Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for May 2015


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Entertaining Sales Pitch Songs – 7
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I remember such sellers from my travels in childhood.  It was a time when intercity travel of half a day or less would be a journey by bus, and a longer journey would be by train.  Both my maternal and paternal families are spread out over the Punjab and Himachal areas north of Delhi – Chandigarh, Simla, Ludhiana, Jalandhar and Amritsar.  All these cities being less than a day’s journey, our travels were generally by the intercity state transport buses. Any other travels, like visiting other metropolitan cities which are all south of Delhi, would generally be by train.  During my school years, travel to visit family was quite a regular affair, once or twice a year during vacation breaks.  Other travels, to places like Bombay, Calcutta, Madras and Bangalore were less frequent.
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This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

After celebrating R. D. Burman’s 500th song on the blog with the grand medley of English songs from Bombay to Goa (1972), we are coming to the last song from this movie to be covered on this blog.

The name of the movie suggests that this is a road movie. As usual a road movie needs to have a main character, who undergoes a transformation and realizes his/her past mistakes and comes back to the straight and narrow. The main character of this plot is Mala (Aruna Irani). She is on the run after having witnessed a murder. She boards a bus, which goes from Bombay to Goa.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Troika of Blog’s latest century singers – Mukesh, Rafi and Kishore Kumar : 2. Mohammed Rafi
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With the completion of Rafi’s 2400th song , this Blog has covered nearly 50 per cent of the Hindi songs rendered by Mohammed Rafi during his active career (1948-1980). There is still a long way to go before this blog covers almost all the songs sung by him.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

VINTAGE SHAMSHAD BEGUM….Song No. 4
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Today’s song is from film Doosri Shaadi-1947. This is a duet with Ram Kamlani.

“Shaadi” seems to be quite a favourite Title word for Hindi film producers. There are very funny Titles with the word Shaadi. To start with, there was a film called ” Third wife ” made by Madan Theatres in 1931-the First year of Talkie films in India. Those days Polygamy was very common ( and why not ? King Dashrath of Ramayana had also 3 wives. Even in Mythology Lord Krishna had an astronomical figure of 16008 wives. Mortals today are struggling to manage even ONE wife ! ). Doosri Shadi was made in 1947 and then it was followed by a move practicable Pehli shaadi in 1953. So the number finally came down to a manageable number.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Maa Ka Aanchal” (1970) was produced and directed by Jagdev Bhambri for Harintaraj Films. The movie had Sanjeev Kumar, Abhi Bhattacharya, Anjana(Mumtaz), Leela Mishra, Jagdev, Sheela.R., Satpal Nishan, Sushma, Johnny Whisky, V.Gopal, Gopal Segal, Amol Sen, Dilip Dutt, Deena Nath, Master Rattan, Abdul, RajKumar Dutt, Abdul etc in it.
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This article is written by Striped Lungi (aka Ravi), a fellow enthusiast of Hindi movie music and a new contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

As a new entrant to the blog and to the field of blogging, an introduction is in order. A few mutual friends know me by reputation if not by virtue of meeting me in person . For example, Raja pai has had the misfortune of stumbling into me twice. Once in NYC and then again in Hyderabad. Atul has the dubious distinction of being a very good online friend of mine.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Troika of the latest century singers – Mukesh, Rafi and Kishore – 1. Mukesh
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Sometime in the middle of April 2015, I had sent two write-ups to Atul ji and coincidentally, both these write-ups were on the songs sung by Mukesh. Atul ji sent me a reply saying that for the time being, he was avoiding posting songs of Mukesh as also of Rafi who are on their way to hitting centuries of their songs in the Blog. So he reckoned that my write ups on Mukesh’s songs may have to be held back for a few days. It was apparent that articles for the special events had already been planned.

A click on ‘Some stats’ page of the Blog revealed that while Mukesh was close to attaining his 700th song, Mohammed Rafi was only one short of his 2400th song in the Blog. A further glance on this page revealed that Kishore Kumar too was also very close to hitting his 900th song. So it was rare ‘celestial’ event like that of conjunction of planets Jupiter, Venus and Mars in the triangle shape which is expected on October 28, 2015. And all the three playback singers are nothing less than celestial stars along with Talat Mehmood and Manna Dey. There was an inner urge in me to pay tributes to the troika of playback singers on this unique conjunction of century songs. A thought tickled in my mind. What if I was to select special songs for the troika of playback singers on the occasion?
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This article is written by Raja and Pamir Harvey, fellow enthusiasts of Hindi movie music and contributors to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Raja’s article
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Whenever this blog reaches a milestone of sorts, we , readers and contributors of this blog, feel a sense of tremendous elation.

It doesn’t matter whether it is a blog post count, or an artist post count. The milestone has been reached, song post by song post. And that means, the audio/video of the song, its full lyrics, its various tags – and a write-up. All of this constitutes ONE song post on this blog. And all of us recognize how fulfilling it is, when we have all these components in place.

And that is why, it is the JOURNEY that we celebrate, as much as the milestone itself. To borrow from a famous song of yesteryear, “raah bani khud manzil…”. 🙂

Today, it gives me great pleasure to announce that we have an opportunity to celebrate yet another milestone on this blog. This one relates to an artist who not only revolutionized Hindi film music, he not only won millions of hearts with his compositions during his time, but seems to have only gained in popularity since his death over 20 years ago.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

2486 Post No. : 11111

 

एक गाना सुना होगा – “बड़ा ही CID है वो नीली छतरी वाला, हर ताले की चाबी रखता हर चाबी का ताला”॰ अपने blog पर भी है॰ लगता है अब इस गाने को थोड़ा बदलना पड़ेगा, ऐसे – “बड़े ही CID हैं, ये अतुल गैंग के मेम्बर्स, गाना guess करने में हैं अव्वल नंबर”॰ काश, लेकिन नहीं, अभी ये गाना blog पर नहीं है॰  🙂

(You must have heard the song – “Badaa Hi CID Hai Wo Neeli Chhatri Waala”.  It is on our blog.  Seems as if this song needs to be modified.  Like This – “Bade Hi CID Hain, Ye Atul Gang Ke Members, Gaana Guess Karne Mein Hain Awwal Number”.  Sorry, this one is not yet on the blog).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

When ‘Anand’ was released in theatres in 1970, I was still in school. I remember I did not get a chance to see this film on the big screen in the first run.  It would be later re runs that I got to see this film.  Being still not very involved with cinema and music, the best fare for us used to be what we could see on Doordarshan.  Rather, whatever was telecast on Doordarshan was always the quality stuff in my mind.  So having watched films like ‘Sikander’ (1941) and ‘Roti’ (1942) and ’Baazi’ (1951) on TV, the micro mind of mine carried them as benchmarks and anything that we would see on posters and billboards going to and from school, would be just so so.  I remember, when we came to know about this film ‘Anand’, the names Rajesh Khanna and Amitabh Bachchan did not mean much to us.  Rajesh Khanna, to some extent, as we had all heard the “Mere Sapnon Ki Raani Kab Aayegi Tu” that became popular the year earlier.
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