Archive for the ‘Rafi solo’ Category
O kaal teri jholi mein kya kya bhare
Posted on: June 8, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Raajraani Damyanti”(1952) was a mythological movie which was produced by Mahipat Rai Shah-Anupchand Shah and directed by Raja Nene for Roopkamal Chitra, Bombay. The movie had Nirupa Roy, Trilok Kapoor, Usha Kiran, Vikas, Baby Tabassum, Ratan Kumar, Prakash, Vasant Kaanse, Shakeela, Shakuntala, Uma Devi, Yashwant Dave, Ram Singh etc in it.
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Aap Ka Shukriya Aap Ki Meharbaani
Posted on: May 6, 2017
- In: Atul ji's 10K Song Milestone Celebration Posts | Baag/Bagiya song | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Happy song | Love song | Lyrics contributed by readers | Post by Sudhir | praising a person | Rafi solo | Rafi songs | Romantic song | Songs of 1970s (1971 to 1980) | Songs of 1972 | Yearwise breakup of songs
- 13 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Atul ji’s 10K Song Milestone Celebrations – 13
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गाता जाये बंजारा
That is the image that forms in the mind. A distant, unfamiliar scenario. A solitary person trudging along a dusty road that leads through farms and fields, passing through towns big and small.
There is a purpose in the pace. There is a steadiness in the tread. There seems to be an unhurried and patient urgency in the forward movement.
Is he searching for someone, for something? Is he expecting a certain destination? I don’t know. The landmarks, they come and go, the milestones pass by. But he appears not to halt anywhere, never seems to take rest. Just a pause at a milestone, sees it with a searching eye, takes another breath, and then presses on.
He seems to be carrying something, slung on the shoulders. Is that an instrument of music? Or is it something else? What is it, I am not able to make out.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Agra Road” (1957) was produced and directed by Ravindra Dave for Nagina Films, Bombay. This crime movie had Shakila, Vijay Anand, Nanda, Bhagwan, Satish Vyas, Amarnath, Krishnkant, Dhumal, Nazi etc in it.
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Ye khidki jo band rehti hai
Posted on: April 28, 2017
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Yesterday (27 april 2017), sometime around noon, I got to hear the very sad news that Vinod Khanna had passed away.
I had logged onto Twitter for a bit – and immediately saw a tweet saying “One of the most handsome actors of Hindi movies. RIP”. My heart sank. Soon it was clear that the person being discussed, and now trending as a hashtag, was our own beloved Vinod Khanna.
Recently a picture of Vinod Khanna had been circulating on social media. It shocked many (including myself) as it showed him in a very frail condition. I, for one, was not even aware that he was ailing. But nowadays, with advances in medical science, you tend to expect recovery, especially for someone barely 70.
It was not to be.
The end was therefore unexpected for me – and I think, for many.
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Aaj Gaa Lo Muskura Lo
Posted on: April 23, 2017
- In: Armed Forces Songs | Atul ji's 10K Song Milestone Celebration Posts | Devnagri script lyrics by Sudhir | Guest posts | Happy-Sad song | Lyrics contributed by readers | Multiple version song | Post by Raja | Rafi solo | Rafi songs | Songs of 1970s (1971 to 1980) | Songs of 1972 | Yearwise breakup of songs
- 7 Comments
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Atul ji’s 10K Song Milestone Celebrations – 1
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On this blog, one thing we enjoy is, celebrations. 🙂
We are always looking for an opportunity to celebrate – and every other day, we get a reason to do so. Often it is somebody’s birthday or birth anniversary, or a milestone of a 100th or 1000th song for an artiste, or for the blog. And even if it is a death anniversary, which is not really a cause for celebration, we use the occasion to pay tribute to the concerned artiste. Many of my own posts fall in this category. An occasion gives me an opportunity to reminisce and share my thoughts.
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- In: "Aankh" song | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Love song | Lyrics contributed by readers | Post by Sudhir | Rafi - 'अ' से 'ह' तक | Rafi solo | Rafi songs | Series of articles | Songs of 1960s (1961 to 1970) | Songs of 1962 | Yearwise breakup of songs
- 6 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 37
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‘ह’
“हम तो पहली ही नज़र में दे चुके हैं दिल तुम्हें”
Lingering memories, fading in, successively, in a shuffle sequence, as the charmed mind tries to follow and decipher all the fine nuances and entertaining devices, contained in this immortal, unforgettable voice – that of Rafi Sb.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Neel Kamal” (1968) was directed by Ram Maheshwari for Kalpanalok. The movie had Waheeda Rehman, Raj Kumar, Shashikala, Balraj Sahni, Jairaj, Chhaya, Sulochana, David Abraham, Mehmood, Manoj Kumar, Lalita Pawar, Tiwari etc in it.
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Shamma Bujhne Ko Chali
Posted on: April 16, 2017
- In: "Broken heart" song | "Sacrificing in love" song | "weepy" song | Background song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | Melancholic song | Post by Sudhir | Rafi - 'अ' से 'ह' तक | Rafi solo | Rafi songs | sad song | Series of articles | Shama Parwana song | Songs of 1960s (1961 to 1970) | Songs of 1964 | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 35
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‘श’
“शम्मा बुझने को चली”
Of the many colors of Rafi Sb’s voice, probably the most touching, and the most impressive is his interpretation of the emotions of sadness. Maybe, it be so that the “. . . sweetest songs are the ones that tell of the saddest thoughts” (from the poetry of Percy Shelley, that inspired the iconic song of ‘Patita’ (1953) – “Hain Sab Se Madhur Wo Geet Jinhen Hum Dard Ke Sur Mein Gaate Hain”). And maybe, that the genuineness and honesty of expressions that go together with the unfeigned and substantive voice of Rafi Sb, it simply makes us feel the true depth of this ‘sweetness’ – a sweetness that touches a very familiar, a very dear chord within.
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