Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Suresh Wadkar songs’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 1000th song post in the blog during the year 2025.

Blog Day :

6362 Post No. : 19729 Movie Count :

5168

Pancham’s Music – Eighties-to-Nineties (1981-1994…) Duets-4

In the series of Pancham’s duet compositions from the eighties-nineties, today we introduce a duet song from the movie ‘Palay Khan-1986’.

This movie ‘Palay Khan-1986’ also makes its debut on the blog today.

This movie was produced by Skahti Samanta and directed by Ashim Samanta for Untied Producers & Shakti Films. It was passed by Censor Board on 03.12.1986. It had Jackie Shroff, Poonam Dhillon, Farha Naaz, Suresh Oberoi, Shakti Kapoor and Anupam Kher. They were supported by Sushma Seth, Puneet Issar, Satyen Kappu, Dinesh Thakur, Mac Mohan, Roopesh Kumar, Bob Christo, Kamal Kapoor, Tom Alter, Manek Irani, Zubeda, Rasinder Singh, Tito Singh, Mahender Tyagi, Tarana, Shivangi, Gurvinder, Abhishek Ahuja and others. Preeti Sapru made a guest appearance in this movie and actor Raza Murad had a friendly appearance in this movie.
Read more on this topic…


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6356 Post No. : 19708 Movie Count :

5166

Hullo Atuldom

“Dosti Dushmani” (release date 31st October 1986) was directed and produced by T. Rama Rao. It had the team of Anand Bakshi- Laxmikant- Pyarelal giving us five songs that had Mohammad Aziz, Suresh Wadkar, Shailendra Singh, Kavita Krishnamurthy, S. Janaki & S.P. Balasubramaniam as playback singers.

Jeetendra, Rishi Kapoor & Rajnikanth played fast-friends (soulmates) with Pran & Sowcar Janaki, who are the biological parents of Jeetendra (in the film), being the anchors in the life of the friends. Bhanupriya, Kimi Katkar & Poonam Ddhillon were the ladies in the lives of the heroes. Amrish Puri, Shakti Kapoor, Kadar Khan, Asrani, Shafi Inamdaar & Gurbachan form the supporting cast.

This film was a remake of the Telugu film “Mugguru Mithrulu” (1985). The Telugu film was also remade in Kannada as “Brahma Vishnu Maheshwara” (1988).

I have seen the film, in parts, whenever it shows on some satellite television channel. I have seen that Jeetendra is forced into a fake marriage with Bhanupriya to shield Poonam Dhillon, who is Rajnikanth’s wife, from defamation or some such thing. In this fake marriage, Rishi Kapoor, Pran & Sowcar Janaki are the co-conspirators. Then there is an angle of Kimi Katkar, who has an axe to grind against Amrish Puri, falling in love with Rishi Kapoor. Plus, we come to know that Bhanupriya & Rajnikanth are siblings & Amrish Puri is their father who had abandoned the family at the start of the film. Additionally, Rajnikanth had got separated from his family & was fostered by Pran. What an uncomplicated masala film!!!!

This film is making it’s debut on the occasion of the 75th birthday of actor Rajnikanth who has a cult, God-like status among his fans particularly in South India. He has acted in films of all four South Indian languages though the number of Malayalam films is only one or two. His name appears in the credits of a Bengali film too, as ‘Guest Appearance’. He has acted in around 25/26 Hindi films. He has also produced & wrote screenplay for a few films (learnt this today)

Rajinikanth was born as Shivaji Rao Gaikwad on 12 December 1950, in a Marathi family, in Bangalore, Mysore State (present day Karnataka). His mother was a homemaker and his father, Ramoji Rao Gaekwad, was a police constable. He was the youngest of four siblings; he has two older brothers & a sister.

A fact about his early life, which is not well – known (or I should say I learnt today) is that his brother enrolled him at the Ramakrishna Math. Here, he was taught Vedas, tradition & history and also began acting in plays at the Math. His aspiration towards theatre grew at the Mathh and was once given an opportunity to enact the role of Ekalavya’s friend from the Hindu epic Mahabharata. His performance in the play received praise from the Kannada poet D. R. Bendre.

