atul's bollywood song a day- with full lyrics

Archive for the ‘Duet’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Juaari” (1968) was directed by Suraj Prakash for Lotus productions. The movie had Shashi Kapoor, Nanda,Tanuja, Kumari Naaz, Rehman, David Abraham, Madhavi(north), Madan Puri, Agha, Achala Sachdev, Kamal Kapoor, Chaman Puri, Samson, Sulochana Latkar, Ravikant, Tiger, Mikkey, Aruna, Dilip Dutt, Shayam, Vimal Chadha, B.B.Bhalla, Vishu Kapoor etc in it.

Four songs from this movie have been discussed in the past. Here is the fifth and final song from the movie. It is sung by Manna Dey, Lata and chorus. the song is picturised as a club dance song on Shashi Kapoor, Kumari Naaz, Sheila Ramchandra and others while the audience watching the performance include Rehman and Tanuja.

Anand Bakshi is the lyricist. Music is composed by Kalyanji Anandji. Prakashchandra who sent me the lyrics of this song informs that Laxmikant Pyarelal were the assistant music directors in this movie. So it means that this movie took rather long to get released, seeing that Laxmikant Pyarelal had become full fledged music directors by 1964 itself.

With this song, “Juaari” (1968) joins the list of movies that have all their songs covered in the blog.

audio(Partial)

video

Song-Aaya aaya Abdulla (Juaari)(1968) Singers-Manna Dey, Lata, Lyrics-Anand Bakshi, MD-Kalyanji Anandji
Both

Lyrics(Provided by Prakashchandra)

aaa aaa aaa aaa aa

aa aaa aa aa
aaa
aa aa aa aa
aaa
o o o o

aayaa aayaa
abdullaa
aayaa aayaa
abdullaa
hey abdullaa aa
aayaa aayaa
abdullaa
aayaa aayaa
abdullaa
hey abdullaa
yaa allaa
ho o o o
dil chalaa
ho o o
le chalaa
aabdullaa aa
aayaa aayaa

abdullaa
aayaa aayaa
abdullaa
hey abdullaa

sochaa thhaa inkaar karoongi
sochaa
main naa tujhse pyaar karoongi
main naa
sochaa thhaa inkaar karoongi
main na tujhse pyaar karoongi
mere dil pe aanaa hi thhaa
aayaa ulfat ka ilzaam
kaisi chilman kaisa pardaa
koyee bhi na aayaa kaam
aayaa aayaa

abdullaa
aayaa aayaa
abdullaa
hey abdullaa
aayaa aayaa
abdullaa
aayaa aayaa
abdullaa
hey abdullaa

toone meraa dil tod diyaa thhaa
toone
mere shehar ko chhod diyaa thhaa
mere
arrey toone meraa dil tod diyaa thhaa
mere shehar ko chhod diyaa thhaa
shehron se kyaa hotaa hai
abdullaa toh hai woh jaanbaaz
tu duniyaa bhi chhode toh ye taaron se aaye aawaaz
aayaa aayaa
abdullaa
aayaa aayaa
abdullaa
hey abdullaa
aayaa aayaa
abdullaa
aayaa aayaa
abdullaa
hey abdullaa

kitne haseen hain is mehfil mein
kitne
bas jaa aur kisi ke dil mein
bas jaa
kitne haseen hain is mehfil mein
bas jaa aur kisi ke dil mein

oyye teri soorat teraa jalwaa
tere aashiq kaa imaan
teri soorat tere jalwe pe ye dil karne qurbaan
aayaa aayaa
abdullaa
aayaa aayaa
abdullaa
hey abdullaa
aayaa aayaa
abdullaa
aayaa aayaa
abdullaa
hey abdullaa

yaa allaa
ho o o o
dil chalaa
ho o o
le chalaa
abdullaa aaa aaa
aayaa aayaa
abdullaa
aayaa aayaa
abdullaa
hey abdullaa

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It has been raining fairly much all day yesterday. It was raining when I woke up today morning. Seemed like a good pleasant day starting. The weather in Delhi had been humid and windless for past two three days. Yesterday was a welcome break and today is a day with brightness that comes after rain. With nothing particular for reference, the mind had been humming the lines since I woke up.

barsaat mein
humse miley tum sajan
tumse miley hum
barsaat mein

A little later as I opened up my email box, there I found a message from Mahesh ji. He has been very regular with reminders of anniversaries for past some weeks. His message says that it is the birth anniversary of Shailendra today. The two things connected and I was prompted to do this post.

