Posts Tagged ‘Asha Bhosle’
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The byline in one of the news programs on the 6th evening was – “फिल्मों का एक युग, मिनटों में सिमट गया” (“filmon ka ek yug, minton mein simat gaya”) (an entire era of (Hindi) filmdom, faded away in a matter of minutes). A completely unexpected departure happened earlier in the day. Very much in the saddle, and very much in the busy prime of his career, Om Puri passed away suddenly. The amount of intensity he packed into his characters, and in his dialogue delivery, it seemed he was going to last forever on the screen. Sixty six years they say. Goodness, it just seems like yesterday that Bhikhu picked up that axe used to cut wood at a cremation ground, and brutally attacked his own sister.
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Ek Khwaab e Tamanna Bhoole Thhe
Posted on: October 25, 2016
- In: Artist century song in blog | Asha Bhonsle solo | Asha Bhonsle songs | Century songs for the blog | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Jilted lover song | Lyrics contributed by readers | Poignant Song | Post by Sudhir | Remorse | sad song | Songs of 1970s (1971 to 1980) | Songs of 1978 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
तुम ना जाने किस जहां में खो गए॰॰॰
एक शायर का नज़रिया है॰ यूं तो हमें मालूम है के ज़िंदगी का दिया एक दिन बुझ जाना है॰ मगर फिर भी, जब किसी चहेते का साथ छूटता है, तो दिल का ग़म इन्हीं लफ्जों में ढलता है॰॰॰ तुम ना जाने किस जहां में खो गए॰॰॰
[A poet’s perspective it is. We are all aware that the life breath will cease one day. But still, when a dear one departs, the sadness in the heart expresses itself in these very words. . . “Tum Na Jaane Kis Jahaan Mein Kho Gaye”].
The words are from the pen of Sahir – the poet extraordinaire, whose poetry has touched every strand in the fabric of life, every passion, every sentiment of the human psyche. A poet who has given us near about seven hundred film songs, that express a multitude of emotions coloring the canvas of life.
Remembering Sahir Sb, on the anniversary of his passing away today (25th Oct, 1980).
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Duniya Chup Chupeeti Chor
Posted on: September 26, 2016
This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Genius of Jaidev – 53
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1971 colored social film ‘Ek Thi Reeta’ was produced by International Films, Bombay and was directed by Roop K Shorey. I am not repeating the star-cast as they were presented in all earlier six songs.
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- In: Artist century song in blog | Asha Bhonsle solo | Asha Bhonsle songs | Blog century song | Century songs for the blog | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Lyrics contributed by readers | Post by Sudhir | Songs of 1950s (1951 to 1960) | Songs of 1959 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 12400th song post in the blog.
Songs to Tickle Your Memory – 35
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इकतारा बोले॰॰॰ तुन तुन
क्या कहे ये तुमसे॰॰॰ सुन सुन
बात है लंबी मतलब गोल
खोल ना दे ये सबके पोल
तो फिर उसके बाद
इकतारा बोले॰॰॰ तुन तुन
There is an interesting aside related to this iconic song from the 1970 film ‘Yaadgaar’. This song was originally written as a romantic song with the lines
रात अकेली साये दो
हुस्न भी हो और इश्क़ भी हो
तो फिर उसके बाद
It was selected by Manoj Kumar for his seminal classic ‘Upkar’. Eventually, this song somehow could not be fitted into the storyline. The song remained in suspended state, till Manoj Kumar revived it three years later, got it modified into a song of social messaging, and included it in his film ‘Yaadgaar’. After spending two and a half decades practically in the wilderness in the industry, here came the first major super hit for the song writer. This surely must be a record of some sorts.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Asha ji, one of the leading lady playback singers in Indian cinema, turns 83 today. Seventy of thes 83 years have been spent in an active career, probably the longest such accomplishment by a playback singer. As Sadanand ji indicates in his article (the one before this), he states that she is currently on a concert tour of US. This speaks of the energy and the verve of this personality.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today is the 83rd birthday of Asha Bhonsle which she would be celebrating somewhere in the USA where she is on a concert tour. We wish her many many happy returns of the day.
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- In: "Aankh" song | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Love song | Lyrics contributed by readers | Post by Sudhir | Rafi songs | Rafi-Asha Bhonsle duet | Series of articles | Songs of 1960s (1961 to 1970) | Songs of 1962 | Songs to tickle your memory | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Songs to Tickle Your Memory – 33
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wo jab yaad aaye
bahut yaad aaye
yes, bahut yaad aaye. . . that voice – the magic, the magnetism, the feeling of surreal contentment that descends into the being, and ensconces it with a joyous delight. It is a voice, that now lives only in our memories, or in the ethereal sound waves. The memories are such, they will never be detached till the breaths last. And the sound – they say in our culture that sound is forever; it lives in the space for all times to come. And so will this voice. This voice – of Rafi Sb. This voice that went to sleep 36 years ago, today. 36 years seem to be a long time, a third of a human life already. But it seems just like, well, recently. And the affinity and the magic of this voice has only deepened with time.
Remembering Rafi Sb today, with all humility and respect and love.
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Hum Ne Chaaha Magar Keh Na Paaye
Posted on: July 26, 2016
- In: Asha Bhonsle solo | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Ghazal | Guest posts | Love song | Lyrics contributed by readers | Post by Sudhir | Radio Song | Songs of 1970s (1971 to 1980) | Songs of 1971 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
For a soft and lovely and romantic expression, it probably does not get better than this delightful ghazal. The words, the music, and the rendition – all have come together to craft this wonderful expression of bashful love. Love, that wants to say many things, but remains un-speaking, when presented with the opportunity. The anxiety and hesitations tie the tongue, and the moments pass by without a word being said. Shakeel Sb has so beautifully painted the words around this emotion. Each couplet is a priceless gem. I am bowled over with how the words are knitted together.
hasraten aarzooen umangen
jaane kis raah par jaa rahi theen
un ko dekha to manzil samajh kar
ruk gaya karvaan un ke aage
- In: "Mela" song | "Taqraar" song | Asha Bhonsle songs | Dance song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | fun timepass song | Guest posts | joie de vivre | Lyrics contributed by readers | Post by Sudhir | Rafi songs | Rafi-Asha Bhonsle duet | Songs of 1960s (1961 to 1970) | Songs of 1963 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The strongest image that remains in the mind is that of the film director Sinha Saab, a bedraggled man in tattered garments, with ruffled grey hair and white beard, a leathery skin on face lined with wrinkles that appeared much before time – a young person who aged too rapidly for his years. With help of a walking stick, he climbs down from the shadows of the scaffolding where he has perched himself, watching the action on the floor below – the same floor where once, not too long ago, he was the ringmaster, and everyone bowed to him. Not anymore. Today, he is a ‘has been’, who lost his touch of Midas, and the same world that once clamored to him, has quickly forgotten and relegated him, literally, to the garbage heap.
With difficulty, he negotiates the narrow ladders that lead down from the scaffolding to the studio floor. Once there, he shuffles to the chair, his chair, in the days of glory; the chair with the word ‘Director’ written across its back. He sits. And then he is immobile, never to get up again, never to wake up.
When the crowd of workers return after lunch, everyone is shocked to see this grimy old man, sitting motionless in the director’s chair. Everyone is known to him, but today no one recognizes him, now that he is gone. None, save one light-boy, who remembers and recognizes his earliest benefactor – Sinha Saab.
The power of these images and these sequences now have a cult following, not only in India but worldwide. Remembering Guru Dutt on his seventy seventh anniversary. (9th July)
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