Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1970s (1971 to 1980)’ Category


Madan Mohan may often be typedcast in the minds of many music lovers as a composer of ghazals, mainly with Lata and to some extent with Rafi. But Madan Mohan was a versatile music director. I have listened to many Madan Mohan songs of other genres as well and I have posted them too.
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“Aan Baan” (1972) is one of the last movies of Rajendra Kumar as a hero. In this movie, he was paired with Rakhi, a heroine half his age. In any case, his days as Jubilee Kumar were behind him as by that time Rajesh Khanna had taken over as the new box office God by that time.
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The first Hindi movie made by an NRI (non resident India) was “Shalimar” (1978) by Krishna Shah which was made with great publicity and fanfare and it was thought that the movie was going to be another “Sholay”, if not bigger. When finally the movie was released, it turned out that the movie was huge let down. The movie failed to last for more than one week in the movie halls.
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“Chhaliyaa” (1960) is a well known movie. In comparison, few people have heard of “Chhaliyaa” (1973). This movie had Navin Nischol, and an ageing Nanda, and the movie failed to achieve any great success at the box office.
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When the lyrics and details of this song were sent to me by Prakashchandra,I thought that he must have made a mistake as I have definitely posted this well known Rafi song in the blog. On checking, I found that I had not discussed this song, rather I had discussed the other well known song from this movie sung by Mukesh (Main dhoondhta hoon jinko ).
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“Mausam” (1975) is a movie that is known as much for the acting of Sanjeev Kumar and Sharmila Tagore as for its music. Unfortunately Madan Mohan, the music director of the movie was not alive to see the success of this movie. For much of his life, movies embellished by his wonderful songs would bite the dust as the box office, and ironically, the movies released after his death, viz “Mausam” (1975) and “Laila Majnu” (1976) turned out to be hit movies riding on the music of these movies.
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This article is written by Sudhir, a fellow enthusisat of Hindi movie music and a regular contributor to this blog.

The enticement of the tinsel world of films has fostered many real life stories of people from all walks of life giving up their professions and jobs, with an aspiration to make it a success in the film world. The story of the famous composer Chitragupt (full name Chitragupt Stivastava) is also of this kind. Born in 1917 in Karmaini (Chhapra District), Bihar, Chitragupt did a double MA in Economics and Journalism, and was working as a lecturer in Patna. In the early 40s, he gave it all up and came to Bombay with a dream to make it big, not as an actor, but as a singer and music director. He worked as an assistant with SN Tripathi, who became his mentor. In 1946, Chitragupt got his first independent assignment as a composer for the movie Toofan Queen. Not a success on the box office, the film did nothing much to help progress Chitragupt’s career. He would do another 20 odd films between 1946 and 1952, before coming into his own in the early 1950s. The 1952 film Sindbad the Sailor, though not a huge success in itself, its music was very successful. In 1955, SD Burman recommended him to the AVM studios (in Madras), which started an association that lasted for many years. During this time, he composed music for many hit films from AVM viz., Mein Bhi Ladki Hoon, Barkha, Mein Chup Rahoongi, Bhaabhi etc.
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