I remembered reading in Shailendra’s biography, that this song was created when it was raining heavily in Bombay. It was stormy. The city was without electric power for a couple of days. Shailendra had penned this song and was eager to meet Raj Kapoor to show him his first creation for films. He had to wait three days on account of rains and power failure before he was able to make way from his railway quarter in Parel to Raj Kapoor’s office in Mahalaxmi. That is the start of his journey in the world of Hindi cinema.

The story of how the two met for the first time, is very interesting in itself. Shailendra had come to Bombay in 1947, as a clerk employed with the Indian Railways. Reading about his early years, one finds that was a revolutionary of thought, and his poetry was plucky and daring. During the years of his school and college education, he made in depth studies of the contemporary poets like Sumitra Nandan Pant, Harivansh Rai Bachchan, Jai Shankar Prasad, Upadhyay Singh ‘Hariaudh’ etc. and also of the poets from ages past like Ratnakar, Bihari Lal Chaubey, Malik Mohammed Jayasi etc. As a young man he participated in the Quit India movement and spent some time in jail also.

After reaching Bombay, true to his spirits, his inclinations found way into the IPTA (Indian Peoples Theatre Association) movement. At one of the meetings, his emotions and feelings about the disastrous partition of the nation and the ensuing human tragedy came out in the fiery poem ‘Jalta Hai Punjab’. Raj Kapoor was present in the audience and he was verily impressed by this young and fiercely passionate poet. At that time, his debut venture ‘Aag’ was on the studio floors and he was frantically searching for a song for the climax of this film. He sensed the blaze in the poem recited by this young poet and he knew where to look now for his climax song. Raj Kapoor met him after the program, and offered him a proposal for writing songs for ‘Aag’. The first response was a decisive and flat ‘No’.

The reason behind his emphatic refusal was the general sentiment that songs in films were a pedestrian variety of poetry and he did not want to associate himself with that standard. Raj Kapoor retreated, but left the proposal open, requesting Shailendra to approach him, whenever he felt ready to work together.

‘Aag’ was completed and released. Now ‘Barsaat’ was on the sets, and the songs were being progressively created. Abruptly one day, Raj Kapoor was informed that a poet by name Shailendra has come to see him. They met, and without any preamble, Shailendra, in a fit of annoyed irritation, most likely at himself, announced that he needed some money due to domestic exigencies and he was ready to write for Raj’s films. The contract with RK Films was formalized the same day, Raj asked him to write songs for a couple of situations in the film.

And thus was born the ‘Barsaat Mein’ poetry, that had to wait three days, after creation, to be presented to Raj Kapoor. Interesting that the delay was on account of rain itself.

A poet of depth and deep sensitivities, his words rouse the mind, and take you down the paths of expressions that are bold, that touch the threads of sorrow very frankly. His poetry is always about the concern for the human individual and the imbalanced social order. Lines from his poems resound in the mind and raise goose pimples on the flesh.

. . .
us paar kisi se milne ka iqraar nahin
mujhse kisi ko pyar nahin
duniya mein tere teer ka
yaa taqdeer ka maara hoon
awaara hoon. . .

mann ki kitaab se tum
mera naam hi mitaa dena
gun to na thaa koi bhi
avgun mere bhulaa dena
mujhe aaj ki vidaa kaa
mar ke bhi rehta intezaar

. . .
tu naa aaye to kyaa
bhool jaaye to kyaa
pyaar karke bhulaana ha aaya hamen
. . .
. . .
meri aankhon mein rahe
kaun jo mujhse kahe
maine dil tujhko diya. . .

. . .
ye poorab hai poorab waale
har jaan ki qeemat jaante hain
. . .
. . .
matlab ke liye andhe ho kar
roti ko nahin pooja hamne

bhagat singh is baar naa lena kaayaa bharatwaasi ki
dehbhakti ke liye aaj bhi sazaa milegi phaansi ki
yadi janta ki baat karoge tum gaddaar kehlaayoge
bamb shamb ki chhodo, bhaashan dogey pakde jaaoge

(These above lines from a non-film poem).

