47 |
S D Burman would typically sing a song at the beginning of the movie that would become an immortal song. “Zindagi Zindagi” also had such an opening song sung by the maestro that became immortal.
“Zindagi Zindagi” went one better. Not only did the movie open with a S D Burman classic song, the movie ended likewise too. And the song that plays at the close of the movie is just as standout as the opening song.
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41 | Post No. : | 41 | Movie Count : |
43 |
Impressing masses and classes both, that too without playing to the gallery must be a great quality for any music director. And S D Burman was quite an accomplished music director that way.
And what about his singing ? Different and unconventional no doubt, but what a voice ! He carved a unique niche for himself as a singer of note.
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33 | Post No. : | 33 | Movie Count : |
33 |
Boat songs, where the singer sings about maajhi(boatman) and the boat were the speciality of S D Burman as a singer and music director. But here, his son R D Burman has created music that his father must have been proud of .
And the voice of Kishore Kumar is nothing short of magical. It has been chronicled that the people present at the time of recording of this song were so much moved by Kishore Kumar’s singing that they cried. Kishore Kumar’s voice full of pain and pathos had that effect on them.
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