Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘dance competition’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5926 Post No. : 18542

In this article, I propose to discuss the last song from the film, ‘Chandan Kaa Palna’ (1967), to be covered on the Blog. The song is ‘niratata dhang’, a part of the ‘ashtapadi’ written and composed by Pandit Bindadin Maharaj (1830 – 1918), the doyen of the Lucknow Gharana of Kathak dance.
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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4629 Post No. : 16281 Movie Count :

4474

[Ed Note: Delayed by 3 days on our account, this post was received in email just past midnight on 17th March. It should have posted on 18th. The reference to the dates in the article should be taken from 17th March.]

Hullo Atuldom

18th March 2012 was the first time I sent a contribution to Atulji in the form of lyrics of one of Deewaar’s songs – “Maine Tujhe Maanga Tujhe Paaya Hai“. That happened to be Shashi Kapoor’s 74th birthday. That post also marked 300 songs of Sahir Ludhianvi on the blog. It is nine years since then and we touched 700 songs of Sahir on the blog recently. That was post number 5655 for the blog considering that we had touched 2900 on 3rd September 2010 and those days the blog was chugging along at a great speed.
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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4621 Post No. : 16266

Hullo Atuldom

There is a popular movie of the late ’70s, that has had a rather slow journey through the blog. With this post I hope to bring it to the YYIIPPEEEE station.

It began its journey on the blog with its most iconic song. A song that gave its singer -the legend Mohd. Rafi the National Award for best singer as well as that year’s Filmfare award. The song sort of put all doubting Thomas(es) in their place.
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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3525 Post No. : 14162

Hullo Atuldom

Remembering today a producer- director who started his career in Bollywood in the year 1948. Our in-house encyclopaedia has already enlightened us that this was as a writer for an AR Kardar film of Filmistan. The other Filmistan movies that carry his name as writer are ‘Anarkali’ (1953), ‘Munimji’ (1955), and ‘Paying Guest’ (1957).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Missing Films of 1960s – 35
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Her name is listed as the fourth lady music director in Hindi cinema. But then, that is where the comparison ends. The first three names considered are Ishrat Sultana, better known as Bibbo, then Jaddan Bai, and then we have Khorshed Minocher-Homji, more popularly known as Saraswati Devi. These stalwart composers from the earlier decades (1930s and 40s) of Indian cinema, were formally trained in Hindustani classical music, which also defined their style and the types of songs they composed.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Does the name Sunil Sikanderlal Kapoor ring a bell in our minds? No? But if I say “Nandu, sabka Bandhu”, will that help us to identify the person I am talking of? I think the answer will be yes, by some of the regulars in the blog. Now one more famous line from this actor—“main crime master GO-GO, ankhen nikal ke goti kheloonga”. I can quote so many of his dialogues that I will stop here or the readers will say –“Samajhta nahin hai yaar” (she is boring us). Now I am sure that all of you would have come pretty close to identifying the actor who celebrated his 58th birthday yesterday (3rd September).
(Note: The article was received in good time yesterday, but could not be posted in time. 🙂 )
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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Raag Maalikaa in Hindi Films – 19
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‘Patthar Ke Insaan’ of 1991 is produced and directed by Shomu Mukherjee.  The film was dedicated to his father, Padmashri Sashadhar Mukherji.  The story written by K Bhagyaraj had a star-cast consisting of Jackie Shroff,  Vinod Khanna,  Sridevi,  Poonam Dhillon,  Om Shivpuri,  Saeed Jaffrey,  Satish Shah,  Subiraj, Amita Nangia,  Anjana Mumtaz,  Mahesh Anand,  Moon Moon Sen,  Mushtaq Merchant etc.
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“Das Lakh” (1966) was a Goel Cine Corporation Production. It was produced and directed by Devendra Goel. The movie had Sanjay Khan, Babita, Om Prakash, Pran, Helen, Manorama, Ramesh Deo, Seema Deo, Parvin Paul, Master Ripple, Baby Sonia, Bramhachari, Hari Shivdasani, Shefali Chowdhry, Amir Ali, Nazir Kashmiri, Baby Yasmin, Master Aziz, Kapoor, Abhimanyu Sharma, Shyamlal, Mool Chand etc in it.
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“Shabnam” (1964) was a Super Pictures production. It was produced and directed by Aspi Irani. The movie had actors like Mehmood, L.Vijayalaxmi, Sheikh Mukhtaar, Helen, Jeevan, Mukri, Shyam Kumar, Mohan Choti, Jerry, Cukku, Jeevan Kala, Fazal Khan, Uma Dutt, Suresh, Bismilla, Jullian, Khurshid Khan, Habib, Ramesh, Juggu, Surender, Mahabal, Tukaram, Gopal, Sinha, Narayan, Mithoo Miyaa, Shiraz, Shanta Kumari, Hiralal(Guest Artist), Moolchand etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Often repeated, and I will repeat yet once again. The B/C grade films of yesteryears may not have had the fortune or resources to get noticed by the audience and critics, and yet, as one digs into these categories of films for music, invariably one comes up with A grade gems with absolutely A grade music and lyrics. So many composers have had their work relegated to obscurity, just because the films they composed for did not become commercial success stories.
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