And in his own words, these are the lines that best describe his thought process and his works.

dil ka haal sune dil waala
seedhi si baat naa mirch masaala
keh ke rahega kehne waala

But of course, the poet in him is very versatile, to the hilt. If he wrote “Barsaat Mein” for his debut film, he also wrote for the same film a song that belies all other expectations – “Patli Qamar Hai, Tirchhi Nazar Hai” . The song that I present today is from the 1962 film ‘Naughty Boy’. The music is by Sachin Da, and the singing voices are those of Asha Bhosle and Manna Dey. On screen, the song is performed by Kalpana, a very young and comely looking Kalpana. It seems that this must be her very first film that was shot, although the film ‘Professor’ from the same year is credited as her debut film. Clearly, she appears much slimmer in this vide clip, than she does in ‘Professor’.

Also, on screen, the leading associate dancer is very familiar. Is she Edwina? I request other knowledgeable readers to please help to confirm or correct this suggested identification.

As always, lesser known films carrying wonderful songs that are obscured with the dust of unfamiliarity. This song is one such gem. Listen and enjoy.


Song-Ho gayi shaam dil badnaam (Naughty Boy)(1962) Singers-Asha Bhonsle, Manna Dey, Lyrics-Shailendra, MD-S D Burman
Both

Lyrics

ho oo oo
ho gayi shaam
dil badnaam
leta jaaye tera naam
laakh manaaun nahin maane
nahin maane
nahin maane
ho oo oo oo
ho gayi shaam
dil badnaam
leta jaaye tera naam
laakh manaaun nahin maane
nahin maane
nahin maane
ho
ho
ho
ho gayi shaam

pyaar ne jabse jaadu phera aa
jaag ke karoon main savera aa
aankhon mein naache chhab teri ho
saanson mein rahe gham tera
ho o
poochhen log
kaisa rog
duniya maare taane

happy ho
happy ho
happy happy happy
ho gayi shaam
dil badnaam
leta jaaye tera naam
laakh manaaun nahin maane
nahin maane
nahin maane
ho oo oo oo
ho gayi shaam

haaye naa duniya ka mela aa
tere bina hoon main akela aa
kya main bataaun kahaan kahaan aa
gardish ne mujhko dhakelaa
ho oo
tum aa jaao
lauta laao
wo guzre zamaane

ho gayi shaam
dil badnaam
leta jaaye tera naam
laakh manaaun nahin maane
nahin maane
nahin maane
ho
ho
ho
ho gayi shaam

pyaar ka rangeen ye nazaara
ho saath tumhaara pyaara pyaara
ho oo oo
sapna suhaana mere aage
aaj main phir dil haara
hooo
ye do nain
le gaye chain
laage tadpaane

ho gayi shaam
dil badnaam
leta jaaye tera naam
laakh manaaun nahin maane
nahin maane
nahin maane
ho oo oo
ho gayi shaam
dil badnaam
leta jaaye tera naam
laakh manaaun nahin maane
nahin maane
nahin maane

———————————————
Hindi script lyrics (Provided by Sudhir)
———————————————

हो ओ ओ
हो गई शाम
दिल बदनाम
लेता जाये तेरा नाम
लाख मनाऊँ नहीं माने
नहीं माने
नहीं माने
हो ओ ओ ओ
हो गई शाम
दिल बदनाम
लेता जाये तेरा नाम
लाख मनाऊँ नहीं माने
नहीं माने
नहीं माने
हो
हो
हो
हो गई शाम

प्यार ने जबसे जादू फेरा हो
जाग के करूँ मैं सवेरा हो
आँखों में नाचे छब तेरी हो
साँसों में रहे ग़म तेरा
हो ओ
पूछें लोग
कैसा रोग
दुनिया मारे ताने

हॅप्पी हो
हॅप्पी हो
हॅप्पी हॅप्पी हॅप्पी
हो गई शाम
दिल बदनाम
लेता जाये तेरा नाम
लाख मनाऊँ नहीं माने
नहीं माने
नहीं माने
हो ओ ओ ओ
हो गई शाम