Upon completion of his school education, Rajinikanth took up several jobs including that of a coolie, before getting a job in the Bangalore Transport Service as a bus conductor. He continued to take part in plays after the Kannada playwright Topi Muniappa offered him a chance to act in one of his mythological plays. He decided to take up an acting course in the newly formed Madras Film Institute after coming across an advertisement. During his stay at the institute, he was noticed by the Tamil film director K. Balachander. Balachander provided Rajinikanth with his stage name to avoid confusion with fellow actor Sivaji Ganesan. The director advised Rajnikanth to learn to speak Tamil, a recommendation that he quickly followed. Although he can read the language, he cannot write in it. (Me too, I can read the language with some difficulty but not write it. I think I am qualified to be Rajni Saar’s fan. 🙂 )

Rajinikanth played supporting and “villainous” roles in most of the films released during the initial years of his career with lead roles which were few & far-between. His first film as one of the main leads, in Tamil came in 1978 in a remake of ‘Amar Akbar Anthony’. He first played a positive character in Telugu in 1977. I am unable to find out which was his first film as a positive lead in Kannada. His Hindi debut came in 1983 with ‘Andhaa kanoon’.
Rajnikanth is married to Latha Rangachari & has two daughters – Aishwarya & Soundarya- both of whom are connected with the film industry. Aishwarya Rajnikanth is a film director & playback singer while Soundarya is a film producer/ director along with being a graphic designer. Soundarya was the first woman director to direct Rajnikanth in ‘Kochadaiiyaan’ (2014).

The Government of India honoured him with the Padma Bhushan in 2000 and the Padma Vibhushan in 2016. He was awarded the Dadasaheb Phalke Award in 2019, though he has won only one Filmfare award for best actor in 1984 for a Tamil film, IFFI (International Film Festival of India) conferred on him the Satyajit Ray Lifetime Achievement Award this year- 2025.

Wish you a very Happy Birthday Rajnisaar (‘Thalaiva’ which translates as ‘leader’ but also used to mean ‘BOSS’). May you continue to entertain your fans. Stay Healthy. 🙂

Audio

Video


Song-Yaaron humko dekh ke kahe ye duniyaa saaaree (Dosti Dushmani)(1986) Singers-Mohammad Aziz, Shailendra Singh, Suresh Wadkar, Lyricist-Anand Bakshi, MD-Laxmikant Pyarelal
All three
Chorus

Lyrics

ho o o o
o o o
ho o o o
o o o

aa aa aaa aa
ho o o o
laa laa laa laa
laa laa laa laa
laa laa laa
yaaron humko dekh ke
kahe ye duniya saaree
yaaron humko dekh ke
kahe ye duniya saaree

yaaree ho to aisee ho
arre yaaree ho to aisee ho
haan haan haan haan
yaaree ho to aisee ho

jaisee apnee yaaree
arre yaaron humko dekh ke
kahe ye duniya saaree

ho o
yaaree ho to aisee ho

arre yaaree ho to aisee ho
haan haan haan haan
yaaree ho to aisee ho

jaisee apnee yaaree
yaaron humko dekh ke
kahe ye duniya saaree

kaun kisee ke liye bhala marne ko taiyyaar hai
arre
kaun kisee ke liye bhala marne ko taiyyaar hai

duniya mein har ek ko apnee jaan se pyaar hai
duniya mein har ek ko apnee jaan se pyaar hai
arre humko apnee dostee
arre humko apnee dostee
haan haan haan humko apnee dostee
apnee jaan se pyaaree
yaaron humko dekh ke
kahe ye duniya saaree
yaaree ho to aisee ho
jaisee apnee yaaree

kaheen kaheen par phool ye khilte hain naseeb se
kaheen kaheen par phool ye khilte hain naseeb se

is duniya mein dost to milte hain naseeb se
arre is duniya mein dost to milte hain naseeb se
kitnee achchee doston
arre kitnee achchee doston
haan kitnee achchee doston
hai taqdeer hamaaree
yaaron humko dekh ke
kahe ye duniya saaree
yaaron humko dekh ke
kahe ye duniya saaree

Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda

Govinda Govinda
Govinda Govinda
Govinda Govinda
Govinda Govinda

Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda

bansee baajee jamuna paar
saare gwaale hain taiyyaar
Govinda
bansee baajee jamuna paar
saare gwaale hain taiyyaar

arre gokul ashtmee ka tyohaar
aao aaj manaayen yaar

gokul ashtmee ka tyohaar
aao aaj manaayen yaar

hey galee galee mein macha shor
aaye aaye maakhan chor

galee galee mein macha shor
aaye aaye maakhan chor

ye matkee hum todenge
maakhan kha ke chhodenge
ye matkee hum todenge
maakhan kha ke chhodenge

aaj ke din hum dekhenge
ban ke kishan muraaree

Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda
sambhal ke
hey sambhal ke
hey
ek to
do teen
teen chaar
hey
hey
hey
hey
hey
hey
hey hey hey
hey hey hey
hey hey hey
hey hey hey
hey hey hey
hey heyyyy


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6320 Post No. : 19573 Movie Count :

5149

Hullo Atuldom

“Bad Aur Badnaam” (1984) which was produced & written by K.D. Shorey and directed by Firoze Chinoye, had music by Laxmikant- Pyarelal for songs that were written by Anand Bakshi. Lata Mangeshkar, Shabbir Kumar, Suresh Wadkar, Anuradha Paudwal & Shailendra Singh were the playback singers used for the six songs.

The film’s cast was headed by Parveen Babi, Sanjeev Kumar, Anita Raaj and Shatrughan Sinha. Dr. Shreeram Lagoo, Kadar Khan, Jagdeep, Urmila Bhatt, Madhu Malini, Madhu Malhotra, Kamal Kapoor, Jagdish Raj (was not a cop in this film), Raj Mehra, Ram Mohan, Pinchoo Kapoor, Tom Alter and I. S. Johar played important supporting characters.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6313 Post No. : 19549 Movie Count :

5145

‘Khoon Aur Sazaa’ (1985) was produced by K K Talwar and was directed by Hari Prasad Reddy. The cast included Girsh Karnad, Dilip Dhawan, Swaroop Sampat, Amrish Puri, Jagdeep, Prema Narayan, Dalip Tahil, Seema Deo, Kalpana Iyer, Piloo Wadia, Jalal Agha etc. Producer, K K Talwar is the maternal uncle of Rajesh Khanna who started as an associate producer of Rajesh Khanna’s film, ‘Roti’ (1974). Thereafter, he had turned producer with ‘Aashiq Hoon Bahaaron Ka’ (1977), ‘Sharda’ (1981) and ‘Baazi’ (1984) before he produced the film under discussion. This is the only Hindi film of Hari Prasad Reddy as a director.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6309 Post No. : 19532 Movie Count :

5143

Hullo Atuldom

“Jawani Zindabad” (1990) was a film that has been listed in the romantic/ drama genre. It was a remake of the 1988 Kannada film ‘ Avale Nanna Hendthi’.

The film had Aamir Khan & Farha Naaz playing the lead with Asrani, Kadar Khan, Javed Jaffrey, Rohini (from South Indian films), Utpal Dutt, Shobha Khote, Rajesh Puri, Upasana Singh, Sushma Seth, Satyen Kappu, Chandrasekhar, Mehmood Jr., Birbal, Shail Chaturvedi, Jagdish Raj, Viju Khote, and many known faces playing supporting characters. Anand Milind were tghe music directors for songs written by Sameer & Verma Malik. Sadhana Sargam, Amit Kumar, Suresh Wadkar, Kavitha Krishnamurthy, Anuradha Paudwal, Udit Narayan, & Mohd Aziz were the playback singers used for the six songs. The film was produced by Jay Mehta & Pranlal Mehta with Arun Bhatt as the director.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6305 Post No. : 19517

‘Prem Geet’ (1981) was produced by Lakhan Sinha and Pawan Kumar under the banner of Ramayana Chitra. The film was directed by Sudesh Issar, father of Puneet Issar. Raj Babbar and Anita Raj were in the lead roles with the supporting cast of Rajni Sharma, Sowcar Janaki, Madan Puri, Shashi Ranjan, Sajjan, Raj Kishore, Viju Khote, Vandana Rane, Yasmeen etc. It was the first released film of Anita Raj and also of Jagjit Singh as the music director.

