Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘“Phool” song’ Category


In old Hindi movies, especially those of 1950s and 1960s, we often see songs picturised on “Taanga”, also called “Tonga”, not to be confused with a country of this name. 🙂

“Taanga” was actually a mode of public transport in India those days. With time, Taanga has all but vanished as a mode of public transport in India. But they have not become extinct. One can still find them in some small towns of India. I have noticed them in small places in Madhya Pradesh, Chattisgarh etc. In fact, one can see them in Fatehpur Sikri near Agra in UP. I recall that we (I, my wife and daughter) actually rode on a Taanga to go to Fatehpur Sikri a few years ago.
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4th january is the day when R D Burman left for the heavenly abode at quite a young age of 54. He was easily the most influential music director of my formative age, viz 1970s. R D Burman as the music director, Kishor Kumar as the male playback singer and Rajesh Khanna as the male superstar arrived at the scene almost simultaneously and they all left their indelible mark of Hindi movie industry.
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On the occasion of Rafi’s birthday, I have discussed a variety of songs of many genre whose lyrics were contributed by different contributors. So, going by that trend, here is another Rafi gem from yet another forgotten movie.
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1950s was the decade when it was the cherished dream of Indians to see their nation progress. And Hindi movies were not immune from this zeal for nation building. Many movies of that era had nation building as the underlying theme of the movie.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

With this write up, I initiate a series of posts (at least ten, may be some more) to cover some very wonderful gems, and yet, very obscure and rarely heard songs of Mukesh. Mukesh, a voice filled with magic, a poignant and a simple, unpretentious sound. A voice that attracts with its sweet mellifluous tones. A voice that remains a unique rendition to date. Never up there is the top brackets like Rafi Saab or Kishore Da. And yet, the voice that has left an indelible mark on the Hindi film music. And also bequeathed scores of veritable gems for the listening pleasure of music lovers.
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Hrishikesh Mukherjee had watched a Japanese movie, which depicts a man who has only a few days to live but instead of being melancholic, he lives his life cheerfully and spreads happiness all around him. Hrishikesh Mukherjee liked that movie so much that he adpated the movie into Hindi and created “Anand” (1970). Not content with that, he re adapted the same adaptation to change the gender of the main character and he thus came up with “Mili” (1975). Both these movies were critically well acclaimed and well received by the ordinary movie watchers as well.
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