हाय ना दुनिया का मेला
तेरे बिना हूँ मैं अकेला
क्या मैं बताऊँ कहां कहाँ
गर्दिश ने मुझको ढकेला
हो ओ
तुम आ जाओ
लौटा लाओ
वो गुजरे जमाने

हो गई शाम
दिल बदनाम
लेता जाये तेरा नाम
लाख मनाऊँ नहीं माने
नहीं माने
नहीं माने
हो
हो
हो
हो गई शाम

प्यार का रंगीन ये नज़ारा
हो साथ तुम्हारा प्यारा प्यारा
हो ओ ओ
सपना सुहाना मेरे आगे
आज मैं फिर दिल हारा

ये दो नैन
ले गए चैन
लागे तड़पाने

हो गई शाम
दिल बदनाम
लेता जाये तेरा नाम
लाख मनाऊँ नहीं माने
नहीं माने
नहीं माने
हो ओ ओ
हो गई शाम
दिल बदनाम
लेता जाये तेरा नाम
लाख मनाऊँ नहीं माने
नहीं माने
नहीं माने


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Baap Bete” (1959) was directed by Raja Paranjpe for A V M Productions, Madras. The movie had Ashok Kumar, Shyama, Chitra, Baburao Pendharkar, Kanhaiyalal, Lalita Pawar, Jagdeep, Ramesh Rao, Vinod Sharma, Krishnakant, Nana Palsikar, Jagdish Raj, V D Puranik, Vasant Ghorpade, Rajendra Kumar Singh etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Gehra Raaz” (1971) was directed by Niranjan for Salim Productions, Bombay. This B grade suspense movie had Sujit Kumar, Sofia (new find as they said those days), Sheikh Mukhtaar, Abhi Bhattacharya, Satyajit, Brahnchaari, Madhumati, Mohan Sherry, Eshwar, Dinani, Paro, Uma Dutt, Hiralal, Pardesi, Rani, samson, Jelani, Lohani, Sadhna Khote, Sarla, Master Salim etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

We in this blog often come across milestones. The most common milestone is century of songs which occurs after every one hundred songs and so far we have had 101 such centuries.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Moti Mahal” (1952) was produced by Mulkraj Bhakri and directed by Ravindra Dave for Nigaaristaan Films, Bombay. The movie had Suraiyya, Ajeet, Satish, Veera, Jeewan, Roopmala, Baby Tabassum, Ratan Kumar, Srinath, Ramesh Thakur, B M Vyas, Indira Mumtaz, Nand Kishore etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Niraala” (1950) was an M & T Films production. It was directed by Shankar Mukherji. The movie had Dev Anand, Madhubala, Leeta Misra, Mazhar Khan, Madhubala, Yakub, Radha Krishnan, Narbada Shanker, Dev Anand, Mumtaz Ali etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

As mentioned earlier, I am at present in a district in Chhattisgarh that shares the same name as the advanced nation of Korea, but unlike the land of Samsung and Hyundai, I find my internet connection crawling at a pace where it is unlikely that I can even open a page, let alone watch/download videos. So I will have to try and post songs whose drafts are already there with me in the blog.
Read more on this topic…


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In the good old days of radio, there often used to arise, a situation when one would like a song, but would miss the announcement of the name of the film. In such cases, one had to wait for the song to be played again. Now with the advent of internet, things have become much simpler where you can actually search, download, store and listen to a particular song often.
Read more on this topic…


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I wanted to write a post to this song as a Tribute to Mehmood on his death anniversay on 23rd July but I missed the date somehow.

This qawwali is special on many counts. First of all it is a composed by Madan Mohan and written by Rajendra Krishan. The film is Sanjog (1961). It is a marathon effort by Rafi Sahab and Asha Bhosle who are trying to outplay each other in this 10 minutes long qawwali. And ” sone pe suhaaga ” is a unique trivia about this song, as both the singers are giving playback to Mehmood, i.e. Mehmood male qawwaal and Mehmood in the guise of a female qawwaal.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10100 songs post by now.

Total number of songs discussed

10178

Number of movies (All songs covered)

507

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