Producers Lakhan Sinha and Pawan Kumar are elder brother and Secretary, respectively of Shatrughan Sinha. Ramayana Chitra is the home film production banner of Shatrughan Sinha. Director, Sudesh Issar started his filmy career as assistant director to Raj Khosla. He assisted him in ‘Ek Musaafir Ek Haseena’ (1962), ‘Wo Kaun Thhee’ (1964), ‘ Mera Saaya’ (1966), ‘Anita’ (1967), ‘Chiraag’ (1969) and ‘Mera Gaon Mera Desh’ (1971). ‘Sauda’ (1974) was Sudesh Issar first film as an independent director.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6280 Post No. : 19438

‘Pakhandee’ (1983) was produced by Robert D’Souza and was directed by Samir Ganguly. The cast included Shashi Kapoor, Sanjeev Kumar, Zeenat Aman, Asha Parekh, Ranjeet, Helen, Jagdeep, Asit Sen, Leela Mishra, Anwar Hussain, Kader Khan, N A Ansari, Dinesh Thakur, Sudhir etc. This was Samir Ganguly’s last film as a director.

Samir Ganguly was born in Lucknow in 1936. His father was working in the railway while his mother was a housewife. He was the youngest of the seven children. After the retirement of his father in 1947, Samir was looked after by his brother-in-law (his sister’s husband) in Jaipur who was financially well-off. After his brother-in-law’s retirement, Samir came to Mumbai in 1953 in search of employment during which he stayed with another brother-in-law, Subodh Mukerji who was the younger brother of Filmistan’s boss, Shashadhar Mukerji.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6266 Post No. : 19393

‘Imaandaar’ (1987) was produced by Surendra Pal Chaudhary and Sarla Sandhu and was directed by Sushil Malik. The cast included Sanjay Dutt and Farah Naaz in the lead roles supported by Pran, Sumeet Saigal, Satyen Kappu, Vikas Anand, Rohan Kapoor, Ranjeet, Mehmood, Om Prakash, Birbal, Chandrashekhar, Sudhir Dalvi, Dinesh Hingoo, Shammi, Shashi Kiran, Mehmood Jr., Ram Sethi, Subbiraj etc.

The film was a Prakash Mehra presentation which indicates as to who was behind this film. Sushil Malik, the director of the film was Prakash Mehra’s assistant director. The film’s producer, Surendra Pal Chaudhary was one of the partners of Prakash Mehra Productions. Another connection of this film with Prakash Mehra is his trademark film story revolving around a homeless, abandoned and orphaned lead actor, like in ‘Muqaddar Ka Sikandar’ (1978), ‘Jwaalaamukhi’ (1980), ‘Laawaaris’ (1981), ‘Sharaabi’ (1984) etc. In a way, Prakash Mehra was replicating his own story who was an orphan child having lost his mother and thereafter his father abandoning him when he was 8 year of age.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6213 Post No. : 19192 Movie Count :

5096

In this article I am taking up for discussion an obscure film, ‘Rukhsat’ (1988) which I watched online recently. The film was written and directed by Simi Grewal – the only film she directed so far. The cast included Mithun Chakraborty, Anuradha Patel, Marc Zuber, Amrish Puri, Simi Grewal, Pradeep Kumar, Rohini Hattangadi, Tom Alter, Baby Sona Sardesai etc with friendly appearance by Sujit Kumar. The film took about 6 years to complete and get released.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6188 Post No. : 19118

Pancham’s Music – Eighties (1981-1990) Part-2 –post-5 (1989)

(Celebrating Pancham’s 86th Birth Anniversary 27.06.2025 – 9)
——————————————————————————————————

We are celebrating Pancham’s eighty-seventh birthday today (27 June 2025) on this musical blog. In the previous post I had mentioned about the ‘declining period’ of Pancham as it is said to start with the eighties. During this period he also had health issues and people also started deserting him. But, as I mentioned there were few people who stood by him even in his bad days and they willing to work with him. Pancham was also detemined to bounce back. One of these persons who stood by Pancham’s was his fan turned producer-director Vidhu Vinod Chopra. Chopra was planning ‘Parindaa-1989’ and he had approached Pancham. When he met Pancham he found him in a stage of low self-esteem. However Vidhu Vinod Chopra insisted that only Pancham would give music to his film and he convinced Pancham to do so. Pancham in turn went on to extend help to Chopra when he didn’t have money to pay for the recordings.
Read more on this topic…


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