This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Dhaake Ki Malmal” (1956) was a Nanda Films Production. It was directed by J K Nanda. The movie had Kishore Kumar, Madhubala, Ulhas, Sajjan, Raj Mehra, Rajen Haksar, Shyam Kumar, Jagdeep, Om Prakash etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Forgotten Melodies of the 1940s – 19
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GEET GOVIND (1947) was produced under the banner of Kanu Desai Productions and was directed by Ramchandra Thakur. The star cast included Prem Adib, Leela Desai, Sulochana Chatterjee, David, Bhagwan Das, Ram Singh, Pesi Patel, Kantilal, Rampiyari etc. There were 14 songs in the film penned by Pandit Indra (11) and Balam Pardesi (3) which were set to music by Gyan Dutt. The film was released on 3rd January 1948 at Majestic Cinema in Bombay (Mumbai).
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Ae Hazrat Ye Hai Pehli Adaa
Posted on: March 11, 2016
- In: "Helen" song | "teasing" song | Devnagri script lyrics by Sudhir | Enticement Song | expression of love | Feelings of heart | Guest posts | Lata solo | Lata song | Lyrics contributed by readers | playful song | Post by Sudhir | Song excluded from DVD/VCD | Songs of 1960s (1961 to 1970) | Songs of 1963 | Yearwise breakup of songs
- 6 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Songs to Tickle Your Memory – 30
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The inboxes on my email, mobile and YouTube account seems to be getting as many reminder messages these days, as messages for request. 🙂 This song apparently has not yet surfaced in public domain. And for those who have heard it, and remember it, this is a vintage Chitragupt melody – stuff that memory ticklers are made of. I got requests from more than one friend (Arvinder ji included, of course) to post this song. And our dear friend Manju ji (daughter of producer director K Amarnath) is also waiting for this song.
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Pardes mein jaane waale saajan
Posted on: March 11, 2016
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Forgotten Melodies of the 1940s – 18
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CHAAND TAARA (1945) was produced under the banner of Asiatic Pictures and was directed by Mahesh Chandra. The star cast included Charlie and Swarnlata in lead roles with Jagdish Sethi, Indira, Kesari, Pandey, Ghulam Rasool, Ghory and Pesi Patel in the subsidiary roles. There were 10 songs in the film, all penned by Swami Ramanand Saraswati which were set to music by Gyan Dutt.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 15
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‘छ’
“छोड़िए गुस्सा हुज़ूर ऐसी नाराज़ी भी क्या”
वो बादशाह सुरों का (He, the monarch of musical notes)
This phrase is used as the intro caption by one of the fans who uploads many songs of Rafi Sb on YouTube. (His name is Ahsaan Qasim. He is a dear friend, and part of the wide circle of collector friends).
I have discussed in one of my earlier posts, about Rafi Sb’s cognizance of the emotional intent of a song, and his ability to capture and express its exact flavor and nuance, when he would sing it. This ability made his playback voice so intensely an integral subsumed part of the on screen performance, that his voice seemed to dissolve into the persona on screen, losing its own identity. And Rafi Sb had no favorites in this regard. His voice became the voice of any and every actor who lip synced his songs on screen. No other singer in this domain has been able to emulate This remarkable and pervasive characteristic of Rafi Sb’s singing. Other singers either have a very unique characteristic of their singing voice that is identifiable in every song they have given their voice to, or the identity of their voice matches the identity of some select actors and on screen roles. As I said, the pervasiveness of this ability of Rafi Sb continues to be unmatched.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today’s song is a very melodious song from film Actor-1951. It is sung by G.M.Durrani, under the baton of a less known composer Aziz Hindi.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Forgotten Melodies of the 1940s – 17
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If I were to define ‘Assistant Music Directors’ in the context of Bollywood, I will define them as those talented musicians whose talents are exploited by some of the top music directors for furthering their own brand of music in Bollywood. No doubt, they are paid for the job and their contributions may be appreciated by the masters, but there is no recognition from the public at large for their talents. They remain the unsung artists among many other musicians who contribute to the success of film music.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Jawaani”(1942) was directed by Wajahat Mirza for National Studios, Bombay. THe movie had Surendra, Jyoti, Husn Banu, Kayamali, Agha, Nawab, Dulari, Gulzar, A. R. Kabul, Sankata Prasad etc in it.
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